Ray Harryhausen passed away last week. This has been noted by people more qualified than I to discuss the master of stop-motion magic—Rick Baker, Adam Savage, Todd Masters, George Lucas, Peter Jackson, and more. The superhuman talent and perseverance evident in a Harryhausen effects sequence can easily be seen in countless visual effects artists since he first brought his creations to frame-by-frame life on the big screen. That makes sense. So how can I really say anything of worth when I say that I was also profoundly influenced by the artistry of Ray Harryhausen? With modesty, and a story about Clash of the Titans. Continue reading…
On the occasion of the 100th anniversary of filmmaking in India, CG Guest Star Beth Watkins offers some things she loves about Indian film.
Instead of raving about Satyajit Ray’s well-known-outside-of-India projects like the Apu Trilogy (Pather Pancahli/Song of the Little Road, Aprajito/The Unvanquished, and Apur Sansar/The World of Apu) or Jalsaghar/The Music Room (available through Criterion), I want to rave about his fantastic fantastical 1968 children’s film Goopy Gyne Bagha Byne/The Adventures of Goopy and Bagha.
At Beth Loves Bollywood, Beth shares her top ten films of 2012–and adds special recognition categories such as: “Women Doing Stuff,” “Hip-Flicking Earworm,” and “The Unpopular Movie That Has A Surprising Number of Supporters and We’re Vocal About It.”
Move over Ryan Gosling, Beth Loves Bollywood has a gallery of filmi actors wearing spectacles and flashing their biceps.
Beth Loves Bollywood responds to Firstpost‘s “My favourite bimbo: Why America loves brain-dead Bollywood”:
At Bollywood Journal, Beth Watkins writes about her favorite Hindi film pairing: “Shashitabh,” aka, Shashi Kapoor and Amitabh Bachchan. “The joy of the pairing is the actors’ chemistry, no matter what roles they are playing.”
Beth Watkins brings Hindi film disco to the Wall Street Journal’s blog (with plenty of links). “Disco might just be the pop music soul mate of Hindi films, though it’s not like Bollywood ever needs an excuse to bust out the skin-tight shiny costumes, the opulent sets or the pulsating light design.”