At Bleeding Cool, Cap Blackard writes about the contested homeworld of Howard the Duck. “If you’ve seen the much maligned Howard the Duck film or read any Howard the Duck stories published since 1979, you’re probably familiar with the concept of Duckworld. You know, an alternate Earth where everyone is ducks and everything is duck-themed: Ducktor Strange, Bloomingducks, etc, etc. Sounds like a recipe for a finite barrel of bad jokes, right? It is, and it’s also not Howard’s real point of origin. During his landmark initial run, Howard’s creator Steve Gerber had the down-and-out duck hailing from a world of talking animals, but all that changed when Gerber was kicked off the book and Disney flashed a lawsuit. Now, after decades of backstory fumbling, Mark Waid has reinstated Howard’s point of origin in a one-shot issue of S.H.I.E.L.D.” (Thanks, Mark!)
It’s hot and the air already feels like unset Jell-O, but you still have some time to prepare for summer, because all the list-happy magazines and websites tell me, summer must be prepared for. Dig out your seersucker suit! Bob your hair! Find that most fashionable bathing suit–might I suggest a kicky Twenties number? You’ll […]
The trouble with endings, of course, is that they are really difficult to do well. I’ll try to take that warning to heart myself, since this piece will be my last for The Cultural Gutter. And what better way to wrap up a really fun time on a neat project than to look at endings!
Cartoon Network has trailers for the upcoming animated shows, ThunderCats and Legend of Korra, the sequel to Avatar: The Last Airbender as well as an extended look at Green Lantern: The Animated Series with a short peek at the LEGO Ninja show, Ninjago.
I don’t have cable right now so I’m rewatching old shows and movies. A lot of them are animated. Such is my way. I’d like to have a nobler reason for rewatching them–something like when James revisited his favorite childhood books. And it’s true—he did inspire me. But it’s also true that I don’t have […]
I have a theory that television shows get a lot of practice in the cliff-hanger, in hooking the viewer to come back next week, but almost zero experience in creating satisfying endings. Structurally, commercially, the need for such a thing just doesn’t compute. A few genre shows in the throes of concluding long-term stories right […]