The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Bob Hoskins

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Actor Bob Hoskins has died. Most sources are mentioning Who Framed Roger Rabbit, but Hoskins also appeared in Brazil, Nixon, The Long Good Friday, Pink Floyd The Wall, Unleashed, The Secret Agent and the tv show, Tales From The Crypt (“Fatal Caper”). And Hoskins was Chris Claremont’s first choice for Wolverine (via @Zemrag).  The Guardian, The […]

Kansas City’s Drag Balls

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Private Birthday Party has a collection of photographs from Kansas City’s Drag Balls in the 1950s and 1960s. Like this:Like Loading…

Will Eisner Week!

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It’s Will Eisner Week and Sequart is celebrating with a week of Eisner-themed articles. You can find articles as they add them here. Like this:Like Loading…

Becoming a Cipher to Oneself

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At Jim C. Hines’ blog, writer Micha Trota writes about what it means when she says, “I don’t see race.” “It means that because I learned to see no difference between ‘white’ and ‘color,’ I have white-washed my own sense of self. It means that I know more about what it is to be a […]

“The Fabulous World of Karel Zeman”

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At Teleport City, Keith reports on his visit to the Film Special Effects Museum / Muzeum Karla Zemana, writes about Zeman and five of Zeman’s films: “If you took special effects film pioneer Georges Melies and combined him with stop motion animation genius Ray Harryhausen and surreal fantasist Terry Gilliam, then taught him to speak […]

“Girl Power: Remembering Shirley Temple”

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In a tribute to Shirley Temple, Nitrate Diva offers a thoughtful analysis of Temple’s career and appeal. “When I watch Temple, it is with the rapt astonishment that one might feel before a great magician. Not because I consider her talents a ‘trick,’ but rather because I find something infinitely more sacred in the strength […]

“The Fleming Files”

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At Teleport City, The Gutter‘s own Keith examines Ian Fleming’s historical and fictional lives in espionage. “There were many British celebrities who dabbled to some degree or other in intelligence work during the war: Fleming, of course, but also entertainer Noel Coward[,] occult fiction author Dennis Wheatley, even notorious Ordo Templi Orientis leader Aleister Crowley […]

RIP, Mae Young

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Professional wrestler Mae Young has died. The New York Times, The Washington Post, Cageside Seats and WWE.com have obituaries. WWE.com also has a tribute video. Conan O’Brien interviews Mae Young and The Fabulous Moolah. Like this:Like Loading…

RIP, Hiroo Onoda

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Hiroo Onoda has died. Onoda was the last soldier of the Imperial Japanese Army to surrender, after hiding in the Philippines forest until 1974. Asia News and The New York Times have obituaries. Like this:Like Loading…

“Martin Luther King & The Montgomery Story” Comic

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A complete digital edition of  Martin Luther King & The Montgomery Story (1956), the comic that inspired Rep. John Lewis to pursue nonviolence and social justice. Like this:Like Loading…

“He looks just like what you want a hitman to look like”

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Jeanne Marie Laskas tells the story of an ATF agent who works undercover as a hitman. Hear an interview with her at NPR and read the story at GQ. Like this:Like Loading…

“Bettie Page Gives Naughty a Good Name”

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At Newsweek, Gogo Lidz profiles Betty Page and Mark Mori’s documentary about Page. Like this:Like Loading…

Blast of Silence: Independent Filmmaking Then & Now”

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Allen Baron talks about making  his film, Blast of Silence, and the differences between making an independent film between then and now. “In the fall of 1959 I returned to NYC and decided to make my own movie. Making an independent feature film then was expensive, extraordinarily technical, and if the film was completed the […]

“Bani Garu: Problems from the start”

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Lea Hernandez has a new webcomic about her time at anime studio Gainax up at Boing Boing. Like this:Like Loading…

“He used to be on police dramas, then he met a bad buy in real life.”

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Portrait of actor Tom Ligon at The New York Times: “Fans of 1970s police shows have Mr. Ligon’s face stamped in unconscious corners of their minds.  He played bit parts in Baretta and Police Woman. In an episode of Starsky and Hutch, he played a character listed in the credits as Young Man, a mumbling, brainwashed […]

A Conversation with Lee Epstein

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Daily Grindhouse interviews Lee Espstein, author of the biography, Lee Marvin: Point Blank (2013). “I had several moments when I realized that when you study someone’s career you’re going to see certain themes become prevalent, and with Marvin it was this constant thread of violence. I wanted to know where that came from. I also […]

“Andrew Hughes: A Life In Japanese Pictures”

“With the exception of the late Robert Dunham, to whom major roles in Toho’s Space Monster Dogora and Godzilla vs. Megalon assured significant recognition among genre fans, one of the most familiar – or at the very least persistent – Western faces in Japanese cinema of the 60s and 70s may be that of Andrew Hughes.” Kevin P. […]

“If it wasn’t them, they’d be playing their song”

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Stephen Colbert talks about Daft Punk, among other things, on the Paul Mercurio Show: “Well, I’m beginning to see why they don’t do TV.” Like this:Like Loading…

The Philosophy of Hayao Miyazaki

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A five page comic illustrating Hayao Miyazaki’s thoughts on good, evil and heroism. (Thanks, Paul!) Like this:Like Loading…

Shirley Jackson and the Witchcraft of Writing

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“In 1962, when Shirley Jackson published her acknowledged masterpiece, We Have Always Lived in the Castle, she was at the height of her fame. She ranked among the most highly regarded writers in America, required reading on literature courses and the recipient of literary prizes, her work regularly anthologised. Her novels and short stories had […]

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  • Of Note Elsewhere

    At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it again. I’m not exaggerating even a little bit when I say that it’s one of those things that can absolutely ruin a comic if it’s done wrong, even if everything else is perfect. But to be honest, of those three elements, lettering is still probably the most underrated. The thing is, when it’s good, it can be absolutely gorgeous in its own right. And fortunately for us, there are a lot of people who do it very, very well.”

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    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

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    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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