Open Culture has a re-vamped trailer for a film adaptation of Alejandro Jodorowsky and Moebius’ comic The Incal. One that never happened. “[Incal‘s] success made it a logical candidate for film adaptation, and so director Pascal Blais brought together artists from Heavy Metal magazine (in which Mœbius first published some of his best known work) to make it happen. It resulted in nothing more than a trailer, but what a trailer; you can watch a recently revamped edition of the one Blais and his collaborators put together in the 1980s at the top of the post.” (Thanks, Felipe!)
‘The recent rise of Native-produced sci-fi films is more than an academic fascination. These diverse set of films have the power to not only help us to reimagine our assumptions about the futures of Indigenous peoples, but also to serve as a cultural mirror enabling us to reassess the Western sci-fi futures we have internalized. […]
When I was recently asked for my recommendation for the most underrated Bollywood film of 2015, I didn’t go with the high-profile, high-intelligence, period piece flops from big-name directors that I loved even though very few critics did (Detective Byomkesh Bakshy! from Dibakar Banerjee and Bombay Velvet from Anurag Kashyap). Instead, I nominated this gleefully […]
At Office Hours #9, friend of the Gutter/Midnight Madness programmer/Shudder curator Colin Geddes and fellow Shudder curator Sam Zimmerman talk about horror. I especially enjoy the discussion about the difference between a “terror film” and a “horror film.”
At the Guardian, Kate Beaton talks about comics, history and her years working in Alberta’s oil sands.
Behold the creepy, eerily beautiful, hellishly frightening and sometimes hilarious delights of this year’s Vanguard Program at the Toronto International Film Festival: Demon; February; The Missing Girl; Evolution; Lace Crater; Der Nachtmahr; Collective Invention; Love; Men & Chickens; My Big Night; Veteran; Hellions; Endorphine; Zoom; and, No Men Beyond This Point. (The Gutter’s own Carol […]
Here’s the genre-tastic line-up for this year’s Midnight Madness Program at the Toronto International Film Festival–with trailers where available: The Chickening; Green Room; Baskin; Hardcore; The Devil’s Candy; The Girl In The Photographs; The Mind’s Eye; Southbound; SPL 2: A Time For Consequences; Yakuza Apocalypse; and, The Final Girls. (The Gutter’s own Carol runs the […]
Friend of the Gutter, Nitrate Diva writes about 13 women who helped shape cinema. “Hollywood is, in many ways, a more male-dominated environment today than it was 90 or so years ago. Scary, huh? In order to perpetuate a culture where more women make movies now, we need to recognize the women who made movies in […]
At Comics 212, Christopher Butcher has some interesting thoughts about recent shifts in comics. “So, basically, my theory goes that the manga boom in the late 90s sort of blew up every single thing that the industry thought about comics, and who the audience is for comics, and what comics can do….So how did the rest of […]
The New York Times profiles artist Fiona Staples and talks with her about her work on the new Archie comic and Saga. Also, she answers their, “Are you a Betty or a Veronica?”question just fine.
“The truth is out there… probably somewhere in Vancouver.” Atlas Obscura travels to British Columbia’s Lower Seymour Conservation Reserve to share all the locations where X-Files shot in the woods.
Friend of the Gutter, Robert A. Mitchell writes a very moving piece about his father, growing up and The Late Show With David Letterman. “My father has been a long distance truck driver for over thirty-five years. His home is a sleeper bunk behind his steering wheel in some rest stop/parking lot/truck stop somewhere in […]
This month’s Guest Star is the excellent Kaitlin Tremblay. Content Warning: self-harm, emotional abuse My roommate and I are obnoxious in the way that only best friends who live together can be. We have more inside jokes than books we’ve read (and as two girls who work in publishing and with five degrees in subjects […]
Founding Gutter editor Jim Munroe is having a watchalong for his new cyberpunk, neo-Noir webseries, Haphead, on Feb. 15, 2015 at 4pm ET. There’s a Q&A at 5:20 pm. You can find the series here, hit play with the official Haphead Twitter account says, “Go!” and tweetalong with the hashtag #haphead. Watch the series trailer […]
Hi Fructose magazine has images of Bailey Henderson’s sculptures of creatures from Medieval maps.
At Graveyard Shift Sisters, Carolyn looks at Lizzie Borden’s Born In Flames (1983) and the character, Adelaide Norris. “Born in Flames was revolutionary for its time, and I think it is still relevant today. This film has many layers, with both a speculative as well as a science fictional representation of a parallel universe that […]
At The Los Angeles Review Of Books, Suzannah Showler writes about the complexity of the reality tv show The Bachelor and her complicated love for it. “I love The Bachelor the way I love most things, which is to say: complicatedly. On the one hand, I think it’s a fascinating cultural product, one I find […]
Footage from Impossible Factual’s “The Great Martian War”. It blends historical footage from WWI with digital and recreated material to create a vision of The War Of The Worlds. (via @FOURDK)
The Gutter’s own Carol interviews Peter Strickland (Berberian Sound Studio; The Duke of Burgundy) about his films, sound design, mole crickets, pheromonal perfume and the pressure to put on a persona. Read it at the Toronto International Film Festival’s official Vanguard Program blog.
Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available).
At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)keep looking »