The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

On Outraging Batman’s Dignity

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There is a multiplicity of Batmans from the grim and gritty Dark Knight currently on film, Adam West’s swinging Batman from the 1960s Batman television show, Frank Miller’s Goddamn Batman, the Batmans of the DC Animated Universe tilted more towards adults and the ones geared for all ages, and there is LEGO Batman in games, […]

“Superheroes, Cities and Empty Streets”

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While playing Batman: Arkham Knight, Austin Walker wants to walk the streets of Gotham. “There are lots of different kinds of Batman fantasies–and I’m not looking to invalidate any of them–but throughout this four game series, the developers have largely given me the same one over and over. For once, I want a Batman game […]

Summer Fun Time Reading ’15

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The Summer Solstice is nearly upon us, and I’m sure you all have your wicker men (or factionalist bee helmets) nearly done and your bonfire safely planned. (Remember, Lord Summerisle recommends nude leaping as the crucial component in bonfire safety). And just in time for the arrival of summer, I have a short selection of […]

The Gender-Swapped DC Universe

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Comics Alliance has a sweet gallery of art, in which artists including Ming Doyle, Erica Henderson, John Quinones, Jordan Gibson, Lauren Moran and Jason Margos gender-swapped the heroes and villains of the DC Universe. (Look for more under #DCBend on Tumblr and Twitter). (Thanks, Mark!)

Interview with Ed Brubaker

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At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking […]

DC Variant Covers by Mike Allred

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A gallery of Mike Allred’s covers for twenty of DC’s titles. (via @profmdwhite)

The American Superhero Comics of Mark Millar

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At Sequart, friend of the Gutter Colin Smith is taking an exhaustive look at the American superhero comics of Mark Millar–and by exhaustive, we mean, “28 Part.”

RIP, Eli Wallach

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Actor Eli Wallach has died. He appeared in many, many films and television shows including The Good, The Bad and The Ugly (1966), The Magnificent Seven (1960), The Godfather: Part III (1990), New York, I Love You (2008), Wall Street: Money Never Sleeps (2010) and Baby Doll (1956). He played Mr. Freeze in the 1960s […]

Summer Fun Time Reading ’14

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Summer is almost here, and I can’t tell you how glad I am. So smear yourself up with sunscreen and bug repellent, find your kickiest sandals, put the finishing touches on your Wicker Man and don’t forget to wear a hat because I have some comics to make your summer just a little more fun […]

RIP, Efrem Zimbalist, Jr.

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Actor, producer and musician Efrem Zimbalist, Jr. has died. Zimbalist starred in the tv series FBI and 77 Sunset Strip. He had roles in Airport 1975 (1974) and Wait Until Dark  (1967). He had recurring roles in Remington Steele and Babylyon 5.  Zimbalist was the voice of Alfred in the Batman, Static Shock,  Justice League […]

Recognizing Colorists

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AV Club’s Big Issues focuses on giving comics’ colorists their due. And Jordie Bellaire is mad as hell and she’s not going to take it anymore.

RIP, Lorenzo Semple

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Screenwriter and creator of the Sixties Batman television series Lorenzo Semple has died. Besides Batman, Gutter readers might know Semple best from his screenplays for, The Parallax View, Flash Gordon (1980), Papillon, The Drowning Pool, Never Say Never Again, Sheena, and King Kong (1976). The Los Angeles Times,  The Hollywood Reporter and Comics Alliance have […]

The Desire For Certainty In Film

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“In the world of online film discourse, there’s a veritable cottage industry devoted to bringing certainty to ambiguity.” The Dissolve has more. Meanwhile, Film Critic Hulk writes about film logic, plot holes and “THE ONLY ANSWER THAT ACTUALLY MATTERS.”

David Banner will never have a
normal life

Transforming into the Hulk

Whenever I find myself edging towards misery or self-pity, I start humming the ending theme from The 1970’s tv version of The Incredible Hulk. I think to myself, “David Banner will never have a normal life.” It’s a technique I owe to Carol Borden, who has a lot of interesting things to say about The […]

Ask Chris #173: The Trouble With Harley Quinn”

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Chris Sims writes about Harley Quinn, Batman: The Animated Series, and the problem with getting Harley wrong. “See, that’s the tragedy of Harley Quinn, the thing that makes her so compelling underneath all the bright, poppy cheer. She’s in love with someone who will never, ever love her back. Someone who can never, ever love […]

RIP, Michael Ansara

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Actor Michael Ansara has died. While Ansara had countless television and movie roles, he is probably best known now for his roles as Kang in Star Trek and the Technomage Elric in Babylon 5,  the voice of Mr. Freeze in Batman: The Animated Series and Cochise in the 1950s tv series Broken Arrow. The Texas […]

Interview with the Dark Knight

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A video interview with the Batman of Brampton, Ontario, Canada.

“The Rape of James Bond”

Sophia McDougall writes about “sexual assault and ‘Realism’ in popular culture.” (via @Pornokitsch)

The Interrelatedness of Historical Context, Audience and Batman

“[T]here is a sound narrative logic behind the sustained popularity of this impossible person in tights.  There is one appeal whose effectiveness has remained operative since 1939.” Acephalous explains “[h]ow to teach the interrelatedness of historical context and audience via Warren Ellis’s Planetary/Batman: Night on Earth.” (via @aytiws)

“On One Single Panel in Batman, Inc. #8”

At Too Busy Thinking About My Comics, Colin writes on the murder of Robin, Damian Wayne, as it is depicted in a single panel. “Why does this scene exist? It exists to make entertainment out of a boy’s last, baleful moments. Beyond that, it has no purpose at all. If an objection to that needs […]

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  • Of Note Elsewhere

    The Los Angeles Times has an interview with Margaret Sixel, editor of Mad Max: Fury Road. “I wanted every single shot to progress the story. I don’t like repetition. And I think we applied that rule religiously throughout the film….I watched a film last night and they kept cutting back again and again and the expression on the actor’s face was exactly the same. I felt like, ‘You’ve used the shot three times already!’ That’s what I don’t like. There’d better be some progress.”

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    “During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)

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    Mubi has a collection of film posters designed by Eva Švankmajerová, Surrealist painter, writer and filmmaker. Learn more about Eva Švankmajerová with an posthumous interview with Gwendolyn Albert, the translator of her novel, Baradla Cave.

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    At The Toast, Mo Moulton watches Downton Abbey and discusses its portrayal of Neville Chamberlain. “Here, then, is Neville Chamberlain in 1925. He is fulfilling the expectations set by an extraordinary political family. His father, Joseph Chamberlain, ran a screw factory in Birmingham, where he became passionate about urban improvement as a method for bettering the lives of his workers. As Liberal mayor of Birmingham, he was an early, passionate proponent of what became known as “gas and water socialism”: he wanted to put those services within reach of every resident by putting them under the management of local government. So far, it’s hard to imagine the Earl of Grantham having much in common with this energetic, egalitarian entrepreneur.”

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    In honor of Black History and Women In Horror Month, Graveyard Shift Sisters take a look at Audre’s Revenge Film collective, which was founded by Monika Estrella Negra:  “Audre’s Revenge Film was created in order to promote visibility of womyn, queer, trans and intersex folks of color in the sci fi and horror universe.

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    Please enjoy an hour of rare Bollywood synth funk (and an interview with DJ Fitz who put the mix together). (via @BethLovesBolly)

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