The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Line Up for the Midnight Madness 2014 Program

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Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available). Like this:Like Loading…

New Manborg Trailer!

New HD trailer for the most excellent, Manborg! Like this:Like Loading…

Attention, Horror Fans!

Couchcutter asks horror fans not to cheat themselves out of the future: “I’m not asking you to buy less Hollywood. I’m telling you that we *need* to buy more Independent. At least, if there is any independent stuff that you love or have ever loved. If one of the two have to suffer out of […]

FantAsia Film Festival 2012

The FantAsia site is up and running with many, many trailers to get you ready for the festival. (Or at least, what films to keep an eye out for). Like this:Like Loading…

“Cool Guys: The Ballad of Astron-6″

Spectactularoptical interviews the gentlemen of the Canadian genre film making collective, Astron-6, and includes a retrospective–with video! Like this:Like Loading…

ActionFest 2012 Trailers

Trailers for movies playing at ActionFest 2012: Solomon Kane; Manborg; Wonder Women! The Untold Story of American Superheroines; The Raid; True Romance; Wu Xia; Dragon Eyes;  Let The Bullets Fly; A Gang Story;  The Lost Bladesman; God Bless America; Goon; The Aggression Scale; The Day;  Headhunters; Transit; Sinners and Saints; Bad Ass; The Wild Bunch  […]

Steven Kostanski Talks Astron-6, Winnipeg and Manborg!

Filmmaker Steven Kostanski answers some questions about mysterious subjects such as, Astron-6, Winnipeg and his latest film, Manborg, questions posited by the Gutter’s own Carol Borden. Like this:Like Loading…

“Sometimes It Doesn’t Get Better”

In discussing Astron-6’s horror movie, Father’s Day, Dave Pace notes that what seems to make viewers uncomfortable is not the violence but the nudity, the male nudity.  “What I don’t understand is the uncomfortable shifting around and the outright revulsion you will hear for the scenes where you just see regular naked men. I also […]

Astron-6 International Pictures

“From their first meeting at The Winnipeg Short Film Massacre, the five men instantly found themselves embroiled in a deadly game of cat and mouse. Rather than destroy eachother, the sworn enemies decided to unite – and then destroy themselves (once famous.)” Astron-6 International puts “The Rest in Genre Cinema.”  Watch their films, here. Like […]

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  • Of Note Elsewhere

    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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    At Vox, Alex Abad-Santos interviews Kelly Sue DeConnick about feminism, raising girls and her new comic, Bitch Planet. “DeConnick says Bitch Planet, which debuted late last year, is her take on the exploitation films she loved as a kid. The sci-fi prison saga is confident, slick, and hilarious on multiple levels. But it also vibrates with frustration over the sexism still alive today and the impatience in wanting to eliminate it.”

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