The Cultural Gutter

we've seen things you people wouldn't believe

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

An Excerpt from Resistance

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Tor has an excerpt from Resistance, the latest book by friend of the Gutter, Samit Basu: “A giant lobster rises slowly out of Tokyo Bay. It is an old-school kaiju, 300 feet long, and stands upright, its hind limbs still under water, in defiance of biology, physics and all codes of lobster etiquette.” Like this:Like […]

RIP, Suchitra Sen

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Actor Suchitra Sen has died. Sen starred in both Bengali and Hindi films (Aandhi; Devdas) and is probably most famous for her roles opposite Uttam Kumar, including Sharey Chuattar; Agni Pariksha; and, Saptapadi. The Times of India, Firstpost Bollywood, and The Indian Express have obituaries. The Times of India also has a video tribute and […]

It Started Out Being A Book That Obeyed The Laws of Physics: An Interview with Samit Basu

via Times of India

Author Samit Basu’s first American release, Turbulence, is the story of a few regular people who arrive in Delhi on a flight from London…with superpowers. Talk about baggage. Not just the standard flying, invisible, very very fast kinds of superpowers, either: each one of them gets what they most want in life. Basu doesn’t bother […]

Using Fantasy To Be Better Than We Are In Real Life

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Instead of raving about Satyajit Ray’s well-known-outside-of-India projects like the Apu Trilogy (Pather Pancahli/Song of the Little Road, Aprajito/The Unvanquished, and Apur Sansar/The World of Apu) or Jalsaghar/The Music Room (available through Criterion), I want to rave about his fantastic fantastical 1968 children’s film Goopy Gyne Bagha Byne/The Adventures of Goopy and Bagha. Like this:Like […]

Biceps and Glasses

Move over Ryan Gosling, Beth Loves Bollywood has a gallery of filmi actors wearing spectacles and flashing their biceps. Like this:Like Loading…

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  • Of Note Elsewhere

    The Paris Review shares some of cartoonist Roz Chast’s intriguingly painted Easter eggs. See more at her website.

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    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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