The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Gangs Of Wasseypur–Three Years Late

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At Beth Loves Bollywood, Beth is joined by Carla from Filmi Geek to discuss Gangs of Wasseypur in “Two Bloggers Who Don’t Like Violent Movies Manage To Get Through Gangs Of Wasseypur Three Years Late.” (The Gutter’s own Keith has written about Gangs of Wasseypur at his site, Teleport City).

The Great Filmi Comedy Uncle Bracket!

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The final four have been selected in the Great Filmi Comedy Uncle Bracket and you still have a chance to vote. Representing Classic Hindi film, Johny Walker takes on Johny Lever, winner of the Hindi Film 1995-2015 bracket. Representing the South, Brahmanandan takes on Wild Card winner Shammi Kapoor. Learn more about each contender and […]

“The 100 Best Bollywood Films”

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Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

Mithun Chakraborty Returns!

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On a Special Beth Loves Bollywood Audio Edition, Beth and the Gutter’s own Carol discuss Mithun Chakraborty’s Gunmaster G9/secret agent films: Surakksha (1979); Wardaat (1981); and Guru (1989). Fights, mad scientists, zombie robots, radio-controlled locusts, the Green Revolution, amazing clubs that look like Nintendo games or that have plaster animals and villain lairs are discussed. […]

Prithviraj Kapoor Is Alexander The Great

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At Beth Loves Bollywood, Beth watches Sikandar, a 1941 Hindi-language, sword and sandals movie in which Alexander the Great’s army sings these words as they march on Hindustan: “Life exists because of love, so let it be spent in love.”

Disco! Disco! Disco! Disco! Yeah!

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The Gutter’s own Carol was invited to watch and discuss the 1983 Bollywood classic, Disco Dancer, with Beth at Beth Loves Bollywood as part of the Mysterious Order Of The Skeleton Suit‘s Swap-a-thon. See pictures, read a report and listen here. (Carol also has a little about it here).

Filmi Fiascos

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Beth Watkins seeks out the truest fiascos in Indian film, which, of course, includes Shaitani Dracula. “To paraphrase Seinfeld, these movies are a mess—and they’re spectacular.”

It Started Out Being A Book That Obeyed The Laws of Physics: An Interview with Samit Basu

via Times of India

Author Samit Basu’s first American release, Turbulence, is the story of a few regular people who arrive in Delhi on a flight from London…with superpowers. Talk about baggage. Not just the standard flying, invisible, very very fast kinds of superpowers, either: each one of them gets what they most want in life. Basu doesn’t bother […]

100 Years of Indian Film

On the occasion of the 100th anniversary of filmmaking in India, CG Guest Star Beth Watkins offers some things she loves about Indian film.

Using Fantasy To Be Better Than We Are In Real Life

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Instead of raving about Satyajit Ray’s well-known-outside-of-India projects like the Apu Trilogy (Pather Pancahli/Song of the Little Road, Aprajito/The Unvanquished, and Apur Sansar/The World of Apu) or Jalsaghar/The Music Room (available through Criterion), I want to rave about his fantastic fantastical 1968 children’s film Goopy Gyne Bagha Byne/The Adventures of Goopy and Bagha.

Filmi Top Ten and More

At Beth Loves Bollywood, Beth shares her top ten films of 2012–and adds special recognition categories such as:  “Women Doing Stuff,” “Hip-Flicking Earworm,” and “The Unpopular Movie That Has A Surprising Number of Supporters and We’re Vocal About It.”

Biceps and Glasses

Move over Ryan Gosling, Beth Loves Bollywood has a gallery of filmi actors wearing spectacles and flashing their biceps.

Responding to Perceived Bimbo Love

Beth Loves Bollywood responds to Firstpost‘s “My favourite bimbo: Why America loves brain-dead Bollywood”:

Shashi Kapoor and Amitabh Bachchan’s Filmi Bromance

At Bollywood Journal, Beth Watkins writes about her favorite Hindi film pairing: “Shashitabh,” aka, Shashi Kapoor and Amitabh Bachchan. “The joy of the pairing is the actors’ chemistry, no matter what roles they are playing.”

Filmi Disco

Beth Watkins brings Hindi film disco to the Wall Street Journal’s blog  (with plenty of links). “Disco might just be the pop music soul mate of Hindi films, though it’s not like Bollywood ever needs an excuse to bust out the skin-tight shiny costumes, the opulent sets or the pulsating light design.”

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  • Of Note Elsewhere

    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

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    Remezcla has a gallery of Lourdes Grobet’s portraits of luchadores with their families and a bit of an interview with her. (Yes, the luchadores are in their masks and often wearing suits or casual wear, which is the best thing). (Thanks, Matt!) “Father and warrior, the masked wrestler is the perfect metaphor for the duality that Grobet’s photography wants to depict. Her work is resonant because she doesn’t try to demolish the myths that envelop lucha libre – she simply nurtures and expands them in an offbeat way.”

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    At Autostraddle, Heather Hogan has “a Recap of Jem and the Holograms’ Truly Outrageous Lesbianism.” (Thanks, Sara Century!) “If you are a woman over the age of 30, I have some information that is going to send you cartwheeling back to 1987 to high five your young self and shout “We knew it! We knew it!” right in your own tiny gay face: Stormer and Kimber from Jem are truly, outrageously, canonically queer….This is good news. Great news. But it’s not really news news. Of course Stormer and Kimber are gay. They’ve been in love since 1987!”

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