The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

A Brut Production

Movie Morlocks ‘ R. Emmet Sweeney explores the filmmaking history of Fabergé fragrance CEO, George Barrie: “Barrie produced his films under a ‘Brut Productions’ shingle, while Brut Records put out albums by comedian Robert Klein and Brut Television co-produced the popular spy thriller series The Protectors starring Robert Vaughn. There was even a Brut Publishing […]

The Making of The Bad Sleep Well

A documentary on the making of Akira Kurosawa’s The Bad Sleep Well. Like this:Like Loading…

“The DC New 52 Timeline of Departures, Firings, and Bridge-Burnings”

Gutters and Panels has a convenient timeline of notable departures, firings and bridge-burnings at DC Entertainment since 2010. Like this:Like Loading…

“Don’t Stop Believin': Everyman’s Journey”

NPR’s Scott Tobias writes of Don’t Stop Believin': Everyman’s Journey: “The disparity between Journey’s mercenary nature and Pineda’s inspiring triumph over adversity comes through starkly in Everyman’s Journey.” (via @TrashFilmGuru) Like this:Like Loading…

Diverse Writers, Diverse Readers and Happily Ever Afters

NPR talks about romance written by and for people of color with authors Brenda Jackson, Michelle Monkou, Camy Tang and romance critic Sarah Wendell at the Romance Writers of American convention. (The radio piece is stronger than the written synopsis). Like this:Like Loading…

“The Circus of Fashion”

As Popshifter has pointed out, Suzy Menkes’ article about fashion, could apply to so many other cultural pursuits now: “It is great to see the commentaries from smart bloggers — especially those in countries like China or Russia, where there was, in the past, little possibility of sharing fashion thoughts and dreams[.] But two things […]

BBC Remake + Kevin Spacey + David Fincher = You Will Watch

The Fractured Atlas has an interesting piece on Netflix’s House of Cards, the Nutcracker, data analysis and driving new content development in the arts. And Andrew Leonard has more at Salon: “Netflix’s data indicated that the same subscribers who loved the original BBC production also gobbled down movies starring Kevin Spacey or directed by David […]

News from the EVE Frontline

Tor.com reports on one of the largest space battles in the history of EVE Online: “A space battle kicked off entirely by accident. A space battle so big it could not be simulated, it had to be crafted and pushed forward by human ego, so big it cost hundreds of thousands of dollars, and yet […]

“Porn Fans Aren’t What They Used To Be”

“In an age when every conceivable permutation of pornography is immediately accessible for free online, the power dynamic between viewer and star has shifted. Most porn viewers are still quietly accessing the material from the privacy of their own homes, but because it’s so easy to get, the reverence has faded.” At the Adult Entertainment […]

Hollywood and Industrialized Plagiarism

At Geek Juice, Josh Hadley’s “Industrialized Plagiarism” responds to a Village Voice piece, “How To Defend Quentin Tarantino.” Read them together for QT, Hollywood SOP, Harlan Ellison, homages, plagiarism and more. Like this:Like Loading…

“The Wrong Goodbye of Barnes and Noble”

“For a couple of years I’ve been predicting in column after column that B&N was eager to get out of the brick-and-mortar business of selling books, but seeing it finally kick into high gear was no fun.” Melville House’s Dennis Johnson draws out the implications of Barnes and Noble closing stores for the book  business, […]

“The Best of 2012 for DC Women”

DC Women Kicking Ass counts down the Best of 2012 for DC Women! Movies! Comics! Animation! Marketing! Batman! Like this:Like Loading…

“The Year in Comics: Biggest Disappointments of 2012″

At Gutters and Panels, John Gholson shares his 3 biggest disappointments in comics this year. Like this:Like Loading…

Apple, Nudity and e-Books

At The Globe and Mail, Michael Posner writes on Apple’s corporate censorship of Peter Ovig Knudsen’s books, Hippie 1 and 2. “The Hippie book controversy follows a series of similar attempts by Apple to censor–or deny market access–to artistic material it deems offensive.” Like this:Like Loading…

Attention, Horror Fans!

Couchcutter asks horror fans not to cheat themselves out of the future: “I’m not asking you to buy less Hollywood. I’m telling you that we *need* to buy more Independent. At least, if there is any independent stuff that you love or have ever loved. If one of the two have to suffer out of […]

The Rise of Women in Tech

Sarah Wenger has made a neat infographic about women in the tech field. Like this:Like Loading…

“Uncle Pervy’s K-Pop Playlist”

John Seabrook, aka, “Uncle Pervy,” created an overview of K-Pop video for all your booty-shaking, synchronized dance needs. Make sure to click through to his article on Korean pop music for The New Yorker. (via @sammy2lighters)   Like this:Like Loading…

Kids Do Read Comics

Comics Beat ‘s Torsten Adair goes through The New York Times bestseller list and draws some conclusions, “Right now, it seems that diversity is the zeitgeist, as non-fiction, non-comics publishers are selling well to the general public, and that kids’ books are a growing market.” Like this:Like Loading…

What is Gangnam Style?

“PSY does something in his video that few other artists, Korean or otherwise, do: He parodies the wealthiest, most powerful neighborhood in South Korea. Sure, he uses physical humor to make it seemingly about him, a man who wants to project glamour but keeps falling short…But ultimately, by declaring ‘Oppa is Gangnam Style,’ he turns […]

Modern Cartoonist: The Naked Truth

Fantagraphics’ blog reveals “Modern Cartoonist: The Naked Truth” in all its gorgeous glory! Read Dan Clowes’ tell-all illustrated essay originally published on the hush-hush in 1997. Like this:Like Loading…

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  • Of Note Elsewhere

    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

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    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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    At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from key individuals and tribes. What it showed me was that you had to identify and build relationships with those opinion-formers – the DJs, the music industry, the fashion industry, the underground media.” (via @timmaughan)

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