The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Interview with Nalo Hopkinson

TVOntario interviews writer Nalo Hopkinson about utopian literature,  the ancestral experience of slavery, “noticing race” and the ideals of Toronto’s Caribana festival.

A Tribute to African-American Animation Artists

Cartoon Brew adds a nice little heartfelt tribute to a link to a lovely facebook gallery celebrating African-American animation artists.

Nalo Hopkinson Interviewed at The New Yorker

African-Canadian writer and artist Nalo Hopkinson talks about her fabric designs at The New Yorker’s Book Bench:  [B]oth my writing and my designs are fuelled by the same passions and obsessions of mine…. I’ve been on a mission for the past few years to find historical depictions of black people and other peoples of colour […]

USA Today Interviews Beverly Jenkins

Author Beverly Jenkins talks with USA Today about writing romance rooted in 19th Century African-American history as well as her new projects and favorite authors. “I got a bit of push back because publishers didn’t seem to know what to make of my story. It was based on the 19th-century, all-black townships of Kansas and […]

Interviews with Dwayne McDuffie

Remembering Dwayne McDuffie on the anniversary of his death with an interview from an unfinished short on Milestone Comic by the makers of  the documentary, White Scripts and Black Men:  Black Masculinities in American Superhero Comics. And Dwayne McDuffie explains the secret history of  Luke Cage’s exclamation, “Sweet Christmas!” (Update: McDuffie discusses the “rule of […]

“The Poitier-Cosby Trilogy”

As part of his annual Black History Mumf, Odienator takes a look at Sydney Poitier’s move into comedy with Bill Cosby in Uptown Saturday Night.

Finding Hope in Wuthering Heights

Paterson James found hope in the casting of James Howson’s casting as Heathcliff in Andrea Arnold’s Wuthering Heights, revealing “a hidden history” and “reflect[ing] black presence in the UK throughout the nation’s history.”

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  • Of Note Elsewhere

    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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