The Cultural Gutter

unashamed geekery

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Wonder Women! Being the Hero of Your Own Story

Comics Editor Carol did a quick review of Wonder Women! The Untold Story of American Superheroines for the ActionFest Blog.  “[I]t’s not just about letting little girls know that they can be heroes, that they can be anything they want. It’s about knowing that as adults we have great power and great responsibility.  We can […]

“Why Spider-Man is the Best Character Ever”

Comics Alliance‘s Senior Batmanologist Chris Sims makes a moving argument for why Spider-Man is the best comic book character ever: “Those first 200 issues of Amazing Spider-Man — a run that’s downright shocking in how good it is — are essentially teenager problems on a super-heroic scale, both literally and translated into the metaphor of […]

Ladies Kissing and Fanservice

At The Mary Sue, Becky Chambers, writes about watching a moment of wonder when ladies kiss on Deep Space Nine, the devolution of something that felt special into television’s “barrage of meaningless lady kisses” and finding the love again in roleplaying games like Dragon Age, World of Warcraft, Saints Row 2, Skyrim and Fable. Like […]

Fandom is Magic

In the year 2001 I discovered a magical world. Not Harry Potter (that was a few years later) and not the Internet (although it was responsible), but a world that captured my attention and hasn’t let go ten years later. It has to do with fanfiction; unpaid fiction that is written by fans of a […]

Twilight, Remixed

It was bound to happen: Buffy vs. Edward. (via Smart Bitches). Like this:Like Loading…

Zahn’s Star Wars; Or, Will This Death be Permanent?

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A scrappy rebellion, a victory against an evil overlord, leftover spaceships in the dark outer reaches of the galaxy, warriors with extraordinary powers (nearly wiped out), now on the verge of a comeback. Laughs, thrills, moments of sadness, moments of sheer action. Exciting stuff! And oh yeah, it’s a Star Wars tie-in novel. Like this:Like […]

The Nature of the Hero, Rowling-Style

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A few months ago, I decided to take the plunge: I would burn through the Harry Potter series, now complete, all in one go. It’s been… interesting. I’ve discovered all kinds of things I had not realized before, including the fact that Harry is – to put it diplomatically – not a particularly effective hero. […]

Spoilerific

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I’m the person who hates spoilers, mainly because they wreck a book or movie for me. I’m a stickler for experiencing something in the way that the creator intended (whether this is a smart or helpful habit is quite another question). In the case of, say, a TV show like Buffy or Angel that’s been […]

I Am Woman, Hear Me Purr

Daniel

When I got Sudeki for review, I sighed. An anime babe smiled out from the cover, her armoured boobs thrust forward and her arms upstretched as she cast a spell — presumably on the teenage-boy market. The following two strikes were the five-star recommendation from Maxim and the name of the game company (Climax). But […]

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  • Of Note Elsewhere

    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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    At Vox, Alex Abad-Santos interviews Kelly Sue DeConnick about feminism, raising girls and her new comic, Bitch Planet. “DeConnick says Bitch Planet, which debuted late last year, is her take on the exploitation films she loved as a kid. The sci-fi prison saga is confident, slick, and hilarious on multiple levels. But it also vibrates with frustration over the sexism still alive today and the impatience in wanting to eliminate it.”

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