The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Manhunter on The Projection Booth

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Mike White, Rob St. Mary and the Mysterious Mr. X take a look at Michael Mann’s Manhunter with special guests Tom Noonan, Chris Elliott, Adam Resnick and Prof. Jonathan Rayner  at The Projection Booth.

101 Masterpieces: The Talented Mr. Ripley

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Mental Floss takes an in-depth look at Patricia Highsmith and The Talented Mr. Ripley. “With the charming sociopath Ripley, she’d created a new type of character entirely. In five novels over the next four decades, he’d become not only her most acclaimed and memorable creation but the prototype for a new kind of antihero: the […]

Fun! Charm! Thrilling Adventure!


The Thrilling Adventure Hour is a beacon in a grittily realistic, grimdark pop culture landscape, one guiding lost souls to fun, charm and adventure. And I’m glad to see The Thrilling Adventure Hour adapted from podcast radio play into graphic novel because I like what it portends for fun stories in the future and because […]

RIP, Tom Clancy


Author Tom Clancy has died. Clancy is best known for The Hunt for Red October and his Jack Ryan series, but he also worked on videogames like Ghost Recon and Splinter Cell. The New York Times has an obituary. Dean Takahashi remembers Clancy at Venture Beat and Lynn Neary remembers Clancy at NPR.

“Death of a Citizen, Birth of an Agent”


At Teleport City, The Gutter’s own Keith writes a four-part series about the adaptation of Donald Hamilton’s Matt Helm from his novels to film. “’I was taking a martini across the room…’ If that line, the first sentence in the first Matt Helm novel by Donald Hamilton, had been the only sentence in the book, […]

RIP, Elmore Leonard


Writer Elmore Leonard has died. The Detroit News remembers Leonard and reprints his “Squad 7: Impressions of Murder.” The Detroit Free Press also remembers Leonard. The Onion offers their own tribute. Here is a three-part interview Leonard did at the F. Scott Fitzgerald Literary Conference. Cinemablend shares their favorite film adaptations of Leonard’s work.

In A Lonely Place


At Pulp Curry, Andrew Nette looks at In A Lonely Place, both Nicholas Ray’s cinematic adaptation and Dorothy B. Hughes’ original novel.

Raymond Chandler and The High Tower Apartments

The High Tower Apartments and Robert Altman’s The Long Goodbye and Raymond Chandler’s The High Window.

Id Critics and Conspiracy Theories

“Room 237 is like an act of revenge from a filmmaker upon the critics,” writes Robert Greene in his review. And The Verge’s Adi Robinson interviews Room 237 director Rodney Ascher on The Shining, interpretation and conspiracy theories. “[Room 237 is] about what happens when the movie leaves the filmmaker’s hands, and the audience is […]

“So I wrote a book”

Elmore Leonard talks about writing, Westerns, crime fiction, adaptations and Justified. “They made me an executive producer on the show, and executive producers don’t’ really do anything. I thought, ‘How can I sit here and collect money and not do anything?’ So I wrote a book, Raylan.”



The first thing you have to understand is this:  I hate zombies. Truly, completely HATE them. Mine is a complex hatred, operating on more than one level.   At the core I am, as previously stated, a huge chicken. Zombies, for their part, are one of horror’s basic building blocks.  They’re practically terror ground zero. […]

Stepping Back with The Great And Powerful Oz

“With such a rich tapestry on and off the Oz page, it’s depressing that 2013 finds our return to Oz burdened with a reluctant hero (the dominant kind in the 21st century), and not one of Baum’s plucky young heroines. In a bitter reversal of Baum’s stories, ‘Great and Powerful’ casts the women as the […]

The Monster in Me


I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]

Just Leave the Talking Skull Alone

Sometimes you should just leave a talking skull well enough alone. Actually, you should probably always leave a talking skull well enough alone, but that’s not exactly what I was getting at. I’m thinking of Bob from Jim Butcher’s Harry Dresden novels, and the unfortunate transformation he underwent in the tv adaptation, The Dresden Files. […]

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  • Of Note Elsewhere

    Hyperallergic has a gallery of astronomical and cosmological illustrations from photographer Michael Benson’s books, Cosmographics: Picturing Space Through Time. (Thanks, Stephanie!)


    A homophobic Tumblr post becomes Queer dystopian adventure fiction in two responses. Behold! (Thanks, Adele!)


    Tony Zhou has a new video up at Every Frame A Painting. This time, he looks at Buster Keaton and, “The Art Of The Gag.”


    At Dirge Magazine, friend of the Gutter Less Lee Moore writes about the cinema of Richard Kern. “My introduction to Richard Kern was an issue of Spin magazine from the mid-1980s. Having recently fallen under the spell of the feral pleasures of Scraping Foetus Off The Wheel – a.k.a. JG Thirlwell – I was intrigued by lurid descriptions of pornographic short films featuring Thirlwell and paramour/collaborator Lydia Lunch, whose snarky sound bites I scrawled in the margins of my diaries.”


    Art Of The Title looks the opening credits for The Man In The High Castle, True Detective and at Momentum, Alex Maragos interviews Andrew Geraci about making the opening credits for House Of Cards.


    ‘The recent rise of Native-produced sci-fi films is more than an academic fascination. These diverse set of films have the power to not only help us to reimagine our assumptions about the futures of Indigenous peoples, but also to serve as a cultural mirror enabling us to reassess the Western sci-fi futures we have internalized. These processes are discussed by Native scholars such as Grace Dillon (Anishinaabe) as “Indigenous futurisms.”’ Read more of William Lempert’s piece here and make sure click through to see trailers and films. (via @DarkMattersProj)


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