The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“How To Write A Thriller”

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Ian Fleming writes about writing: “We are all fed fairy stories and adventure stories and ghost stories for the first 20 years of our lives, and the only difference between me and perhaps you is that my imagination earns me money. But, to revert to my first book, Casino Royale, there are strong incidents in […]

“It’s Okay To Be The Uncool Black Girl”

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“I find it amazing how much you appreciate being a nerd once you get older.  Adding two cups of wisdom along with a pint of experience and mix it all together with maturity gives you a bewitching concoction of someone who is secure in who and what they are.  My security and confidence may not […]

“The Big Idea: In Conversation with LULZSEC”

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The Royal Court Theatre hosts a conversation among former Anonymous LulzSec members facilitated by anthropologist Gabriella Coleman. Like this:Like Loading…

Interview with Alison Bechdel

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NPR interviews cartoonist Alison Bechdel on the occasion of her MacArthur Genius Grant. “I guess I’m proudest of just really sticking with this odd thing I loved and was good at — drawing comics about marginal people (lesbians) in a marginal format (comics). I never thought much about whether that was responsible, or respectable, or […]

An Interview with Gordon Parks

In an interview with the National Visionary Leadership Project, the late Gordon Parks talks Life Magazine, photography, racism, his hometown and offers advice to young Black people. Like this:Like Loading…

Yoshihiro Tatsumi’s “Black Rainbow”

Ryan Holmberg reads Tatsumi Yoshihiro’s Black Blizzard closely with Tatsumi’s memoir, A Drifting Life, and discovers Black Blizzard is an adaptation of pulp mystery writer Shimada Kazuo’s story, “Black Rainbow,” then puts Tatsumi’s work in the context of other mass entertainment of its time.  The piece itself is worth it for the discussion of Shimada […]

Big Damn Heroes

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For all his various meanings, attributes and forms, the hero of a Romance novel is really just the male protagonist.  He can be heroic in nature, of course, and he often is, but it isn’t required. Sometimes the actual heroism, should there be any, falls to the heroine.  And sometimes it falls to the writer. […]

Afghan Notebook

Ted Rall documents his travels through Afghanistan in Afghan Notebook. (He also gets himself added to the list of artists like Joe Sacco, Guy Delisle and Emmanuel Guibert). Like this:Like Loading…

RIP, Harvey Pekar

Famous curmudgeon and writer of the comic, American Splendor, Harvey Pekar has died. The Cleveland Plain Dealer blog has more information. Like this:Like Loading…

“Total Nowhere Emotion Expansion”

What is “Total Nowhere Emotion Expansion?” It’s a digital art exhibit on the back of a trailer in Australia. “Eight artists from five countries have mashed together snippets of online culture – chatrooms, Second Life, online dream journals, first person shooters and more – to make some interesting observations about what cyberspace has become.”  See […]

Portrait of the Artist (with the Sound of Cicadas)

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Tatsumi Yoshihiro’s A Drifting Life is all the proof anyone would ever need that comics can be serious art. It will show up at the top of year end lists and on syllabi. The fanciest of blurbs will be written about it. Comic fans will hound the unsuspecting at parties and in their homes to […]

SHOPPING FOR PANTS WITH MARTIN KOVE

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There’s a pair of pants in the bottom drawer of my dresser. They don’t fit me. In fact, they’re kind of ugly. They’re chocolate brown with thick vertical half-hound’s-tooth white stripes, a trio of faux-bone oblong buttons (non-functional) running up the side of each pocket and belt loops wide enough to accommodate a belt half […]

Author abducted by Aliens!

Ah, the anal probe as metaphor.

Aliens rarely abduct the authors of mass-marketed paperbacks. Once in a while, though, a writer drives along an Interstate highway or recklessly vacations in a remote mountain cabin. Whitley Strieber, the author of The Hunger and most-recently co-author of The Day after Tomorrow, was one of the first to capitalize on the alien abduction memoir […]

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  • Of Note Elsewhere

    Andrew Nette has a pair of interesting pieces on pulp you might be interested in. First, he writes about “the New Pulp” and a bit about Fifty Shades of Gray in “Fifty Shades of Pulp.” Then he writes about pulp and literacy and furthering social advancement in “Pulp and Circumstance.”  “Most people view pulp as either exploitative lowbrow culture or highly collectable retro artefact. Yet pulp has a secret history which Rabinowitz’s book uncovers. Her central thesis is that cheap, mass-produced pulp novels not only provided entertainment and cheap titillating thrills, but also brought modernism to the American people, democratising reading and, in the process, furthering culture and social enlightenment.”

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    The Projection Booth interviews actor Ed Asner.

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    Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very little money to hurry up and make a film, so without any script we just started making it. And after 19 days we made the film.” (Thanks to the Heroic Sisterhood!)

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    A gallery of sweet geeky art from Native American artist, Jeffrey Veregge. “My origins are not supernatural, nor have they been enhanced by radioactive spiders. I am simply a Native American artist and writer whose creative mantra in best summed up with a word from my tribe’s own language as: ‘taʔčaʔx̣ʷéʔtəŋ,’ which means ‘get into trouble.'”

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    John Reppion continues his series on English magic and Jonathan Strange And Mr. Norrell. Next up, “Away With The Fairies.”

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    At the Mary-Sue, Ana Mardoll reviews Vertigo’s new Furiosa comic, which theoretically presents Imperator Furiosa’s backstory by trying to make Mad Max: Fury Road lazier and shittier. “We need to talk about the Mad Max: Fury Road Furiosa #1 comic and how awful it is. Huge content notes on this post, like, in big block capitals and neon letters because this issue is triggery and terrible, and really aptly illustrates just how awful MMFR could have been if it were made without intentionally setting aside lazy (and terrible) narratives about women and rape in order to be better than that. Also, I would honestly recommend going into this post with the mindset that this comic is some kind of terrible non-canon spinoff, because I don’t want to ruin MMFR for anyone.” (Thanks, Century Scully Ono!)

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