The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Jesus Franco

Director, writer and actor Jésus “Jess” Franco has died. Franco directed just under two hundred films between 1957 and 2012. Chris Alexander writes a tribute to Franco at Fangoria. Here’s footage of Franco accepting his Goya Award. And here, Franco talks about horror movies and the production of Bloody Moon. Update: The Guardian has an […]

RIP, Bonnie Franklin

Actress Bonnie Franklin has died. Franklin was best known for her role as Ann Romano in the sitcom One Day At A Time, but performed on stage as well as on television. Here she is performing in the Tony Awards in the 1970s. The New York Times has an obituary.

The 2012 Kitschies Shortlist

Our friends at Pornokitsch have announced the shortlist for the 2012 Kitschies, and The Guardian reports on it! The Kitschies recognize “the year’s most progressive, intelligent and entertaining works that contain elements of the speculative or fantastic.”

“Visibility is Indivisible from Visibility”

Bound, Matrix and Cloud Atlas co-director, Lana Wachowski talks about growing up trans, suicide, and becoming a role model in her speech accepting the Visibility Award at the Human Rights Campaign’s annual gala dinner. The transcript is here.  

Pornokitsch Reviews!

Pornokitsch has a new entry in their ongoing reviews of David Gemmell Award finalists with Mark Lawrence’s Prince of Thorns.  Reading the book, Jared wonders “why? Why is it necessary to have a protagonist that’s so aggressively, angrily vile? Bret Easton Ellis did something similar with Patrick Bateman. American Psycho (1991) was the vivisection of the young, […]

“On a Tootsie Roll”

Riffing off Melissa McCarthy’s Best Supporting Actress nomination at the Academy Awards and off the film Tootsie, film critic Bobby Rivers writes: “Hollywood, please give us more witty comedies like Tootsie and make the casts racially diverse.  Give minority actors more opportunities.  Then start giving more love to actors of all colors who do good work […]

Nnedi Okorafor’s Howard

Nnedi Okorafor writes on her World Fantasy Award for Best Novel, more specifically the award’s statuette and the man it depicts, HP Lovecraft:  “This is something people of color, women, minorities must deal with more than most when striving to be the greatest that they can be in the arts: The fact that many of […]

10th Annual Rondo Hatton Awards

The ballot is now up for this year’s Rondo Hatton Classic Horror Awards. Voting in the many, many categories is open to everyone!

The 2011 Kitschies

Our good friends at Pornokitsch presented the 2011 Kitsches this weekend, click through for more and congratulations to the winners and to Pornokitsch for an amazing event!

The Kitschies’ Red Tentacle Finalists

Our good friends at Pornokitsch have released the shortlist of finalists for the Kitschies’ Red Tentacle award and have an in depth look at one of the Finalists, The Enterprise of Death by Jesse Bullington.  “The Red Tentacle is awarded annually to the novel containing speculative or fantastic elements that best fulfills the criteria of […]

The Kitschies!

The 2011 Kitschies are accepting submissions for their tentacular awards celebrating books that “best elevate the tone of genre literature.” Read submission criteria, guidelines and check out past winners of the coveted Red, Gold, Black and Inky Tentacle (for cover art) awards here!

On Awards

Adam Roberts lays down the law on awards from the Man Booker to the Hugo: “I’m saying that award judges, or voters, need to believe, or at least to suspend their disbelief, that it is meaningful to talk of the best book of the year–to think not that you are making purely subjective and arbitrary […]

Rethinking Brain Eating

If you had to deal with Stalkers, you

If he feels vindicated, he doesn’t show it. As Marc Laidlaw waits for his co-workers to finish a talk, we sit down at a table in San Francisco’s cavernous Moscone Center and talk about Half-Life 2 (Valve, 2004). Its 1998 predecessor is legendary for pushing the form both narratively (bringing atmosphere and intelligence to the […]

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  • Of Note Elsewhere

    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

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    In  Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence.

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    Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

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    Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available).

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    The Guardian has collected some responses Haruki Murakami gave to reader questions at the Edinburgh International Book Festival. “I don’t have any idea at all, when I start writing, of what is to come. For instance, for The Wind-Up Bird Chronicle, the first thing I had was the call of the bird, because I heard a bird in my back yard (it was the first time I heard that kind of sound and I never have since then. I felt like it was predicting something. So I wanted to write about it). The next thing was cooking spaghetti – these are things that happen to me! I was cooking spaghetti, and somebody call. So I had just these two things at the start. Two years I kept on writing. It’s fun! I don’t know what’s going to happen next, every day. I get up, go to the desk, switch on the computer, etc. and say to myself: ‘so what’s going to happen today?’ It’s fun!”

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    Patrick Lung Kong and Tsui Hark discuss their work together and Lung’s influential film, The Story Of A Discharged Prisoner (1967), during a retrospective of Lung’s work. ‘Protesters called “and said ‘Burn that film, burn it!’” Lung Kong said. The timing was off, with Hong Kong embroiled in riots, and demonstrators targeted a government official Lung Kong had invited to the premiere. “The audience just stepped over the bombs,” Lung Kong said, lifting his foot gingerly to demonstrate. “Thank god, it broke all the records. That’s why I had a third film to make.”’

     

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