The Cultural Gutter

building a better robot builder

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Satirizing China

The New York Times interviews Mr. R, mastermind behind the China Daily Show, “a ‘fake news’ Web site in a country that is crying out for satire, where reality is so skewed by propaganda and inadvertent humor that it can be hard to tell the difference[.]“

Update on Gordon Liu

Jayne Stars has an update on Gordon Liu’s condition and situation since his 2011 stroke and the subsequent rumors about financial struggles with his family and former assistant.

Bruce Lee is Kid Cheung

Watch 10-year-old Bruce Lee in his first film role, The Kid (1950).

Interview with Simon Yam Tat-Wah

PaikJiyeon’s People Inside features Simon Yam in all his sartorial splendor. “Simple, that is the best.” (First of multipart interview)

The Glorious Struggle!

North Korean haircuts acceptable to the Communist party, photographs of Madame Mao’s Cultural Revolution operas and ballet and songs dispelling Fascist threats and Communist lies. (via @WFMU and @HollyHunt913)

“He wanted to reflect on his world of chivalry”

A complete, online documentary about legendary film maker, Chang Cheh. Thanks to the ladies of the Heroic Sisterhood for reminding us that Feb. 10 would’ve been his 90th birthday. “He liked all actors, but he liked the naught ones more, especially the ones who didn’t listen to him.”

Interview with Jim Munroe

Jim Munroe appears on Radio Free Skaro to talk about his feature film, Ghosts With Shit Jobs.

Most Enjoyable Asian Films of 2012

At Wildgrounds, Kevin Ma shares his most enjoyable “bad” film and most enjoyable “good” film of 2012.

What’s New At No Media Kings?

CG Co-Founding Editor Jim Munroe and Matt Hamill have a new text game, Guilded Youth. Meanwhile, Jim’s latest movie, Ghosts With Shit Jobs, is now available on Xbox.

Best Hong Kong Films and Performances

There is so much best and LoveHKFilm as Kozo offers up readers’ top 200 Hong Kong films and best performances.

“Writing Noir Fiction in Asia

At Pulp Curry, novelist and journalist Andrew Nette muses on crime fiction set in Asia, in particular China and Cambodia. “What does it mean for the story and characters when your crime fiction is set in a country where corruption and extreme violence are regular features of everyday life and the term ‘criminal’ is often [...]

Cloud Atlas, Racebending and Racism

Racebending and Hyperallergic discuss the racism and lack of critical response to racism in Cloud Atlas‘ use of “colorblind casting.”  Mike Le responds to the trailer: Ultimately…my belief is that Cloud Atlas will eventually be viewed through the same lens as films like The Good Earth, Birth of a Nation, or even Dumbo. These are films [...]

Vanguard 2012 Trailers!

This year’s Vanguard program at the Toronto International Film Festival also looks pretty sweet with Soi Cheang’s Motorway, starring Anthony Wong Chau-Sang; 90 Minutes; Berberian Sound Effects; Blondie; I Declare War; iLL Manors; Painless; Pusher; Sightseers; Thale; and Michel Gondry’s The We And The I. I haven’t found trailers for Beijing Flickers; Here Comes The [...]

A History of Cinderella

Terry Windling recounts the history of the Ash Girl or Cinderella story from the 9th Century Yeh–hsien to the Disney film, Cinderella, based on Charles Perrault’s 1697 version.

Chinese Animation from the 1940s

Princess Iron Fan is the first Chinese animated feature and it stars Monkey, Sun Wu-Kong. The Wan Bros. made it in 1941 in Japanese-occupied Shanghai. LoveHKFilm has more and you can watch it here.  

2 Interviews with Ti Lung

Hong Kong film legend Ti Lung/Di Long discusses his career and Bruce Lee (turn on close captioning for English translation).  And Ti Lung’s debut in Return of the One-Armed Swordsman.

Mike Le asks Joss Whedon a Question

“One of the things I loved about Firefly  was the exploration of the fusion of Asian and American cultures. Many Asian Americans go through a similar journey. I was wondering, if you were to explore that again in the future, if you would be willing to include Asian or Asian American performers?” More at Racebending.

Bat Man of Shanghai

A very cool new entry into the DC Nation shorts, Bat Man of Shanghai, this episode features Catwoman. (Thanks, Matt!)

FantAsia Film Festival 2012

The FantAsia site is up and running with many, many trailers to get you ready for the festival. (Or at least, what films to keep an eye out for).

M.O.S.S.’ Latest Global Conspiracy!

At KPBS, Miguel Rodriguez reports on last weekend global live tweet of Godfrey Ho’s Robo Vampire, organized by the Mysterious Order of the Skeleton Suit, of which The Gutter is a member. The M.O.S.S. site has a transcript of the tweetalong.

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  • Of Note Elsewhere

    The Black Girl Nerds Podcast discusses Black girls and women in the Heavy Metal industry with author and journalist Laina Dawes and Ursula “She-Wolf” Parson from Hear Evil News.

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    The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a feeling of excitement: What if the film is scarier than I thought it’s going to be? You’re taken into that world. Nowadays, you can sit in the theater and know it’s going to be safe. That’s good for business, but not for filmmaking.”

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    The Atlantic profiles Spectral Motion, creators of monsters, “effects, and other mechanical grotesqueries that have since become household nightmares, if not names.”

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    A novelist takes revenge on writers he doesn’t like via wikipedia. Slate has the story. “Qworty’s edits undermine our trust in this great project. Qworty’s edits prove that Wikipedia’s content can be shaped by people settling grudges and acting out of spite and envy. Qworty alone, by his own account, has made 13,000 edits to Wikipedia. And Qworty, as the record will show, is not to be trusted.”

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    Diane Dooley writes about Mars’ need for women and ways to subvert it.

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    “[T]he mainstreaming of Jane Eyre as a vanilla romance, or even as an exploration of a woman’s pure, uncompromising, and uncomplicated (and religious! and feminist!) integrity, says all kinds of things about our inability to speak honestly about violence and sex.” More on Jane Eyre, Wuthering Heights, consent, sex and submission, here. (via K.A. Laity)

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