The Cultural Gutter

hey, there's something shiny down there...

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“The Ambush At Sheridan Springs”

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Jon Peterson discusses how Gary Gygax lost control of Dungeons & Dragons. “What did Gygax see, in that moment? He saw enough shares in play that he stood to lose control of TSR, a company he had founded and transformed into a global brand. But he surely also saw something even more dear at stake: […]

“Revealing the Secrets of the Modern Movie Poster”

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Former graphic designer for Intralink Film Graphic Design and current Google graphic designer Alex Griendling talks about designing film posters and campaigns at The Art House.

Pirates On One Hand, Privateers On The Other

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Director Lexi Alexander writes about movies and piracy and wonders if studios are more damaging. “I would argue that releasing crappy movies has a far greater effect on the film industry bottom line than piracy ever could. Similar things happen when a hyped TV show bombs or an anticipated game is a letdown. Companies don’t […]

RIP, Massimo Vignelli

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Designer Massimo Vignelli has died. Fast Company Design, The Smithsonian Magazine and The New York Times have obituaries. The Verge shares a gallery of his work from the New York subway system map to Bloomingdale’s bags to American Airlines’ logo. Here Vignelli talks about design and his career.

“The LEGO Movie: Further Evidence of Will Ferrell’s Subversive Genius”

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“To be fair, I have no idea whether [Will Ferrell] had input into the script of The Lego Movie or not. But the mere fact that he was cast as the movie’s villain should have been a giveaway as to its ideology. For more than a decade now, Ferrell’s starred in big, dumb films of surprising political […]

Operation Scraping Netflix’s Data

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“This database probing told me three things: 1) Netflix had an absurdly large number of genres, an order of magnitude or two more than I had thought, 2) it was organized in a way that I didn’t understand, and 3) there was no way I could go through all those genres by hand. But I […]

“Why Marketers Fear Female Geeks”

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At How Not To Suck At Game Design, Anjin writes about marketing, cycles of exclusion and what to do about it: “Yes, excluding people based on demographic data makes sense to a lot of people in marketing. It’s considered a best practice and it actually is a pretty reliable way of increasing profit margins. And […]

“Love In The Time Of Hollering: The Age Of Enthusiasm”

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At NPR’s Monkeysee blog, Linda Holmes writes about enthusiasm, the outloud internet, broadcast television, premium cable, the Man and many things worth thinking about. “[T]here is a better way forward. Fall in love with things. Try things; dislike some of them. Love people who love things you can’t imagine loving. Be thirsty and brave. Accept […]

Blurbery

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Ursula Le Guin talks about blurbs: “The trouble is, these days, that any moderately successful author who ever blurbed a book is at this very moment being approached by other authors and probably some editors — and not two or three of them a month, the way it was ten years ago, but many, many, […]

Pop Culture Propaganda

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Peter Gutiérrez looks at the pop culture propaganda of Ender’s Game, Pacific Rim and G.I. Joe marketing campaigns. “The interesting, if obvious, thing about these marketing posters is that they seem to rely on the viewer’s familiarity with propaganda. Does that mean that the audience for blockbuster movies these days is sufficiently “media literate” that […]

“The Science of Black Nerds”

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Blerdology’s Kat and Amanda talk to Vibe about “The Science of Black Nerds.” “African Americans present a unique set of perspectives and problems that the larger tech world could never completely and accurately tackle without us. Now, we hack to ask how can we get more African Americans to realize the power and influence they […]

Paul Jenkins talks about DC, Marvel, and Boom!

Paul Jenkins explains why he’s leaving DC and Marvel in an open letter at CBR. Bleeding Cool interviews Jenkins about what’s wrong at DC and Marvel and what’s right at Boom! Studios. (Thanks, Mark!)

Karen Berger and Vertigo

The New York Times profiles Karen Berger, former editor of DC’s Vertigo comics imprint. “When the Vertigo imprint was introduced in 1993, it was a way for writers and illustrators to retain ownership of their work and be free of the restraints that governed superhero stories.”

Manos: The Hands of Felt

Support Manos The Hands of Felt–The Master will be pleased.

“The Bullying of Chatelaine Harris and the Wisdom of Neil Gaiman”

“So Charlaine Harris’ last Southern Vampires book, Dead Ever After, is out May 7.  Except it’s kind of out now, which is why the interwebs are exploding.  Some random asshat got their claws on an early copy, which is sneaky enough, but then posted the ending online, which is borderline sociopathic.” Mary Janice Davidson has […]

The Algorithm of Success

The New York Times has a piece on the statistical quest for a sure thing box office hit. Meanwhile, The AV Club pans Netflix’s original series, very much grounded in algorithms, Hemlock Grove: “The genius of Netflix’s computer-programmed, demographic targeting approach to TV is that it doesn’t need to create amazing, or challenging, or even […]

Protesting CISPA

ZDNet’s Violet Blue offers ways you can join the Apr. 22 protest against The Cyber Intelligence Sharing and Protection Act. At The Atlantic, Rebecca Greenfield notes that CISPA has “few friends in the Senate” but has the support of “major tech companies”: “Unlike SOPA which was widely condemned in the tech community,  CISPA has the […]

A Brut Production

Movie Morlocks ‘ R. Emmet Sweeney explores the filmmaking history of Fabergé fragrance CEO, George Barrie: “Barrie produced his films under a ‘Brut Productions’ shingle, while Brut Records put out albums by comedian Robert Klein and Brut Television co-produced the popular spy thriller series The Protectors starring Robert Vaughn. There was even a Brut Publishing […]

The Making of The Bad Sleep Well

A documentary on the making of Akira Kurosawa’s The Bad Sleep Well.

“The DC New 52 Timeline of Departures, Firings, and Bridge-Burnings”

Gutters and Panels has a convenient timeline of notable departures, firings and bridge-burnings at DC Entertainment since 2010.

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  • Of Note Elsewhere

    Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.

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    The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The mines, the scrap yards, the slums, perhaps most fittingly an abattoir streaked with grime and blood and offal (not all of it from slaughtered animals). Rather than being a slick fantasy world, Wasseypur takes place in a world that screams, ‘No one gets out of here alive.’”

    And The Times of India writes about the real life gangs of Wasseypur here.

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    A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)

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    A gallery of Medieval European beasts and creatures who can’t even.

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    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

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    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

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