At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”
At Beth Loves Bollywood, Beth is joined by Carla from Filmi Geek to discuss Gangs of Wasseypur in “Two Bloggers Who Don’t Like Violent Movies Manage To Get Through Gangs Of Wasseypur Three Years Late.” (The Gutter’s own Keith has written about Gangs of Wasseypur at his site, Teleport City).
The final four have been selected in the Great Filmi Comedy Uncle Bracket and you still have a chance to vote. Representing Classic Hindi film, Johny Walker takes on Johny Lever, winner of the Hindi Film 1995-2015 bracket. Representing the South, Brahmanandan takes on Wild Card winner Shammi Kapoor. Learn more about each contender and […]
Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).
On a Special Beth Loves Bollywood Audio Edition, Beth and the Gutter’s own Carol discuss Mithun Chakraborty’s Gunmaster G9/secret agent films: Surakksha (1979); Wardaat (1981); and Guru (1989). Fights, mad scientists, zombie robots, radio-controlled locusts, the Green Revolution, amazing clubs that look like Nintendo games or that have plaster animals and villain lairs are discussed. […]
At Beth Loves Bollywood, Beth watches Sikandar, a 1941 Hindi-language, sword and sandals movie in which Alexander the Great’s army sings these words as they march on Hindustan: “Life exists because of love, so let it be spent in love.”
The Gutter’s own Carol was invited to watch and discuss the 1983 Bollywood classic, Disco Dancer, with Beth at Beth Loves Bollywood as part of the Mysterious Order Of The Skeleton Suit‘s Swap-a-thon. See pictures, read a report and listen here. (Carol also has a little about it here).
Beth Watkins seeks out the truest fiascos in Indian film, which, of course, includes Shaitani Dracula. “To paraphrase Seinfeld, these movies are a mess—and they’re spectacular.”
Author Samit Basu’s first American release, Turbulence, is the story of a few regular people who arrive in Delhi on a flight from London…with superpowers. Talk about baggage. Not just the standard flying, invisible, very very fast kinds of superpowers, either: each one of them gets what they most want in life. Basu doesn’t bother […]
On the occasion of the 100th anniversary of filmmaking in India, CG Guest Star Beth Watkins offers some things she loves about Indian film.
Instead of raving about Satyajit Ray’s well-known-outside-of-India projects like the Apu Trilogy (Pather Pancahli/Song of the Little Road, Aprajito/The Unvanquished, and Apur Sansar/The World of Apu) or Jalsaghar/The Music Room (available through Criterion), I want to rave about his fantastic fantastical 1968 children’s film Goopy Gyne Bagha Byne/The Adventures of Goopy and Bagha.
At Beth Loves Bollywood, Beth shares her top ten films of 2012–and adds special recognition categories such as: “Women Doing Stuff,” “Hip-Flicking Earworm,” and “The Unpopular Movie That Has A Surprising Number of Supporters and We’re Vocal About It.”
Move over Ryan Gosling, Beth Loves Bollywood has a gallery of filmi actors wearing spectacles and flashing their biceps.
Beth Loves Bollywood responds to Firstpost‘s “My favourite bimbo: Why America loves brain-dead Bollywood”:
At Bollywood Journal, Beth Watkins writes about her favorite Hindi film pairing: “Shashitabh,” aka, Shashi Kapoor and Amitabh Bachchan. “The joy of the pairing is the actors’ chemistry, no matter what roles they are playing.”
Beth Watkins brings Hindi film disco to the Wall Street Journal’s blog (with plenty of links). “Disco might just be the pop music soul mate of Hindi films, though it’s not like Bollywood ever needs an excuse to bust out the skin-tight shiny costumes, the opulent sets or the pulsating light design.”