The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Glen A. Larson

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Producer, writer and director Glen A. Larson has died. Larson was responsible for creating tv series such as Battlestar Galactica, Magnum P.I, Knight Rider, The Fall Guy, Quincy M.E., The Hardy Boys/Nancy Drew Mysteries and Buck Rogers In The 25Th Century, about which the Gutter’s own Keith wrote here. The New York Times, The Hollywood […]

RIP, Gary McLarty

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Stunt performer and coordinator Gary McLarty has died. McLarty performed stunts in many, many movies and tv shows including: Gone In Sixty Seconds (2000), Wyatt Earp (1994), Jurassic Park (1993), Last Action Hero (1993), Days of Thunder (1990), Lethal Weapon 2 (1989), Rambo III (1988), Maximum Overdrive (1986), Big Trouble in Little China (1986), To […]

RIP, Bob Orrison

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Stunt performer and coordinator Bob Orrison has died. Orrison performed stunts in many, many movies and tv shows including: Speed (1994), Universal Soldier (1992), Die Hard 2 (1990), Hooper (1978), The A-Team, The Dukes of Hazzard, Blues Brothers (1980), Smokey & The Bandit (1977), Three The Hard Way (1974), Star Trek and The Wild Bunch […]

RIP, Hal Needham

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Director, stunt coordinator  and stuntman Hal Needham has died. Needham directed Smokey and the Bandit and The Cannonball Run, but he also performed and coordinated stunts in The French Connection II, Three The Hard Way, Chinatown, Our Man Flint, The War Wagon and Blazing Saddles. and in television shows such as, Mission: Impossible, Star Trek, […]

“Classical Filmmaking: The Theme that Drives all of Sam Raimi’s Movies”

Matt Singer explores two elements that recur in all of Sam Raimi’s films, Pandora’s box and, “The Classic,” a 1973 Delta 88. “Using The Classic to play Uncle Ben’s car may have just been a fortuitous way for Raimi to shoehorn in his beloved trademark, but in the larger context of his career, it imbues […]

Escaping the Truck Stop Killer

“[It] occurred to me that this investigation of mine wasn’t a detective novel. It was a ghost story.” In 1985, Vanessa Veselka escaped a terrifying trucker who probably was Robert Ben Rhoades, the Truck Stop Killer and, years later, tries to understand her experience and learn more about the teenage girls who disappeared while hitchhiking. […]

Making The Blues Brothers.

At Vanity Fair, Ned Zeman explores the history of The Blues Brothers. “It is October 1979, and The Numbers are not to [Lew] Wasserman’s satisfaction. The culprit is Universal’s big-ticket production The Blues Brothers, a movie that pretty much defies logic and description. Some call it a musical; others, a comedy; others, a buddy movie; […]

Clip from The Host 2 / Gwoemul 2

Here’s a clip from Bong Joon-ho’s The Host 2/ Gwoemul 2 (sequel to the 2007 film, The Host / Gwoemul). More river monster + a little behind the scenes look. Like this:Like Loading…

Vanguard 2012 Trailers!

This year’s Vanguard program at the Toronto International Film Festival also looks pretty sweet with Soi Cheang’s Motorway, starring Anthony Wong Chau-Sang; 90 Minutes; Berberian Sound Effects; Blondie; I Declare War; iLL Manors; Painless; Pusher; Sightseers; Thale; and Michel Gondry’s The We And The I. I haven’t found trailers for Beijing Flickers; Here Comes The […]

Sourcing the Drive Soundtrack

Black Hole Reviews runs down the possible sources for the Drive soundtrack, track by track. Like this:Like Loading…

“Chaos Cinema: The Decline of Action Filmmaking”

In his video essay (also available in text form), Matthias Stork details the elements of what he calls, “Chaos Cinema” and their effects on film and viewer experience: “The film doesn’t seduce you into suspending your disbelief.  It bludgeons you until you give up.” Like this:Like Loading…

The History and Art of the Title Sequence

A couple of looks at the art and history of film title sequences. Like this:Like Loading…

Fun with Mad Men’s Jon Hamm

Lexcorp needs a bailout and a yeti needs a lift. Like this:Like Loading…

Batmobile, Examined

Do you have all the information you require regarding the Batmobile’s physical evolution and its history?  Probably not.  Fortunately, these two sites have made a start. (Thanks, Humash!) Like this:Like Loading…

Most Anticipated Asian Films of 2011

Wildgrounds breaks down their most anticipated films of 2011. Like this:Like Loading…

Midnight Madness 2010 Trailers

Here are trailers for 6 of the 10 movies at the Toronto International Film Festival’s Midnight Madness program this year: Fubar II; The Vanishing on 7th Street; The Butcher, The Chef and The Swordsman; Red Nights; Fire of Conscience; and Stake Land. (SUPER, Insidious, Bunraku and John Carpenter’s The Ward don’t have trailers yet). Like […]

The Best Thing Is The Worst Thing, Too

And more comics with Ask Chris. The Invincible Super Blog’s Chris Sims explains what the best thing and what the worst thing about comics culture are: fans. He also has pictures of a Bat-Monster Truck.  Like this:Like Loading…

Kathryn Bigelow Retrospective

Kathryn Bigelow won a best directing Oscar for The Hurt Locker. Time for a retrospective. Here’s the trailer for Near Dark and some clips. Point Break (i.e. Keeanu Reeves best movie). Jamie Lee Curtis in the cop thriller, Blue Steel. The premillennial tension of Strange Days. The Pirelli ad, Mission Zero. And her sub movie, […]

VARIETY PAK

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It’s been just over a year since I became a partner in the Mayfair Theatre, Ottawa’s oldest operating cinema. We’ve shown a lot of films in that time (we average about 40 a month), and I’ve written the synopsis for almost every one. Like this:Like Loading…

Phobia 2 Trailer

Hey, Phobia 2, what’s with the “scare quotes?” Like this:Like Loading…

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  • Of Note Elsewhere

    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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    At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from key individuals and tribes. What it showed me was that you had to identify and build relationships with those opinion-formers – the DJs, the music industry, the fashion industry, the underground media.” (via @timmaughan)

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    Neill Cameron has re-imagined the characters of Parks & Recreation as members of Starfleet. (Via @neillcameron)

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    Christopher Lee has released a promotional video for his latest album, Darkest Carols, Faithful Sing.  You should probably watch everything at Charlemagne Productions.

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