At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir. “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”
Friend of the Gutter Evan Munday has been re-watching the Fast & Furious films in anticipation of Furious 7‘s release this week. See all his thoughts here.
Actor Bunta Sugawara has died. Sugawara is probably best known for his work in Kinji Fukasaku’s The Yakuza Papers/Battles Without Honor And Humanity film series. Sugawara also appeared in Norifumi Suzuki’s Trucker Yaro series, Spirited Away (2001), Tales From Earthsea (2006), Wolf Children (2012) and Kon Ichikawa’s Actress (1987) . The Asahi Shimbun, The Japan […]
Stunt performer and coordinator Gary McLarty has died. McLarty performed stunts in many, many movies and tv shows including: Gone In Sixty Seconds (2000), Wyatt Earp (1994), Jurassic Park (1993), Last Action Hero (1993), Days of Thunder (1990), Lethal Weapon 2 (1989), Rambo III (1988), Maximum Overdrive (1986), Big Trouble in Little China (1986), To […]
Stunt performer and coordinator Bob Orrison has died. Orrison performed stunts in many, many movies and tv shows including: Speed (1994), Universal Soldier (1992), Die Hard 2 (1990), Hooper (1978), The A-Team, The Dukes of Hazzard, Blues Brothers (1980), Smokey & The Bandit (1977), Three The Hard Way (1974), Star Trek and The Wild Bunch […]
Filmmaker Noribumi Suzuki has died. Suzuki was probably best known for School of the Holy Beast (1974), Sex and Fury (1973) and his Torakku Yarõ / Truck Yaro / Trucker Guys films starring Bunta Sugawara. Here Suzuki talks about working with actresses Reiko Ike and Miki Sugimoto, who appeared in his pinku eiga/ “pinky violence” […]
Here’s a clip from Bong Joon-ho’s The Host 2/ Gwoemul 2 (sequel to the 2007 film, The Host / Gwoemul). More river monster + a little behind the scenes look.
In his video essay (also available in text form), Matthias Stork details the elements of what he calls, “Chaos Cinema” and their effects on film and viewer experience: “The film doesn’t seduce you into suspending your disbelief. It bludgeons you until you give up.”
I recently had a chance to watch the Wachowski siblings’ live-action adaptation of Tatsuo Yoshida’s Speed Racer (aka the much-more-evocative Mach Go Go Go) for a second time. After 135 hallucinatory, candy-coated minutes of Mobius strip racetracks and Mobius strip plot, I was left with one question: is this the future of cinema?