The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Great Filmi Comedy Uncle Bracket!

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The final four have been selected in the Great Filmi Comedy Uncle Bracket and you still have a chance to vote. Representing Classic Hindi film, Johny Walker takes on Johny Lever, winner of the Hindi Film 1995-2015 bracket. Representing the South, Brahmanandan takes on Wild Card winner Shammi Kapoor. Learn more about each contender and […]

“The 100 Best Bollywood Films”

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Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here). Like this:Like Loading…

Mithun Chakraborty Returns!

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On a Special Beth Loves Bollywood Audio Edition, Beth and the Gutter’s own Carol discuss Mithun Chakraborty’s Gunmaster G9/secret agent films: Surakksha (1979); Wardaat (1981); and Guru (1989). Fights, mad scientists, zombie robots, radio-controlled locusts, the Green Revolution, amazing clubs that look like Nintendo games or that have plaster animals and villain lairs are discussed. […]

Prithviraj Kapoor Is Alexander The Great

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At Beth Loves Bollywood, Beth watches Sikandar, a 1941 Hindi-language, sword and sandals movie in which Alexander the Great’s army sings these words as they march on Hindustan: “Life exists because of love, so let it be spent in love.” Like this:Like Loading…

Disco! Disco! Disco! Disco! Yeah!

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The Gutter’s own Carol was invited to watch and discuss the 1983 Bollywood classic, Disco Dancer, with Beth at Beth Loves Bollywood as part of the Mysterious Order Of The Skeleton Suit‘s Swap-a-thon. See pictures, read a report and listen here. (Carol also has a little about it here). Like this:Like Loading…

Filmi Fiascos

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Beth Watkins seeks out the truest fiascos in Indian film, which, of course, includes Shaitani Dracula. “To paraphrase Seinfeld, these movies are a mess—and they’re spectacular.” Like this:Like Loading…

It Started Out Being A Book That Obeyed The Laws of Physics: An Interview with Samit Basu

via Times of India

Author Samit Basu’s first American release, Turbulence, is the story of a few regular people who arrive in Delhi on a flight from London…with superpowers. Talk about baggage. Not just the standard flying, invisible, very very fast kinds of superpowers, either: each one of them gets what they most want in life. Basu doesn’t bother […]

100 Years of Indian Film

On the occasion of the 100th anniversary of filmmaking in India, CG Guest Star Beth Watkins offers some things she loves about Indian film. Like this:Like Loading…

Using Fantasy To Be Better Than We Are In Real Life

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Instead of raving about Satyajit Ray’s well-known-outside-of-India projects like the Apu Trilogy (Pather Pancahli/Song of the Little Road, Aprajito/The Unvanquished, and Apur Sansar/The World of Apu) or Jalsaghar/The Music Room (available through Criterion), I want to rave about his fantastic fantastical 1968 children’s film Goopy Gyne Bagha Byne/The Adventures of Goopy and Bagha. Like this:Like […]

Filmi Top Ten and More

At Beth Loves Bollywood, Beth shares her top ten films of 2012–and adds special recognition categories such as:  “Women Doing Stuff,” “Hip-Flicking Earworm,” and “The Unpopular Movie That Has A Surprising Number of Supporters and We’re Vocal About It.” Like this:Like Loading…

Biceps and Glasses

Move over Ryan Gosling, Beth Loves Bollywood has a gallery of filmi actors wearing spectacles and flashing their biceps. Like this:Like Loading…

Responding to Perceived Bimbo Love

Beth Loves Bollywood responds to Firstpost‘s “My favourite bimbo: Why America loves brain-dead Bollywood”: Like this:Like Loading…

Shashi Kapoor and Amitabh Bachchan’s Filmi Bromance

At Bollywood Journal, Beth Watkins writes about her favorite Hindi film pairing: “Shashitabh,” aka, Shashi Kapoor and Amitabh Bachchan. “The joy of the pairing is the actors’ chemistry, no matter what roles they are playing.” Like this:Like Loading…

Filmi Disco

Beth Watkins brings Hindi film disco to the Wall Street Journal’s blog  (with plenty of links). “Disco might just be the pop music soul mate of Hindi films, though it’s not like Bollywood ever needs an excuse to bust out the skin-tight shiny costumes, the opulent sets or the pulsating light design.” Like this:Like Loading…

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  • Of Note Elsewhere

    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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    Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies.

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    The sounds of failing hard drives. (via @wfmu)

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    Drive-In Mob has a variety of tremendous ringtones from In Like Flint‘s Derek Flint speaking porpoise to the Wilhelm Scream as well as other shenanigans like a club mix  and “Sissy Goforth and The Seven Dwarf’s Yodel Song”  created from Boom (1968). Drive-In Mob, it’s the shock of being alive. (The Cultural Gutter is a proud host of the weekly Drive-In Mob movie tweetalong).

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    Dangerous Minds has a brief overview of Nudie Cohn’s life and work–including a gallery of some of his amazing designs for Hank Williams, Gram Parsons, Elvis and Keith Richards. “Nudie Cohn’s influence went way beyond country though. As he adapted with the 1960s counterculture, his work became even more subversive—the ‘pot, pills and poppies suit’ he made for Gram Parsons…is one example, but was not the only time Cohn used druggy imagery. What made his work impressive though—be it the (supposedly $10,000 suit that cost $50 to make) gold lamé suit he made for Elvis or his own insane custom 1964 Pontiac Bonneville—was not only the over-the-top styling, but the sheer attention to detail and quality craftsmanship of a custom Nudie suit festooned with rhinestones or embroidery.”

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