Open Culture has a re-vamped trailer for a film adaptation of Alejandro Jodorowsky and Moebius’ comic The Incal. One that never happened. “[Incal‘s] success made it a logical candidate for film adaptation, and so director Pascal Blais brought together artists from Heavy Metal magazine (in which Mœbius first published some of his best known work) to make it happen. It resulted in nothing more than a trailer, but what a trailer; you can watch a recently revamped edition of the one Blais and his collaborators put together in the 1980s at the top of the post.” (Thanks, Felipe!)
Author and comics creator Marjorie Liu is interviewed by Nerds of Color and The Beat about her latest comic, Monstress. “There are a couple ways to describe Monstress. The first way is as a dark steampunk epic fantasy about a girl who has a psychic connection to a monster. On another level, there were a […]
Footage of Sammo Hung, Lau Ching-Wan Louis Koo, Yuan Quan, Jiang Shuying, Eddie Peng, Liu Kai-Chi and Wu Jing on the set of Benny Chan’s The Deadly Reclaim. (Thanks, Brian!)
At Actionland, Heroic Sister Achillesgirl writes about subtitling the 1964 wuxia film, Buddha Palm. And she provides you with the subtitles and a link to the film!
At Hubpages, Stethacantus writes about the history of Shaw Bros. wuxia and kung fu movies on video and “How The North American Release of the Shaw Brothers Movies was Botched.”
The Gutter’s own Carol interviews director Soi Cheang at the Toronto International Film Festival’s Midnight Madness blog.
Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very […]
At Every Frame A Painting, Tony Zhou takes a close look at the action comedy of Jackie Chan.
So much art available for your browsing pleasure as the Smithsonian puts 40,000 pieces of Asian art from the Freer and Saeckler Collection online.
Actor Ken Takakura has died. Takakura starred in films such as Brutal Tales of Chivalry (1965); Red Peony Gambler (1968); Miyamoto Musashi: Duel at Ichijoji (1955) and Miyamoto Musashi: Duel at Ganryu Island (1956); as well as in co-productions like The Yakuza (1974); The Bullet Train (1975); Black Rain (1989) and Riding Alone For Thousands […]
At Kaiju Shakedown, Hiroshi Fukazawa interviews director Ringo Lam. “Not as flashy as John Woo, never as hyperkinetic as Tsui Hark, Ringo Lam is one of Hong Kong’s most underappreciated directors. He made his name with sophisticated, downbeat crime dramas that came to define a certain style of urban Hong Kong cinema in the Eighties […]
A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)
Patrick Lung Kong and Tsui Hark discuss their work together and Lung’s influential film, The Story Of A Discharged Prisoner (1967), during a retrospective of Lung’s work. ‘Protesters called “and said ‘Burn that film, burn it!’” Lung Kong said. The timing was off, with Hong Kong embroiled in riots, and demonstrators targeted a government official […]
The Comics Journal takes an in-depth look a Tony Wong Yuk-Long, Ma Wing-Shing and the massive Hong Kong comics publisher, Jademan Holdings Ltd., and Jademan in North America: “He is a showman, this Tony Wong–a real Stan Lee, though I would argue that he is more interesting than the American model.” (via Kaiju Shakedown).
With the US release of Juno Mak’s Rigor Mortis, Grady Hendrix decides it’s time to revisit the hopping vampire movies of yore.
A gallery of Singaporean, Malaysian, Indonesian, Hong Kong and Japanese pop album covers.
Last month, I wrote about British (and a little pre-People’s Republic Chinese) censorship of Hong Kong movies and the ways that wuxia and kung fu movies in particular got around British control of political speech. And now, with wuxia and kung fu movies seemingly all nationalistic, dissent has creeped into the crime films, so this […]
At The New York Times, Dan Levin writes about Kenny G. and his song “Going Home” in China. “There are many things about modern China that defy easy explanation: parents posing their children next to live tigers, the sight of grown women wearing furry cat-ear headbands while shopping, the performance-art-like spectacle of strangers napping together […]
“While the 1950s were considered a tumultuous period of history for the Chinese mainland, Hong Kong was undergoing an incredible revitalization of literature and cinema, a period informally known as the Golden Age of Wuxia (武 侠), or martial arts fantasy.” Terence Hsieh has more on wuxia, wuxia novels and wuxia novelists at The Word Of Chinese.
Every April, we like to switch things up at the Gutter, with the editors writing about something outside their domains. This week, Comics Editor Carol writes about subtitles, censorship and Hong Kong cinema. I don’t remember the first kung fu movie I ever watched. I am terrible at remembering “firsts.” But I do remember the […]
Over at Teleport City, Keith takes a look at live-action and animated adaptations of Takao Saito’s manga, Golgo 13.keep looking »