The Cultural Gutter

hey, there's something shiny down there...

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“It’s Okay To Be The Uncool Black Girl”

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“I find it amazing how much you appreciate being a nerd once you get older.  Adding two cups of wisdom along with a pint of experience and mix it all together with maturity gives you a bewitching concoction of someone who is secure in who and what they are.  My security and confidence may not […]

“The Big Idea: In Conversation with LULZSEC”

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The Royal Court Theatre hosts a conversation among former Anonymous LulzSec members facilitated by anthropologist Gabriella Coleman. Like this:Like Loading…

Interview with Alison Bechdel

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NPR interviews cartoonist Alison Bechdel on the occasion of her MacArthur Genius Grant. “I guess I’m proudest of just really sticking with this odd thing I loved and was good at — drawing comics about marginal people (lesbians) in a marginal format (comics). I never thought much about whether that was responsible, or respectable, or […]

An Interview with Gordon Parks

In an interview with the National Visionary Leadership Project, the late Gordon Parks talks Life Magazine, photography, racism, his hometown and offers advice to young Black people. Like this:Like Loading…

Yoshihiro Tatsumi’s “Black Rainbow”

Ryan Holmberg reads Tatsumi Yoshihiro’s Black Blizzard closely with Tatsumi’s memoir, A Drifting Life, and discovers Black Blizzard is an adaptation of pulp mystery writer Shimada Kazuo’s story, “Black Rainbow,” then puts Tatsumi’s work in the context of other mass entertainment of its time.  The piece itself is worth it for the discussion of Shimada […]

Big Damn Heroes

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For all his various meanings, attributes and forms, the hero of a Romance novel is really just the male protagonist.  He can be heroic in nature, of course, and he often is, but it isn’t required. Sometimes the actual heroism, should there be any, falls to the heroine.  And sometimes it falls to the writer. […]

Afghan Notebook

Ted Rall documents his travels through Afghanistan in Afghan Notebook. (He also gets himself added to the list of artists like Joe Sacco, Guy Delisle and Emmanuel Guibert). Like this:Like Loading…

RIP, Harvey Pekar

Famous curmudgeon and writer of the comic, American Splendor, Harvey Pekar has died. The Cleveland Plain Dealer blog has more information. Like this:Like Loading…

“Total Nowhere Emotion Expansion”

What is “Total Nowhere Emotion Expansion?” It’s a digital art exhibit on the back of a trailer in Australia. “Eight artists from five countries have mashed together snippets of online culture – chatrooms, Second Life, online dream journals, first person shooters and more – to make some interesting observations about what cyberspace has become.”  See […]

Portrait of the Artist (with the Sound of Cicadas)

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Tatsumi Yoshihiro’s A Drifting Life is all the proof anyone would ever need that comics can be serious art. It will show up at the top of year end lists and on syllabi. The fanciest of blurbs will be written about it. Comic fans will hound the unsuspecting at parties and in their homes to […]

SHOPPING FOR PANTS WITH MARTIN KOVE

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There’s a pair of pants in the bottom drawer of my dresser. They don’t fit me. In fact, they’re kind of ugly. They’re chocolate brown with thick vertical half-hound’s-tooth white stripes, a trio of faux-bone oblong buttons (non-functional) running up the side of each pocket and belt loops wide enough to accommodate a belt half […]

Author abducted by Aliens!

Ah, the anal probe as metaphor.

Aliens rarely abduct the authors of mass-marketed paperbacks. Once in a while, though, a writer drives along an Interstate highway or recklessly vacations in a remote mountain cabin. Whitley Strieber, the author of The Hunger and most-recently co-author of The Day after Tomorrow, was one of the first to capitalize on the alien abduction memoir […]

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  • Of Note Elsewhere

    Dr. Nerdlove takes a brief break from helping the nerd get the girl to address something that’s been bugging him. “Pardon me while I go off on a bit of a media criticism/ rant here. So I’ve been enjoying the *hell* out of The Flash lately except for one thing: Iris Allen. Her character is screen death; every time she’s around, everything comes to a screeching halt.

    The problem is: it’s not her fault, it’s the writers. Rather like Laurel Lance in the first two seasons of Arrow, she has Lois Lane syndrome. Her (like Laurel and Lois) entire character arc is based around being ignorant of events that literally everyone else in her life is aware of.”

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    Get your own copy of the Satanic Temple’s The Satanic Children’s Big Book of Activities!

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    At The Atlantic, Ta-Nehisi Coates writes about Dr. Doom: “Comics are so often seen as the province of white geeky nerds. But, more broadly, comics are  the literature of outcasts, of pariahs, of Jews, of gays, of blacks. It’s really no mistake that we saw ourselves in Doom, Magneto or Rogue.”

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    Actor Ken Takakura has died. Takakura starred in films such as Brutal Tales of Chivalry (1965); Red Peony Gambler (1968); Miyamoto Musashi: Duel at Ichijoji (1955) and Miyamoto Musashi: Duel at Ganryu Island (1956); as well as in co-productions like The Yakuza (1974); The Bullet Train (1975); Black Rain (1989) and Riding Alone For Thousands Of Miles (2005).  The Japan Times, The South China Morning Post and The AV Club have obituaries. Japan Subculture has an interview with Takakura. Here Takakura sings the theme to Abhashiri Prison (1965)

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    Producer, writer and director Glen A. Larson has died. Larson was responsible for creating tv series such as Battlestar Galactica, Magnum P.I, Knight Rider, The Fall Guy, Quincy M.E., The Hardy Boys/Nancy Drew Mysteries and Buck Rogers In The 25Th Century, about which the Gutter’s own Keith wrote here. The New York Times, The Hollywood Reporter and The AV Club have obituaries. Watch Larson’s interview from 2010 at “Battlestar Galactica: The Exhibition”.

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    At Re/Action, Maddy Myers writes about how important the Metroid franchise, in both game and manga form, and its protagonist, Samus Aran, were to her. “Samus still represents a breakthrough. She first took off her armor to reveal a woman’s form back in 1986, the year that I was born. Samus and I grew up separately, kindred spirits who did not find one another until 2007. A best friend, a fraternal twin sister, a clone separated at birth. Or so I felt, as I let myself slip behind that visor. I wasn’t Samus myself – not yet. I stood behind her, hanging back. Did I dare? Did I dare pretend, role-play, allow myself to act as Samus? Could I be that cool?”

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