The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Auto Sketches from Detroit’s Golden Era You were Never Meant to See”

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PBS’ Newshour has a gallery of Norbert Ostrowski’s amazing automotive design sketches from 1946 to 1973. “The designs were never meant to leave the studios. Automakers routinely destroyed early sketches for fear they would fall into the wrong hands. But some of them made their way out of Ford, GM and Chrysler, as well as […]

A Week of Fast & Furious Reviews

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Friend of the Gutter Evan Munday has been re-watching the Fast & Furious films in anticipation of Furious 7‘s release this week. See all his thoughts here.

Transformers: The Romance of the Machine

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Hasbro’s toy brand Transformers turned thirty last year. Children around the world have been hearing the Transformers’ story for decades, passed on by cartoons, comics, movies, and toys. It’s always the same, more or less. An alien race of transforming robots is at war, divided into two factions: the villainous Decepticons, led by Megatron, and […]

RIP, Glen A. Larson

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Producer, writer and director Glen A. Larson has died. Larson was responsible for creating tv series such as Battlestar Galactica, Magnum P.I, Knight Rider, The Fall Guy, Quincy M.E., The Hardy Boys/Nancy Drew Mysteries and Buck Rogers In The 25Th Century, about which the Gutter’s own Keith wrote here. The New York Times, The Hollywood […]

RIP, Gary McLarty

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Stunt performer and coordinator Gary McLarty has died. McLarty performed stunts in many, many movies and tv shows including: Gone In Sixty Seconds (2000), Wyatt Earp (1994), Jurassic Park (1993), Last Action Hero (1993), Days of Thunder (1990), Lethal Weapon 2 (1989), Rambo III (1988), Maximum Overdrive (1986), Big Trouble in Little China (1986), To […]

RIP, Bob Orrison

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Stunt performer and coordinator Bob Orrison has died. Orrison performed stunts in many, many movies and tv shows including: Speed (1994), Universal Soldier (1992), Die Hard 2 (1990), Hooper (1978), The A-Team, The Dukes of Hazzard, Blues Brothers (1980), Smokey & The Bandit (1977), Three The Hard Way (1974), Star Trek and The Wild Bunch […]

RIP, Hal Needham

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Director, stunt coordinator  and stuntman Hal Needham has died. Needham directed Smokey and the Bandit and The Cannonball Run, but he also performed and coordinated stunts in The French Connection II, Three The Hard Way, Chinatown, Our Man Flint, The War Wagon and Blazing Saddles. and in television shows such as, Mission: Impossible, Star Trek, […]

“Classical Filmmaking: The Theme that Drives all of Sam Raimi’s Movies”

Matt Singer explores two elements that recur in all of Sam Raimi’s films, Pandora’s box and, “The Classic,” a 1973 Delta 88. “Using The Classic to play Uncle Ben’s car may have just been a fortuitous way for Raimi to shoehorn in his beloved trademark, but in the larger context of his career, it imbues […]

Escaping the Truck Stop Killer

“[It] occurred to me that this investigation of mine wasn’t a detective novel. It was a ghost story.” In 1985, Vanessa Veselka escaped a terrifying trucker who probably was Robert Ben Rhoades, the Truck Stop Killer and, years later, tries to understand her experience and learn more about the teenage girls who disappeared while hitchhiking.

Making The Blues Brothers.

At Vanity Fair, Ned Zeman explores the history of The Blues Brothers. “It is October 1979, and The Numbers are not to [Lew] Wasserman’s satisfaction. The culprit is Universal’s big-ticket production The Blues Brothers, a movie that pretty much defies logic and description. Some call it a musical; others, a comedy; others, a buddy movie; […]

Clip from The Host 2 / Gwoemul 2

Here’s a clip from Bong Joon-ho’s The Host 2/ Gwoemul 2 (sequel to the 2007 film, The Host / Gwoemul). More river monster + a little behind the scenes look.

Vanguard 2012 Trailers!

This year’s Vanguard program at the Toronto International Film Festival also looks pretty sweet with Soi Cheang’s Motorway, starring Anthony Wong Chau-Sang; 90 Minutes; Berberian Sound Effects; Blondie; I Declare War; iLL Manors; Painless; Pusher; Sightseers; Thale; and Michel Gondry’s The We And The I. I haven’t found trailers for Beijing Flickers; Here Comes The […]

Sourcing the Drive Soundtrack

Black Hole Reviews runs down the possible sources for the Drive soundtrack, track by track.

“Chaos Cinema: The Decline of Action Filmmaking”

In his video essay (also available in text form), Matthias Stork details the elements of what he calls, “Chaos Cinema” and their effects on film and viewer experience: “The film doesn’t seduce you into suspending your disbelief.  It bludgeons you until you give up.”

The History and Art of the Title Sequence

A couple of looks at the art and history of film title sequences.

Fun with Mad Men’s Jon Hamm

Lexcorp needs a bailout and a yeti needs a lift.

Batmobile, Examined

Do you have all the information you require regarding the Batmobile’s physical evolution and its history?  Probably not.  Fortunately, these two sites have made a start. (Thanks, Humash!)

Most Anticipated Asian Films of 2011

Wildgrounds breaks down their most anticipated films of 2011.

Midnight Madness 2010 Trailers

Here are trailers for 6 of the 10 movies at the Toronto International Film Festival’s Midnight Madness program this year: Fubar II; The Vanishing on 7th Street; The Butcher, The Chef and The Swordsman; Red Nights; Fire of Conscience; and Stake Land. (SUPER, Insidious, Bunraku and John Carpenter’s The Ward don’t have trailers yet).

The Best Thing Is The Worst Thing, Too

And more comics with Ask Chris. The Invincible Super Blog’s Chris Sims explains what the best thing and what the worst thing about comics culture are: fans. He also has pictures of a Bat-Monster Truck. 

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  • Of Note Elsewhere

    The Bowery Boys Podcast dedicates an episode to New York City in the history of comic books. “In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzer helped bring about the birth of the comic strip and, a few decades later, the comic book.  Today, comic book superheroes are bigger than ever — in blockbuster summer movies and television shows — and most of them still have an inseparable bond with New York City.”

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    Pornokitsch’s One Comic Podcast looks at Red Sonja #10: “To everyone’s surprise, despite some of the covers and the character’s reputation, this isn’t the exploitative boobs’n’swordplay production it could have been. How did it achieve that? Listen and find out.”

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    Los Angeles Magazine has a gallery of self-portraits of Bunny Yeager and a bit about the career of a model and photographer most famous for her pin-up photographs of Bettie Page. “Having dedicated her life to photography and modeling, not to mention publishing 30 books on the subject (one of which shares a name with the Gavlak exhibition), Yeager had an influence on a generation of artist-photographers including Diane Arbus and Cindy Sherman. Arbus even went as far to call her ‘The world’s greatest pin-up photographer.'” (Thanks, Stephanie!)

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    Arch Daily has a gallery of images of remarkable sandcastles built by Calvin Seibert. Smithsonian Magazine has more, including a 2012 interview with Seibert about his work. (via @lordwoolamaloo)

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    While playing Batman: Arkham Knight, Austin Walker wants to walk the streets of Gotham. “There are lots of different kinds of Batman fantasies–and I’m not looking to invalidate any of them–but throughout this four game series, the developers have largely given me the same one over and over. For once, I want a Batman game where I’m compelled to save the day not because of abstract threats, damsels in distress, or a desire for personal vengeance, but because the beauty of Gotham City compels me to protect it. Instead, I’m left for the fourth time with Batman and his playground.”

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    At Die Die Danger Die Kill, Todd thinks about Karel Zeman’s Vynalez Zkasy. “Vynalez Zkasy (released in the U.S. as The Fabulous World of Jules Verne) may represent Czech FX pioneer Karel Zeman’s quest to emulate the style of 19th century fantasy illustration—to the end of presenting the future through a Victorian lens—at its most extreme. That does not mean that it is any less fascinating than, nor nearly enchanting as, films like The Stolen Airship and Cesta do Praveku/Journey to the Beginning of Time. It only means that there is a vague miasma of obsession that threads through the movie’s general air of wonderment.” (The Gutter’s own Keith has posted images from Karel Zeman’s work here).

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