The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“A Beginner’s Guide To Jademan”

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The Comics Journal takes an in-depth look a Tony Wong Yuk-Long, Ma Wing-Shing and the massive Hong Kong comics publisher, Jademan Holdings Ltd., and Jademan in North America: “He is a showman, this Tony Wong–a real Stan Lee, though I would argue that he is more interesting than the American model.” (via Kaiju Shakedown).

Kaiju Shakedown: Hopping Vampire Edition

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With the US release of Juno Mak’s Rigor Mortis, Grady Hendrix decides it’s time to revisit the hopping vampire movies of yore.

Sixties and Seventies Asian Pop Record Covers

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A gallery of Singaporean, Malaysian, Indonesian,  Hong Kong and Japanese pop album covers.

Ushering In A New Regime: Johnnie To, Crime Films and Dissent

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Last month, I wrote about British (and a little pre-People’s Republic Chinese) censorship of Hong Kong movies and the ways that wuxia and kung fu movies in particular got around British control of political speech. And now, with wuxia and kung fu movies seemingly all nationalistic, dissent has creeped into the crime films, so this […]

“Going Home” in China

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At The New York Times, Dan Levin writes about Kenny G. and his song “Going Home” in China. “There are many things about modern China that defy easy explanation: parents posing their children next to live tigers, the sight of grown women wearing furry cat-ear headbands while shopping, the performance-art-like spectacle of strangers napping together […]

“The Wayward World of Wuxia”

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“While the 1950s were considered a tumultuous period of history for the Chinese mainland, Hong Kong was undergoing an incredible revitalization of literature and cinema, a period informally known as the Golden Age of Wuxia (武 侠), or martial arts fantasy.” Terence Hsieh has more on wuxia, wuxia novels and wuxia novelists at The Word Of Chinese.

Blurry Images Coming Clear: Hong Kong Cinema, Censorship and Me

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Every April, we like to switch things up at the Gutter, with the editors writing about something outside their domains. This week, Comics Editor Carol writes about subtitles, censorship and Hong Kong cinema. I don’t remember the first kung fu movie I ever watched. I am terrible at remembering “firsts.”  But I do remember the […]

“A Gaggle of Golgo 13″

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Over at Teleport City, Keith takes a look at live-action and animated adaptations of Takao Saito’s manga, Golgo 13.

Revenge In South Korean Cinema

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Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

“The Architecture of Kowloon Walled City”

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Architecture Daily has an excerpt from City of Darkness detailing the development of Hong Kong’s Kowloon Walled City. “By the 1970s, the City had filled out to its maximised form, with buildings of up to 14 storeys in height, and virtually no ground level daylight penetration save at its centre. Its density was estimated to […]

RIP, Wu Ma

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Actor Wu Ma has died. The South China Morning Post, The Straits Times, and The Hollywood Reporter have obituaries. Scene Asia has tributes. Wu Ma is probably best known for his role as a ghost-hunting Taoist priest in A Chinese Ghost Story, but he appeared in almost 300 films. Here’s the trailer for his first […]

In Memoriam, Run Run Shaw

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The Gutter’s own Carol writes a little about Run Run Shaw, Shaw Brothers and TVB.  “So often we talk about history as this disembodied thing, these external events. And then there is someone like Sir Run Run, who contained almost the entire arc of modern entertainment in his lifetime, in his self.”

RIP, Run Run Shaw

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Film and television producer Run Run Shaw has died. Sir Run Run founded Shaw Brothers with his brother, Run Me Shaw. They produced hundreds of films in all genres, but were best known for their revolutionary kung fu and wuxia movies. Shaw also produced myriad television programs for TVB. The South China Morning Post remembers […]

Boxers & Saints: Finding People In History

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If, like me, you have watched countless kung fu movies, then you’ll recognize this story: a boy goes with his father and elder brother to a local village festival. An ardent fan of Peking Opera, the boy goes off by himself to watch the festival performances. Hearing some commotion, he investigates and sees his father […]

Interviews and Q&A from Midnight Madness 2013

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All the red carpet interviews and post-screening question and answer sessions from this year’s Midnight Madness Programme at the Toronto International Film Festival.  And all conducted by friend of The Gutter and Soldier of Cinema, Robert Mitchell! [Update: Link fixed!]

Midnight Madness 2013!

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The Midnight Madness Program at the Toronto International Film Festival has been announced. The films being screened are: All Cheerleaders Die; The Station / Der Blutgletscher; The Green Inferno; Oculus (that’s the trailer for the original short); Afflicted; Almost Human; Rigor Mortis; R100; Why Don’t You Play In Hell?; and, Witching & Bitching / Las […]

The Weinstein Company vs. Asian Cinema

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At Daily Grindhouse, Ric Meyers writes about, “A History of Disrespect: The Weinstein Company’s War on Asian Cinema.” Meanwhile, at Flavorwire, Jason Bailey asks and answers. “Why Do Asian Films Have To Be Dumbed Down For An American Audience?”

Lo Meng Is Marcus Fenix

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The Gears of War trailer performed on the streets of Hong Kong by Lo Meng, Shaw Bros. star and Toad from The Five Deadly Venoms.

RIP, Jim Kelly

Actor, Karate Grandmaster and tennis player Jim Kelly has died. Kelly starred alongside Bruce Lee in Enter The Dragon and in action/Blaxploitation classics such as Black Belt Jones, Three The Hard Way and Black Samurai. Our friends at Daily Grindhouse have an obituary as does The Los Angeles Times.  Salon interviewed Kelly in 2010. Here’s […]

RIP, Lau Kar-Leung

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Actor, director, writer and action choreographer Lau Kar-Leung has died. Most widely known as the director of 36th Chamber of Shaolin, Lau has an extensive filmography. He collaborated with director Chang Cheh and, in his own work, brought humor to and a singular action choreography to his own films, Dirty Ho, Mad Monkey Kung Fu, […]

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  • Of Note Elsewhere

    The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.

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    Actor James Shigeta has died. Shigeta appeared in Die Hard (1988), The Crimson Kimono (1959) The Flower Drum Song (1961),  Bridge To The Sun (1961), Paradise, Hawaiian Style (1966), The Yakuza (1974) and many, many television shows.  The AV Club, Den Of Geek and Angry Asian Man have obituaries. Bridge to the Sun is discussed by Robert Osborne and Dr. Peter Feng on TCM.  At RogerEbert.com, Matt Zoller Seitz writes an appreciation of Shigeta’s life and work. “Shigeta, who died yesterday at 81, was a marvelous performer, and his work as Nakatomi Corporation President Joseph Takagi in the original 1988 Die Hard is one of my favorite examples of how an imaginative actor can sketch out a life in just a few scenes and lines.”

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    At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)

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    At Never Get Off The Bus, Debbie Moon writes about Captain America: First Avenger. “When adapting existing material, it’s easy to assume that in order to reach point F, you simply have to work through points A – E. To set up Steve Rogers in the modern world, simply romp briskly through everything that happened before he got there. But your character may not be undergoing a single united emotional journey during that period. “

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    At Sequart, friend of the Gutter Colin Smith is taking an exhaustive look at the American superhero comics of Mark Millar–and by exhaustive, we mean, “28 Part.”

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    Friend of the Gutter, Will McKinley writes about his past as a soap opera fan and the return of a classic soap opera, The Doctors, and its significance for the genre.

     

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