The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Wildman! Study of the British Bigfoot”

Cryptomundo goes in search off… The British Bigfoot. (via @mattstaggs)   Like this:Like Loading…

Part Human, All Sasquatch

MSN/MSNBC is reporting on bigfoot mitochondrial DNA and here at The Gutter, we really don’t care that there is no evidence shared yet: “For her study, Ketchum obtained three “whole nuclear genomes from purported Sasquatchsamples. The genome sequencing shows that Sasquatch mtDNA is identical to modern Homo sapiens, but Sasquatch nuDNA is a novel, unknown […]

Get Your Paranormality On

Bigfoot and Nessie too hyped for you? Tired of el Chupacabra? Looking for some new footage to analyze, filter and go through frame by frame?  Dogman footage (the Gable film) is digitally-enhanced and downloadable via Creative Commons. (Here’s two trailers for a special DVD set). Like this:Like Loading…

Yeti Prints In the Snow

Yeti footprints have been discovered in Nepal by Yeti Project Japan. (Yeti Project Japan translated into English). Like this:Like Loading…

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  • Of Note Elsewhere

    The Paris Review shares some of cartoonist Roz Chast’s intriguingly painted Easter eggs. See more at her website.

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    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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