The Cultural Gutter

we've seen things you people wouldn't believe

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

A Warning to the faint of heart
And eight year olds

When I was in grade two, my school thought it’d be a great Halloween activity to have a movie screening of old horror films. They showed us the 1931 adaptations of Dracula and Frankenstein, the original 1932 The Mummy, and the 1954 3-D classic, The Creature from the Black Lagoon. At age eight I had […]

Avatar SCHMAvatar, or, Change the Playa Not the Game

crye

The film industry is a magical business. I don’t mean magical in the “Hollywood movie magic” sense, as is typically employed by awards show musical numbers and the California Board of Tourism. I mean that it is an industry with a business model that is not, and by its very nature cannot, be constructed on […]

I Want My Mummy

teenymum.JPG

This month we’re mixing it up at the Gutter, with the editors writing about something outside their usual domain. This week Chris Szego writes about movies. Well, mostly movies. I’m a total chicken. This means I don’t watch anything that smacks of horror.  In fact, I tend to close my eyes when the music gets […]

Dragon Emperor looks better than Crystal Skulls

Michelle Yeoh, Jet Li, Wu Jing, Anthony Wong Chau-Sang and… Brendan Fraser?  That’s right, it’s The Mummy: Tomb of the Dragon Emperor.  Who knew the Qin Emperor was a shapeshifter?  (via Kaiju Shakedown)

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  • Of Note Elsewhere

    Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.

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    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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