The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“I Love Superheroes But They Don’t Love Me”

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At Feminist Sonar, Elsa writes about the representation of disability and superhero comics and movies. “Some days I wonder if I take things like this too personally, but honestly, in a world where Hawkeye was once Deaf but is now hearing, in a culture where Oracle has been returned to her walking self and is […]

DC Variant Covers by Mike Allred

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A gallery of Mike Allred’s covers for twenty of DC’s titles. (via @profmdwhite) Like this:Like Loading…

RIP, Carmine Infantino

Comic artist Carmine Infantino has died. Infantino is most famous for his work on Barry Allen, The Flash, as co-creator of Batgirl and on the 1980s Star Wars comics, but he also worked as an editor, freelance artist and teacher.  Comics Alliance, The AV Club and Robot Six have obituaries. Gary Groth interviewed Infantino in […]

Thinking about Gail Simone’s Batgirl

Adam Bateham wrote a response to Gail Simone’s dismissal from Batgirl and his feelings about the character: “[Simone] ‘got it.’ She didn’t use Batgirl’s inability to walk as a cheap plot point. Simone wrote a character that struggled to move forward because she was weighed down from years of hurt, unfairness, and frustration. A character determined […]

Good-bye, Oracle. Hello, Batgirl.

Comics Alliance says good-bye to Barbara Gordon as Oracle and hello her as Batgirl in the DC relaunch, with some nice art by Phil Noto. Like this:Like Loading…

“Batgirl! The Secret Origin”

In a guest post at DCWomenKickingAss, former DC Comics’ editor and writer Scott Peterson discusses the secret origin of Batgirl! Like this:Like Loading…

Good-Bye, Oracle–Hello, Batgirl

As part of its massive “reboot,” DC Comics will make Barbara Gordon Batgirl again. This means, though that her 20 year history as Oracle, peerless hacker and information broker with an eidetic memory, leader of The Birds of Prey and one of the few examples of a differently-abled hero in comics, is gone.  Some readers […]

Gail Simone Interviews John Ostrander

“When I first wrote Villains United, I was eager to have my chance to write one of the coolest characters in the DCU, Deadshot.   I knew full well, like a lot of writers before me, that John [Ostrander] was THE Deadshot writer, and I knew if I had the chance, I would do whatever I […]

Nobody Dies: The Eternal Return of LEGO Batman

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I’ve written before that I was put off superhero comics by all the dying and resurrected X-Men—the eternal return and the attempts to escape it. You might have noticed that DC and Marvel’s superhero titles have become a bloodbath. Sure, it started it with big crossovers and the death of Superman. Captain America’s death at […]

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  • Of Note Elsewhere

    Make-up artist Lucia Pittalis transforms herself into Rambo, Walter White, Bette Davis, Iggy Pop and many more.

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    There is a gallery of Patrick Dougherty’s woven “Stickwork” installations in Salem, MA at Odd Things I’ve Seen. In a similar vein, you can see some of Joshua Walsh’s art and design for True Detective season 1.

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    This week, our friends at The Projection Booth discuss “George Lucas’s Star Wars (AKA Star Wars Episode IV: A New Hope), the sci-fi film from 1977 that has been rendered unavailable in its original form due to its creator’s tampering.”

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    Speakeasy Radio hosted an tweetalong of The Company Of Wolves followed by a short podcast where Prof. Kate Laity, Ms. Angela Englert and the Gutter’s own Carol discuss the film, author Angela Carter and werewolves. Listen to the episode of Speakeasy Radio here and see all the tweets here.

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    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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