The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Me and My People Got History”

David Brothers writes about Luke Cage, comics history and how and why he writes about race. “I really, really care about this stuff. I care about others getting it right and I definitely care about getting it right myself. Otherwise, you get ‘LOL Luke Cage’ instead of treating the guy like his history is as [...]

The Problem with “Black Spider-Man” and “The Batman of Africa”

David Brothers points out exactly what the problem is with the phrases “Black Spider-Man” and “The Batman of Africa.” “…that it is essentially covert, or maybe just casual, white supremacy.”

Biracial like Spider-Man

At the Washington Post, David Betancourt writes about discovering that the new Ultimate Spider-Man, Miles Morales, is just like him and why Miles Morales is important. He also talks about the backlash against a biracial Spider-Man.  Andre the Black Nerd has posted a special rant about “the racism surrounding Miles Morales and explain[s] why a [...]

  • Of Note Elsewhere

    Kate Elliott asks, “How much sex is too much sex in your science fiction and fantasy?” (Thanks, James!)

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    NPR’s Monkey See blog shares a look at Adventure Time. “Adventure Time insists on emotional honesty.” (via @profmdwhite)

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    Recent shenanigans The Cultural Gutter has been involved in: The lost Drive-In Mob Movie S.P.E.C.T.R.E. on Monster Island; a transcript of the Shaitani Dracula tweetalong organized by The Mysterious Order of the Skeleton Suit; and the ongoing Twitter game/story, “Tonight On Mad Men.”

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    At Vern Reviews The Films Of Cinema, Outlaw Vern offers “one Seagalologist’s perspective on the ‘vulgar auteurism’ debate”: “The practitioners are trying to bring recognition to artists who they think are marginalized, but they’re accidentally creating a ranking of ‘vulgar auteur’ beneath ‘actual auteur.’ And that also shines a spotlight on the idea’s most glaring weakness: even the most establishment of the critical establishment have always worshipped directors who were at some point considered lowbrow–Hitchcock, Fuller, Peckinpah, DePalma.”

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    Pornokitsch finishes determining essential epic fantasy, with statistics, graphs and lists of their selections. Nice to see Homer in there.

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    David Simon shares the best deleted scene from the fifth season of The Wire. (via @pornokitsch)

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