The Cultural Gutter

hey, there's something shiny down there...

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Saying goodbye to a galaxy far, far away (for now)”

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At The AV Club, Sonia Saraiya bids farewell to Star Wars: The Clone Wars: “The Clone Wars is the best possible outcome of present-day Lucasfilm: a fun, engaging, and surprisingly serialized cartoon aimed at some interstitial demographic between children and adults—which, if we’re being honest, is what Star Wars always appealed to most.”

Clip from The Host 2 / Gwoemul 2

Here’s a clip from Bong Joon-ho’s The Host 2/ Gwoemul 2 (sequel to the 2007 film, The Host / Gwoemul). More river monster + a little behind the scenes look.

The Muppet Institute of Technology

Jim’s Red Book chronicles the relationship between Jim Henson and Douglas Adams, including a proposed television special about computers, “The Muppet Institute of Technology.”  There’s more about their collaboration in film and videogames as well as some design art. (via io9)  

Cartoon Trailers!

Cartoon Network has trailers for the upcoming animated shows, ThunderCats and Legend of Korra, the sequel to Avatar: The Last Airbender as well as an extended look at Green Lantern: The Animated Series  with a short peek at the LEGO Ninja show, Ninjago.

New Tron: Legacy Trailer

There’s a new Tron: Legacy trailer with even more footage of the grid and the cybertronically de-aged Jeff Bridges.

Star Wars: The Solo Adventures

Neat 3D animated adventures– “Star Wars: The Solo Adventures.”

HELLO DOCTOR NAME CONTINUE YESTERDAY TOMORROW

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I had really hoped that my list of the top 10 films of the decade would be more surprising. Or perhaps I just assumed that I was less predictable. I thought about a lot of other films, some of which you’ll see in my runners-up rundown at the foot of this article, but these are […]

The Avatar Treatment

Pascal writes a treatment for Avatar by making a few changes to Pocahontas.

Adding Up to 9

Tim Burton + Timur Bekmambetov + Shane Acker = 9. (thanks, boyo!)

Mysterious Viral Footage

Surveillance and then something bad happens. (Secretly from Fewdio).

“The Passage of Light”

Spectacular nebulae, space battles and workaday freight hauling at this amazing gallery of science fiction art.

Imperial Fleet Week

Imperial Fleet Week in San Francisco. (Or possibly an occupation).

A CGI Godzilla that doesn’t suck

CGI almost catches up with the awesomeness of Gojira. And check out the Ifukube score, too.

Godzilla vs MechaRealism

Yes, it

A while ago I watched some Godzilla movies with some people who don’t exactly appreciate the aesthetics of suitmation / kigurumi, or, in less technical language, a guy in a rubber suit. One of the things I like best about Godzilla movies is that as soon as I glimpse Godzilla rising from the depths or […]

Well-rendered Television

The show’s opening sequence starts with a woman in a black bodysuit facing off against a hulking monster. When she finishes him off with a jump-kick, the music swells and the words “Game Over” come up. “Did you ever wonder what happens after the game ends?” a voice reminiscent of Laurence Fishburne intones. “Welcome to […]

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  • Of Note Elsewhere

    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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    Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n’roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the king. Enter the Khmer Rouge, communism and the war on intellectuals. Between 1975 and 1979, about 2 million Cambodians, roughly a third of the population, were rounded up and either were killed or died of starvation. Artists were particularly disliked by the Khmer Rouge, which saw creativity as decadence: Almost all of the biggest names perished during that era.”

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