The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Interview with Nalo Hopkinson

TVOntario interviews writer Nalo Hopkinson about utopian literature,  the ancestral experience of slavery, “noticing race” and the ideals of Toronto’s Caribana festival. Like this:Like Loading…

A Tribute to African-American Animation Artists

Cartoon Brew adds a nice little heartfelt tribute to a link to a lovely facebook gallery celebrating African-American animation artists. Like this:Like Loading…

Nalo Hopkinson Interviewed at The New Yorker

African-Canadian writer and artist Nalo Hopkinson talks about her fabric designs at The New Yorker’s Book Bench:  [B]oth my writing and my designs are fuelled by the same passions and obsessions of mine…. I’ve been on a mission for the past few years to find historical depictions of black people and other peoples of colour […]

USA Today Interviews Beverly Jenkins

Author Beverly Jenkins talks with USA Today about writing romance rooted in 19th Century African-American history as well as her new projects and favorite authors. “I got a bit of push back because publishers didn’t seem to know what to make of my story. It was based on the 19th-century, all-black townships of Kansas and […]

Interviews with Dwayne McDuffie

Remembering Dwayne McDuffie on the anniversary of his death with an interview from an unfinished short on Milestone Comic by the makers of  the documentary, White Scripts and Black Men:  Black Masculinities in American Superhero Comics. And Dwayne McDuffie explains the secret history of  Luke Cage’s exclamation, “Sweet Christmas!” (Update: McDuffie discusses the “rule of […]

“The Poitier-Cosby Trilogy”

As part of his annual Black History Mumf, Odienator takes a look at Sydney Poitier’s move into comedy with Bill Cosby in Uptown Saturday Night. Like this:Like Loading…

Finding Hope in Wuthering Heights

Paterson James found hope in the casting of James Howson’s casting as Heathcliff in Andrea Arnold’s Wuthering Heights, revealing “a hidden history” and “reflect[ing] black presence in the UK throughout the nation’s history.” Like this:Like Loading…

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  • Of Note Elsewhere

    Graveyard Shift Sisters reviews Adilifu Nama’s Black Space: Imagining Race in Science Fiction Film and looks at the history of race in science fiction films from teh 1950s to the present. “Adilifu Nama concocted a thorough read that blends a critical look at science fiction cinema’s milestone works in conjunction with American sociopolitical history, specifically with some of the most profound shifts in American race relations and policy.”

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    There’s a fine piece at Nitrate Diva about the 1935 film, Kongo. “In this monument to morbidity, nearly all the taboos festering at the edges of pre-Code cinema come out and play: blasphemy, drug addiction, prostitution, torture, slavery, bestiality, and (spoiler alert!) incest. The movie positively wallows in depravity. Degradation is its subject, its project, its study.”

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    At Bitch, Liza Dadoly writes about Never Alone. “Never Alone’s plot is based around Alaskan indigenous folklore, specifically the story ‘Kunuuksaayuka,’ a tale told by storyteller Robert Nasruk Cleveland of the Inupiaq people. ‘Kunuuksaayuka’ tells of a young boy who goes out into a blizzard to discover its source and, by doing so, save his people and their way of life from the terrible storm. According to Never Alone’s website, nearly forty Alaskan Native participants, including storytellers and elders, were involved with the development of the game. These Inupiat representatives and Never Alone’s development team worked together to turn ‘Kunuuksaayuka’ into the game, notably changing the protagonist from a young boy into a young girl, Nuna, and giving her an adorable fox to accompany her on her quest.”

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    Quartz has a gallery of Jessica Fulford-Dobson’s photographs of the skater girls of Kabul, Afghanistan.

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    PBS’ Newshour has a gallery of Norbert Ostrowski’s amazing automotive design sketches from 1946 to 1973. “The designs were never meant to leave the studios. Automakers routinely destroyed early sketches for fear they would fall into the wrong hands. But some of them made their way out of Ford, GM and Chrysler, as well as now defunct Studebaker, Packard and AMC. According to one designer, they were smuggled out in boxes with false bottoms. One employee famously hid his sketches inside the liner of his trench coat.”

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    Swell songs on disreputable topics: “Gom Jabbar “ by Chica Non Grata and “Bad Clone” by Victoria Squid.

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