The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Manhunter on The Projection Booth

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Mike White, Rob St. Mary and the Mysterious Mr. X take a look at Michael Mann’s Manhunter with special guests Tom Noonan, Chris Elliott, Adam Resnick and Prof. Jonathan Rayner  at The Projection Booth. Like this:Like Loading…

101 Masterpieces: The Talented Mr. Ripley

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Mental Floss takes an in-depth look at Patricia Highsmith and The Talented Mr. Ripley. “With the charming sociopath Ripley, she’d created a new type of character entirely. In five novels over the next four decades, he’d become not only her most acclaimed and memorable creation but the prototype for a new kind of antihero: the […]

Fun! Charm! Thrilling Adventure!

AmeliaP

The Thrilling Adventure Hour is a beacon in a grittily realistic, grimdark pop culture landscape, one guiding lost souls to fun, charm and adventure. And I’m glad to see The Thrilling Adventure Hour adapted from podcast radio play into graphic novel because I like what it portends for fun stories in the future and because […]

RIP, Tom Clancy

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Author Tom Clancy has died. Clancy is best known for The Hunt for Red October and his Jack Ryan series, but he also worked on videogames like Ghost Recon and Splinter Cell. The New York Times has an obituary. Dean Takahashi remembers Clancy at Venture Beat and Lynn Neary remembers Clancy at NPR. Like this:Like […]

“Death of a Citizen, Birth of an Agent”

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At Teleport City, The Gutter’s own Keith writes a four-part series about the adaptation of Donald Hamilton’s Matt Helm from his novels to film. “’I was taking a martini across the room…’ If that line, the first sentence in the first Matt Helm novel by Donald Hamilton, had been the only sentence in the book, […]

RIP, Elmore Leonard

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Writer Elmore Leonard has died. The Detroit News remembers Leonard and reprints his “Squad 7: Impressions of Murder.” The Detroit Free Press also remembers Leonard. The Onion offers their own tribute. Here is a three-part interview Leonard did at the F. Scott Fitzgerald Literary Conference. Cinemablend shares their favorite film adaptations of Leonard’s work. Like […]

In A Lonely Place

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At Pulp Curry, Andrew Nette looks at In A Lonely Place, both Nicholas Ray’s cinematic adaptation and Dorothy B. Hughes’ original novel. Like this:Like Loading…

Raymond Chandler and The High Tower Apartments

The High Tower Apartments and Robert Altman’s The Long Goodbye and Raymond Chandler’s The High Window. Like this:Like Loading…

Id Critics and Conspiracy Theories

“Room 237 is like an act of revenge from a filmmaker upon the critics,” writes Robert Greene in his review. And The Verge’s Adi Robinson interviews Room 237 director Rodney Ascher on The Shining, interpretation and conspiracy theories. “[Room 237 is] about what happens when the movie leaves the filmmaker’s hands, and the audience is […]

“So I wrote a book”

Elmore Leonard talks about writing, Westerns, crime fiction, adaptations and Justified. “They made me an executive producer on the show, and executive producers don’t’ really do anything. I thought, ‘How can I sit here and collect money and not do anything?’ So I wrote a book, Raylan.” Like this:Like Loading…

Brains

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The first thing you have to understand is this:  I hate zombies. Truly, completely HATE them. Mine is a complex hatred, operating on more than one level.   At the core I am, as previously stated, a huge chicken. Zombies, for their part, are one of horror’s basic building blocks.  They’re practically terror ground zero. […]

Stepping Back with The Great And Powerful Oz

“With such a rich tapestry on and off the Oz page, it’s depressing that 2013 finds our return to Oz burdened with a reluctant hero (the dominant kind in the 21st century), and not one of Baum’s plucky young heroines. In a bitter reversal of Baum’s stories, ‘Great and Powerful’ casts the women as the […]

The Monster in Me

frankenstein

I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]

Just Leave the Talking Skull Alone

Sometimes you should just leave a talking skull well enough alone. Actually, you should probably always leave a talking skull well enough alone, but that’s not exactly what I was getting at. I’m thinking of Bob from Jim Butcher’s Harry Dresden novels, and the unfortunate transformation he underwent in the tv adaptation, The Dresden Files. […]

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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