The Cultural Gutter

hey, there's something shiny down there...

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Saying goodbye to a galaxy far, far away (for now)”

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At The AV Club, Sonia Saraiya bids farewell to Star Wars: The Clone Wars: “The Clone Wars is the best possible outcome of present-day Lucasfilm: a fun, engaging, and surprisingly serialized cartoon aimed at some interstitial demographic between children and adults—which, if we’re being honest, is what Star Wars always appealed to most.” Like this:Like […]

Clip from The Host 2 / Gwoemul 2

Here’s a clip from Bong Joon-ho’s The Host 2/ Gwoemul 2 (sequel to the 2007 film, The Host / Gwoemul). More river monster + a little behind the scenes look. Like this:Like Loading…

The Muppet Institute of Technology

Jim’s Red Book chronicles the relationship between Jim Henson and Douglas Adams, including a proposed television special about computers, “The Muppet Institute of Technology.”  There’s more about their collaboration in film and videogames as well as some design art. (via io9)   Like this:Like Loading…

Cartoon Trailers!

Cartoon Network has trailers for the upcoming animated shows, ThunderCats and Legend of Korra, the sequel to Avatar: The Last Airbender as well as an extended look at Green Lantern: The Animated Series  with a short peek at the LEGO Ninja show, Ninjago. Like this:Like Loading…

New Tron: Legacy Trailer

There’s a new Tron: Legacy trailer with even more footage of the grid and the cybertronically de-aged Jeff Bridges. Like this:Like Loading…

Star Wars: The Solo Adventures

Neat 3D animated adventures– “Star Wars: The Solo Adventures.” Like this:Like Loading…

HELLO DOCTOR NAME CONTINUE YESTERDAY TOMORROW

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I had really hoped that my list of the top 10 films of the decade would be more surprising. Or perhaps I just assumed that I was less predictable. I thought about a lot of other films, some of which you’ll see in my runners-up rundown at the foot of this article, but these are […]

The Avatar Treatment

Pascal writes a treatment for Avatar by making a few changes to Pocahontas. Like this:Like Loading…

Adding Up to 9

Tim Burton + Timur Bekmambetov + Shane Acker = 9. (thanks, boyo!) Like this:Like Loading…

Mysterious Viral Footage

Surveillance and then something bad happens. (Secretly from Fewdio). Like this:Like Loading…

“The Passage of Light”

Spectacular nebulae, space battles and workaday freight hauling at this amazing gallery of science fiction art. Like this:Like Loading…

Imperial Fleet Week

Imperial Fleet Week in San Francisco. (Or possibly an occupation). Like this:Like Loading…

A CGI Godzilla that doesn’t suck

CGI almost catches up with the awesomeness of Gojira. And check out the Ifukube score, too. Like this:Like Loading…

Godzilla vs MechaRealism

Yes, it

A while ago I watched some Godzilla movies with some people who don’t exactly appreciate the aesthetics of suitmation / kigurumi, or, in less technical language, a guy in a rubber suit. One of the things I like best about Godzilla movies is that as soon as I glimpse Godzilla rising from the depths or […]

Well-rendered Television

The show’s opening sequence starts with a woman in a black bodysuit facing off against a hulking monster. When she finishes him off with a jump-kick, the music swells and the words “Game Over” come up. “Did you ever wonder what happens after the game ends?” a voice reminiscent of Laurence Fishburne intones. “Welcome to […]

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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