The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Nettrice Gaskins Explores AfroFuturism In Virtual Worlds

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At IAfroFuturism, Ytasha interviews Nettrice Gaskins about AfroFuturism, art, math, science and virtual worlds. “I had to figure out how to immerse those who weren’t familiar with Afrofuturism using the virtual space. I wanted the avatars in the space to have an experience. I put up a gallery that allowed you to manipulate objects. I […]

“The Topography of Tears”

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Smithsonian Magazine has a gallery of Rose-Lynn Fisher’s photographs of human tears at the microscopic level: ‘“It’s amazing to me how the patterns of nature seem so similar, regardless of scale,” she says. “You can look at patterns of erosion that are etched into earth over thousands of years, and somehow they look very similar […]

Glowing Fish Bones

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A gallery of radiographs of fish from the Smithsonian’s Collection. It’s part of a traveling exhibition and there is also a book from Chronicle Books. Like this:Like Loading…

Apple, Nudity and e-Books

At The Globe and Mail, Michael Posner writes on Apple’s corporate censorship of Peter Ovig Knudsen’s books, Hippie 1 and 2. “The Hippie book controversy follows a series of similar attempts by Apple to censor–or deny market access–to artistic material it deems offensive.” Like this:Like Loading…

Part Human, All Sasquatch

MSN/MSNBC is reporting on bigfoot mitochondrial DNA and here at The Gutter, we really don’t care that there is no evidence shared yet: “For her study, Ketchum obtained three “whole nuclear genomes from purported Sasquatchsamples. The genome sequencing shows that Sasquatch mtDNA is identical to modern Homo sapiens, but Sasquatch nuDNA is a novel, unknown […]

“Raymond Chandler’s Private Dick”

Ta-Nehisi Coates writes an interesting post about Philip Marlowe, masculinity, biology and misogyny at The Atlantic: “I’ve consumed art like this all my life–men claiming invulnerability, against all I know of maleness and human attraction. Misogyny is not merely a moral problem, but a problem of art. It takes half the world and caricatures it. […]

“Joseph Merrick and the History of the Human Sideshow”

In anticipation of The Elephant Man Joseph Merrick’s birthday next month, Abebooks’ Avid Reader has compiled a short history of John Merrick’s life and a gallery of books about Merrick, sideshow histories and biographies as well as a few promotional cards from the late 19th century. Like this:Like Loading…

Protein Patterns

Knit your own favorite amino acids according to these charts of all 20 at ChemKnits! Like this:Like Loading…

Late Bloomer

Sex ed goes a little Lovecraftian in Craig Macneill’s “Late Bloomer.” (Thanks, Molly!) Like this:Like Loading…

Haitian Zombis: Clinical Findings

In 1997, the prestigious British medical journal The Lancet published an article, “Clinical findings in three cases of zombification” by Roland Littlewood and Chavannes Douyon.  Mo Costandi at NeuroPhilosophy provides cultural context and discusses anthropologist Wade Davis’ work on the ethnobiology of the Haitian zombie.  And Patrick D. Hahn writes about a Clairvius Narcisse, provides […]

“Remember, You are the Future that Nobody Wanted!”

Professor Xavier answers all your questions about your changing body in The “What’s Happening to My Body?” Book for Mutants. (via Comics Alliance) Like this:Like Loading…

Gamers For the Cellullar Molecular Win!

Gamers decode a protein structure in an amazing display of speedrunning. If you want to play games and help humanity, go to Fold It. Like this:Like Loading…

The Psychology of Spoilers

Science studies whether spoilers spoil. Strangely enough, they might not. Even more strangely, they might make the spoiled story more enjoyable. Like this:Like Loading…

Time Your Pee Break

Need to know when it’s safe to go at the movies? RunPee.com does the calculating so you don’t have to. (Thanks, Ian!) Like this:Like Loading…

Neat Anatomy Prints

Check out this anatomy diagram of a Gummi Bear (does that even make sense?), along with quite a few other imaginary creatures explained in diagram form. Like this:Like Loading…

Art is Inside

Look at the beauty inside toys, food and electronics with the Radiology Art Project. This movie of a scanned matrioshka doll is lovely. You can submit images and object, too. (via Articulate) Like this:Like Loading…

Click and Click and Click

National Geographic’s infinite photograph. Click and click and click. Like this:Like Loading…

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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