At the New Republic, B. D. McClay writes about Shirley Jackson and a new collection containing previously unpublished stories and essays by Jackson. “Let Me Tell You, on the other hand, is for the already-converted fan, who will be delighted to read so many new stories and essays. The greatest attraction is the 15 essays, which touch on subjects as diverse as the travails of being married to a book critic (‘book reviewing is just nothing for a healthy young girl to be married to’), Samuel Richardson (‘no small action is consummated in less than ten pages’), poltergeist-bearing postcards (‘I think it is simply too much for any one house to have poltergeists and children’), and clowns.”
Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very […]
At Every Frame A Painting, Tony Zhou takes a close look at the action comedy of Jackie Chan.
So much art available for your browsing pleasure as the Smithsonian puts 40,000 pieces of Asian art from the Freer and Saeckler Collection online.
Actor Ken Takakura has died. Takakura starred in films such as Brutal Tales of Chivalry (1965); Red Peony Gambler (1968); Miyamoto Musashi: Duel at Ichijoji (1955) and Miyamoto Musashi: Duel at Ganryu Island (1956); as well as in co-productions like The Yakuza (1974); The Bullet Train (1975); Black Rain (1989) and Riding Alone For Thousands […]
At Kaiju Shakedown, Hiroshi Fukazawa interviews director Ringo Lam. “Not as flashy as John Woo, never as hyperkinetic as Tsui Hark, Ringo Lam is one of Hong Kong’s most underappreciated directors. He made his name with sophisticated, downbeat crime dramas that came to define a certain style of urban Hong Kong cinema in the Eighties […]
A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)
Patrick Lung Kong and Tsui Hark discuss their work together and Lung’s influential film, The Story Of A Discharged Prisoner (1967), during a retrospective of Lung’s work. ‘Protesters called “and said ‘Burn that film, burn it!’” Lung Kong said. The timing was off, with Hong Kong embroiled in riots, and demonstrators targeted a government official […]
The Comics Journal takes an in-depth look a Tony Wong Yuk-Long, Ma Wing-Shing and the massive Hong Kong comics publisher, Jademan Holdings Ltd., and Jademan in North America: “He is a showman, this Tony Wong–a real Stan Lee, though I would argue that he is more interesting than the American model.” (via Kaiju Shakedown).
With the US release of Juno Mak’s Rigor Mortis, Grady Hendrix decides it’s time to revisit the hopping vampire movies of yore.
A gallery of Singaporean, Malaysian, Indonesian, Hong Kong and Japanese pop album covers.
Last month, I wrote about British (and a little pre-People’s Republic Chinese) censorship of Hong Kong movies and the ways that wuxia and kung fu movies in particular got around British control of political speech. And now, with wuxia and kung fu movies seemingly all nationalistic, dissent has creeped into the crime films, so this […]
At The New York Times, Dan Levin writes about Kenny G. and his song “Going Home” in China. “There are many things about modern China that defy easy explanation: parents posing their children next to live tigers, the sight of grown women wearing furry cat-ear headbands while shopping, the performance-art-like spectacle of strangers napping together […]
“While the 1950s were considered a tumultuous period of history for the Chinese mainland, Hong Kong was undergoing an incredible revitalization of literature and cinema, a period informally known as the Golden Age of Wuxia (武 侠), or martial arts fantasy.” Terence Hsieh has more on wuxia, wuxia novels and wuxia novelists at The Word Of Chinese.
Every April, we like to switch things up at the Gutter, with the editors writing about something outside their domains. This week, Comics Editor Carol writes about subtitles, censorship and Hong Kong cinema. I don’t remember the first kung fu movie I ever watched. I am terrible at remembering “firsts.” But I do remember the […]
Over at Teleport City, Keith takes a look at live-action and animated adaptations of Takao Saito’s manga, Golgo 13.
Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.
Architecture Daily has an excerpt from City of Darkness detailing the development of Hong Kong’s Kowloon Walled City. “By the 1970s, the City had filled out to its maximised form, with buildings of up to 14 storeys in height, and virtually no ground level daylight penetration save at its centre. Its density was estimated to […]
Actor Wu Ma has died. The South China Morning Post, The Straits Times, and The Hollywood Reporter have obituaries. Scene Asia has tributes. Wu Ma is probably best known for his role as a ghost-hunting Taoist priest in A Chinese Ghost Story, but he appeared in almost 300 films. Here’s the trailer for his first […]
The Gutter’s own Carol writes a little about Run Run Shaw, Shaw Brothers and TVB. “So often we talk about history as this disembodied thing, these external events. And then there is someone like Sir Run Run, who contained almost the entire arc of modern entertainment in his lifetime, in his self.”
Film and television producer Run Run Shaw has died. Sir Run Run founded Shaw Brothers with his brother, Run Me Shaw. They produced hundreds of films in all genres, but were best known for their revolutionary kung fu and wuxia movies. Shaw also produced myriad television programs for TVB. The South China Morning Post remembers […]keep looking »