The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Gender-Swapped DC Universe

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Comics Alliance has a sweet gallery of art, in which artists including Ming Doyle, Erica Henderson, John Quinones, Jordan Gibson, Lauren Moran and Jason Margos gender-swapped the heroes and villains of the DC Universe. (Look for more under #DCBend on Tumblr and Twitter). (Thanks, Mark!)

Interview with Ed Brubaker

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At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking […]

DC Variant Covers by Mike Allred

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A gallery of Mike Allred’s covers for twenty of DC’s titles. (via @profmdwhite)

The Dark Knight and the ACME Bomb: Batman and realism part I

The ending to The Dark Knight Rises left my wife doubled over laughing in the parking lot of the theatre. I tried to take a picture for posterity, but it was too dark. Given that no one else in the audience seemed affected in the same way, I expect I’ll need to explain why: simply […]

“Mary Sue, what are you?”

There’s an interesting exploration of the fan fiction term “Mary Sue” and it’s sexist connotations at Adventures of Comic Book Girl:  “So the only time female can be default is when discussing a badly written character, someone who is more powerful or important or liked than they should be allowed to be, someone the plot […]

Comics-Themed Cocktails

Comics Alliance‘s Chris Sims has concocted his own comics-themed cocktails, including a comments section cocktail for comics fans.

The Secret History of the Skeleton Suit (in Japan)

I appreciate Lord Death Man’s flair, his élan, panache, the way he daringly wears brown leather gloves, belt and boots with his high-contrast black and white skeleton suit—and makes it work. Of the many skeleton suits in the criminal underworld, I would wear Lord Death Man’s.

DC’s Sexually-Liberated Superheroines

Laura Hudson writes an excellent essay about “The Big Sexy Problem with Superheroines and the ‘Sexual Liberation.’”

Why Doesn’t Batman Kill?

Dr. Batman, Chris Sims, explains why Batman doesn’t kill–and why someone who seems a lot like he was Batman, has killed in Batman comics. (For the record, the Gutter stands with Chris Sims on this).

Batmobile, Examined

Do you have all the information you require regarding the Batmobile’s physical evolution and its history?  Probably not.  Fortunately, these two sites have made a start. (Thanks, Humash!)

10 Comics I Liked in 2010

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Sometimes it’s easy to forget why I like comics and 2010 was a particularly tough year, in comics and otherwise. But here are 10 that reminded me why I do like them. There’s a lot of crime, anthropomorphic animals, gorgeous art, silly fun, people dealing with things the best they can, and plenty of Greg […]

Batwoman: Elegaic

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In this time of uncertainty and dread, with Batman dying and Dick Grayson taking up the cowl, with dead Robins returning all crazy or replacing Batgirl, with Bruce Wayne taking a global crimefighting initiative Batman Inc. public, there’s one thing I am sure Gotham that has going for it: Batwoman.

The Lonely Man

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Hit play. I used to be so impatient watching The Incredible Hulk. I curled up coloring, waiting for David Banner to transform and roar and smash through brick walls. But watching that show only for the Hulk sets any viewer up for disappointment. Instead, I’ve learned to watch The Incredible Hulk for David Banner. And, […]

HAVING YOUR DUALITY AND EATING IT, TOO

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Spoiler warning. When the question arises of who could be the villain in a third Batman movie, I’m stymied. I can’t picture The Penguin or The Riddler or Catwoman working in the world Christopher Nolan has created. Poison Ivy? I don’t think so. The Mad Hatter? Clayface? Kite Man? Bane? Nope, nope, nope and please […]

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  • Of Note Elsewhere

    Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut game of life and death.”

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    Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

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    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

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