The Cultural Gutter

hey, there's something shiny down there...

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Monster in Me

frankenstein

I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]

A Warning to the faint of heart
And eight year olds

When I was in grade two, my school thought it’d be a great Halloween activity to have a movie screening of old horror films. They showed us the 1931 adaptations of Dracula and Frankenstein, the original 1932 The Mummy, and the 1954 3-D classic, The Creature from the Black Lagoon. At age eight I had […]

World War I and Ulmer’s The Black Cat

“Did we not both die here in Marmorus 15 years ago? Are we any the less victims of the war than those whose bodies were torn asunder? Are we not both the living dead?” The Nitrate Diva writes about World War I and Edgar Ulmer’s 1934 film, The Black Cat, starring Bela Lugosi and Boris […]

It’s The Most Horrible Time of the Year!

It’s the most horrible time of the year! Lovecraft Season! Learn ehow to summon a shoggoth, the horrible sanity-blasting truth of your pitiful existence and salve the madness reading about The Crimson Cult.

A Century of Cinematic Horror

Decade by decade, the Movie Morlocks look at 100 years of cinematic horror, starting with the 1910 silent, Frankenstein.

Universal’s Years of Terror and Longing!

Beware the stalking half-human half beast!  Cursed with the thirst for human blood, unconscionable hubris,  and demanding a mate, the Monster Legacy site comes to life and walks among us! (as part of promotion for The Wolf Man remake). Thrills! Shock! Suspense!

At The 23-Screen Stadium-Seating Nacho-Serving Cineplex Of Madness

Uzumaki is Lovecraftian cinema at its haircurling best.

Mysterious creatures. Bizarre science. A dark, snowbound fortress. The occult. Tentacled, crustacean-inspired monsters. Hellish apocalypse. Primordial evil. Madness. Hellboy, the well-received latest film from neo-post-schlock auteur Guillermo del Toro (Cronos, The Devil’s Backbone, Blade II), offers these and other delights, all of which are common motifs in the work of that impossibly influential champion of […]

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  • Of Note Elsewhere

    There’s a set of Star Wars cards autographed with amusing comments by Mark Hamill at imgur.

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    The Projection Booth watches Night Moves (1975) with special guest host the Gutter’s own Carol. “Arthur Penn’s Night Moves (1975) stars Gene Hackman as Harry Moseby, a private eye trying to find himself in a post-Watergate America. We’re joined by Nat Segaloff, author of Arthur Penn: American Director and Carol Borden of the Cultural Gutter.”

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    At Graveyard Shift Sisters, Ashlee Blackwell considers love in Ganja & Hess. ” It is up to the viewer to map a path that suits their understanding. What writer/director Bill Gunn (who plays Dr. Hess’ assistant) wanted was a disruption of mainstream fare. Gunn didn’t seem too interested in what Hollywood desired, and like many writers, wrote a screenplay that felt personal and needed to be written. It tackles so many themes, it’s almost difficult to begin. While most rely on it being vampiric and about addiction, it’s important to note the journey that Hess and Ganja embark on together. Their romantic entanglement may by one of the most fascinating aspects of the film that is commonly overlooked because it is challenging to simplify.”

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    Friend of the Gutter Less Lee Moore interviews friend of the Gutter Colin Geddes about his work on the new horror streaming service, Shudder.

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    The Bowery Boys Podcast dedicates an episode to New York City in the history of comic books. “In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzer helped bring about the birth of the comic strip and, a few decades later, the comic book.  Today, comic book superheroes are bigger than ever — in blockbuster summer movies and television shows — and most of them still have an inseparable bond with New York City.”

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    Pornokitsch’s One Comic Podcast looks at Red Sonja #10: “To everyone’s surprise, despite some of the covers and the character’s reputation, this isn’t the exploitative boobs’n’swordplay production it could have been. How did it achieve that? Listen and find out.”

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