Ray Harryhausen passed away last week. This has been noted by people more qualified than I to discuss the master of stop-motion magic—Rick Baker, Adam Savage, Todd Masters, George Lucas, Peter Jackson, and more. The superhuman talent and perseverance evident in a Harryhausen effects sequence can easily be seen in countless visual effects artists since he first brought his creations to frame-by-frame life on the big screen. That makes sense. So how can I really say anything of worth when I say that I was also profoundly influenced by the artistry of Ray Harryhausen? With modesty, and a story about Clash of the Titans. Continue reading…
Director, writer and actor Jésus “Jess” Franco has died. Franco directed just under two hundred films between 1957 and 2012. Chris Alexander writes a tribute to Franco at Fangoria. Here’s footage of Franco accepting his Goya Award. And here, Franco talks about horror movies and the production of Bloody Moon. Update: The Guardian has an [...]
Actress Bonnie Franklin has died. Franklin was best known for her role as Ann Romano in the sitcom One Day At A Time, but performed on stage as well as on television. Here she is performing in the Tony Awards in the 1970s. The New York Times has an obituary.
Our friends at Pornokitsch have announced the shortlist for the 2012 Kitschies, and The Guardian reports on it! The Kitschies recognize “the year’s most progressive, intelligent and entertaining works that contain elements of the speculative or fantastic.”
Bound, Matrix and Cloud Atlas co-director, Lana Wachowski talks about growing up trans, suicide, and becoming a role model in her speech accepting the Visibility Award at the Human Rights Campaign’s annual gala dinner. The transcript is here.
Pornokitsch has a new entry in their ongoing reviews of David Gemmell Award finalists with Mark Lawrence’s Prince of Thorns. Reading the book, Jared wonders “why? Why is it necessary to have a protagonist that’s so aggressively, angrily vile? Bret Easton Ellis did something similar with Patrick Bateman. American Psycho (1991) was the vivisection of the young, [...]
Riffing off Melissa McCarthy’s Best Supporting Actress nomination at the Academy Awards and off the film Tootsie, film critic Bobby Rivers writes: “Hollywood, please give us more witty comedies like Tootsie and make the casts racially diverse. Give minority actors more opportunities. Then start giving more love to actors of all colors who do good work [...]
Nnedi Okorafor writes on her World Fantasy Award for Best Novel, more specifically the award’s statuette and the man it depicts, HP Lovecraft: “This is something people of color, women, minorities must deal with more than most when striving to be the greatest that they can be in the arts: The fact that many of [...]
The ballot is now up for this year’s Rondo Hatton Classic Horror Awards. Voting in the many, many categories is open to everyone!
Our good friends at Pornokitsch presented the 2011 Kitsches this weekend, click through for more and congratulations to the winners and to Pornokitsch for an amazing event!
Our good friends at Pornokitsch have released the shortlist of finalists for the Kitschies’ Red Tentacle award and have an in depth look at one of the Finalists, The Enterprise of Death by Jesse Bullington. “The Red Tentacle is awarded annually to the novel containing speculative or fantastic elements that best fulfills the criteria of [...]
The 2011 Kitschies are accepting submissions for their tentacular awards celebrating books that “best elevate the tone of genre literature.” Read submission criteria, guidelines and check out past winners of the coveted Red, Gold, Black and Inky Tentacle (for cover art) awards here!
Adam Roberts lays down the law on awards from the Man Booker to the Hugo: “I’m saying that award judges, or voters, need to believe, or at least to suspend their disbelief, that it is meaningful to talk of the best book of the year–to think not that you are making purely subjective and arbitrary [...]
If he feels vindicated, he doesn’t show it. As Marc Laidlaw waits for his co-workers to finish a talk, we sit down at a table in San Francisco’s cavernous Moscone Center and talk about Half-Life 2 (Valve, 2004). Its 1998 predecessor is legendary for pushing the form both narratively (bringing atmosphere and intelligence to the [...]