The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Carmine Infantino

Comic artist Carmine Infantino has died. Infantino is most famous for his work on Barry Allen, The Flash, as co-creator of Batgirl and on the 1980s Star Wars comics, but he also worked as an editor, freelance artist and teacher.  Comics Alliance, The AV Club and Robot Six have obituaries. Gary Groth interviewed Infantino in […]

Thinking about Gail Simone’s Batgirl

Adam Bateham wrote a response to Gail Simone’s dismissal from Batgirl and his feelings about the character: “[Simone] ‘got it.’ She didn’t use Batgirl’s inability to walk as a cheap plot point. Simone wrote a character that struggled to move forward because she was weighed down from years of hurt, unfairness, and frustration. A character determined […]

Good-bye, Oracle. Hello, Batgirl.

Comics Alliance says good-bye to Barbara Gordon as Oracle and hello her as Batgirl in the DC relaunch, with some nice art by Phil Noto.

“Batgirl! The Secret Origin”

In a guest post at DCWomenKickingAss, former DC Comics’ editor and writer Scott Peterson discusses the secret origin of Batgirl!

Good-Bye, Oracle–Hello, Batgirl

As part of its massive “reboot,” DC Comics will make Barbara Gordon Batgirl again. This means, though that her 20 year history as Oracle, peerless hacker and information broker with an eidetic memory, leader of The Birds of Prey and one of the few examples of a differently-abled hero in comics, is gone.  Some readers […]

Gail Simone Interviews John Ostrander

“When I first wrote Villains United, I was eager to have my chance to write one of the coolest characters in the DCU, Deadshot.   I knew full well, like a lot of writers before me, that John [Ostrander] was THE Deadshot writer, and I knew if I had the chance, I would do whatever I […]

Nobody Dies: The Eternal Return of LEGO Batman

batman and robin 80.jpg

I’ve written before that I was put off superhero comics by all the dying and resurrected X-Men—the eternal return and the attempts to escape it. You might have noticed that DC and Marvel’s superhero titles have become a bloodbath. Sure, it started it with big crossovers and the death of Superman. Captain America’s death at […]

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  • Of Note Elsewhere

    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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