The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Gender-Swapped DC Universe

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Comics Alliance has a sweet gallery of art, in which artists including Ming Doyle, Erica Henderson, John Quinones, Jordan Gibson, Lauren Moran and Jason Margos gender-swapped the heroes and villains of the DC Universe. (Look for more under #DCBend on Tumblr and Twitter). (Thanks, Mark!) Like this:Like Loading…

Interview with Ed Brubaker

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At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking […]

DC Variant Covers by Mike Allred

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A gallery of Mike Allred’s covers for twenty of DC’s titles. (via @profmdwhite) Like this:Like Loading…

The Dark Knight and the ACME Bomb: Batman and realism part I

The ending to The Dark Knight Rises left my wife doubled over laughing in the parking lot of the theatre. I tried to take a picture for posterity, but it was too dark. Given that no one else in the audience seemed affected in the same way, I expect I’ll need to explain why: simply […]

“Mary Sue, what are you?”

There’s an interesting exploration of the fan fiction term “Mary Sue” and it’s sexist connotations at Adventures of Comic Book Girl:  “So the only time female can be default is when discussing a badly written character, someone who is more powerful or important or liked than they should be allowed to be, someone the plot […]

Comics-Themed Cocktails

Comics Alliance‘s Chris Sims has concocted his own comics-themed cocktails, including a comments section cocktail for comics fans. Like this:Like Loading…

The Secret History of the Skeleton Suit (in Japan)

I appreciate Lord Death Man’s flair, his élan, panache, the way he daringly wears brown leather gloves, belt and boots with his high-contrast black and white skeleton suit—and makes it work. Of the many skeleton suits in the criminal underworld, I would wear Lord Death Man’s. Like this:Like Loading…

DC’s Sexually-Liberated Superheroines

Laura Hudson writes an excellent essay about “The Big Sexy Problem with Superheroines and the ‘Sexual Liberation.’” Like this:Like Loading…

Why Doesn’t Batman Kill?

Dr. Batman, Chris Sims, explains why Batman doesn’t kill–and why someone who seems a lot like he was Batman, has killed in Batman comics. (For the record, the Gutter stands with Chris Sims on this). Like this:Like Loading…

Batmobile, Examined

Do you have all the information you require regarding the Batmobile’s physical evolution and its history?  Probably not.  Fortunately, these two sites have made a start. (Thanks, Humash!) Like this:Like Loading…

10 Comics I Liked in 2010

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Sometimes it’s easy to forget why I like comics and 2010 was a particularly tough year, in comics and otherwise. But here are 10 that reminded me why I do like them. There’s a lot of crime, anthropomorphic animals, gorgeous art, silly fun, people dealing with things the best they can, and plenty of Greg […]

Batwoman: Elegaic

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In this time of uncertainty and dread, with Batman dying and Dick Grayson taking up the cowl, with dead Robins returning all crazy or replacing Batgirl, with Bruce Wayne taking a global crimefighting initiative Batman Inc. public, there’s one thing I am sure Gotham that has going for it: Batwoman. Like this:Like Loading…

The Lonely Man

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Hit play. I used to be so impatient watching The Incredible Hulk. I curled up coloring, waiting for David Banner to transform and roar and smash through brick walls. But watching that show only for the Hulk sets any viewer up for disappointment. Instead, I’ve learned to watch The Incredible Hulk for David Banner. And, […]

HAVING YOUR DUALITY AND EATING IT, TOO

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Spoiler warning. When the question arises of who could be the villain in a third Batman movie, I’m stymied. I can’t picture The Penguin or The Riddler or Catwoman working in the world Christopher Nolan has created. Poison Ivy? I don’t think so. The Mad Hatter? Clayface? Kite Man? Bane? Nope, nope, nope and please […]

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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