The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Interview with Director Ringo Lam

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At Kaiju Shakedown, Hiroshi Fukazawa interviews director Ringo Lam. “Not as flashy as John Woo, never as hyperkinetic as Tsui Hark, Ringo Lam is one of Hong Kong’s most underappreciated directors. He made his name with sophisticated, downbeat crime dramas that came to define a certain style of urban Hong Kong cinema in the Eighties […]

Photographs of 1950s and 1960s Hong Kong

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A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)

Patrick Lung Kong & Tsui Hark Discuss A Better Tomorrow

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Patrick Lung Kong and Tsui Hark discuss their work together and Lung’s influential film, The Story Of A Discharged Prisoner (1967), during a retrospective of Lung’s work. ‘Protesters called “and said ‘Burn that film, burn it!’” Lung Kong said. The timing was off, with Hong Kong embroiled in riots, and demonstrators targeted a government official […]

“A Beginner’s Guide To Jademan”

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The Comics Journal takes an in-depth look a Tony Wong Yuk-Long, Ma Wing-Shing and the massive Hong Kong comics publisher, Jademan Holdings Ltd., and Jademan in North America: “He is a showman, this Tony Wong–a real Stan Lee, though I would argue that he is more interesting than the American model.” (via Kaiju Shakedown).

Kaiju Shakedown: Hopping Vampire Edition

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With the US release of Juno Mak’s Rigor Mortis, Grady Hendrix decides it’s time to revisit the hopping vampire movies of yore.

Sixties and Seventies Asian Pop Record Covers

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A gallery of Singaporean, Malaysian, Indonesian,  Hong Kong and Japanese pop album covers.

Ushering In A New Regime: Johnnie To, Crime Films and Dissent

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Last month, I wrote about British (and a little pre-People’s Republic Chinese) censorship of Hong Kong movies and the ways that wuxia and kung fu movies in particular got around British control of political speech. And now, with wuxia and kung fu movies seemingly all nationalistic, dissent has creeped into the crime films, so this […]

“Going Home” in China

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At The New York Times, Dan Levin writes about Kenny G. and his song “Going Home” in China. “There are many things about modern China that defy easy explanation: parents posing their children next to live tigers, the sight of grown women wearing furry cat-ear headbands while shopping, the performance-art-like spectacle of strangers napping together […]

“The Wayward World of Wuxia”

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“While the 1950s were considered a tumultuous period of history for the Chinese mainland, Hong Kong was undergoing an incredible revitalization of literature and cinema, a period informally known as the Golden Age of Wuxia (武 侠), or martial arts fantasy.” Terence Hsieh has more on wuxia, wuxia novels and wuxia novelists at The Word Of Chinese.

Blurry Images Coming Clear: Hong Kong Cinema, Censorship and Me

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Every April, we like to switch things up at the Gutter, with the editors writing about something outside their domains. This week, Comics Editor Carol writes about subtitles, censorship and Hong Kong cinema. I don’t remember the first kung fu movie I ever watched. I am terrible at remembering “firsts.”  But I do remember the […]

“A Gaggle of Golgo 13″

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Over at Teleport City, Keith takes a look at live-action and animated adaptations of Takao Saito’s manga, Golgo 13.

Revenge In South Korean Cinema

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Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

“The Architecture of Kowloon Walled City”

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Architecture Daily has an excerpt from City of Darkness detailing the development of Hong Kong’s Kowloon Walled City. “By the 1970s, the City had filled out to its maximised form, with buildings of up to 14 storeys in height, and virtually no ground level daylight penetration save at its centre. Its density was estimated to […]

RIP, Wu Ma

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Actor Wu Ma has died. The South China Morning Post, The Straits Times, and The Hollywood Reporter have obituaries. Scene Asia has tributes. Wu Ma is probably best known for his role as a ghost-hunting Taoist priest in A Chinese Ghost Story, but he appeared in almost 300 films. Here’s the trailer for his first […]

In Memoriam, Run Run Shaw

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The Gutter’s own Carol writes a little about Run Run Shaw, Shaw Brothers and TVB.  “So often we talk about history as this disembodied thing, these external events. And then there is someone like Sir Run Run, who contained almost the entire arc of modern entertainment in his lifetime, in his self.”

RIP, Run Run Shaw

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Film and television producer Run Run Shaw has died. Sir Run Run founded Shaw Brothers with his brother, Run Me Shaw. They produced hundreds of films in all genres, but were best known for their revolutionary kung fu and wuxia movies. Shaw also produced myriad television programs for TVB. The South China Morning Post remembers […]

Boxers & Saints: Finding People In History

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If, like me, you have watched countless kung fu movies, then you’ll recognize this story: a boy goes with his father and elder brother to a local village festival. An ardent fan of Peking Opera, the boy goes off by himself to watch the festival performances. Hearing some commotion, he investigates and sees his father […]

Interviews and Q&A from Midnight Madness 2013

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All the red carpet interviews and post-screening question and answer sessions from this year’s Midnight Madness Programme at the Toronto International Film Festival.  And all conducted by friend of The Gutter and Soldier of Cinema, Robert Mitchell! [Update: Link fixed!]

Midnight Madness 2013!

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The Midnight Madness Program at the Toronto International Film Festival has been announced. The films being screened are: All Cheerleaders Die; The Station / Der Blutgletscher; The Green Inferno; Oculus (that’s the trailer for the original short); Afflicted; Almost Human; Rigor Mortis; R100; Why Don’t You Play In Hell?; and, Witching & Bitching / Las […]

The Weinstein Company vs. Asian Cinema

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At Daily Grindhouse, Ric Meyers writes about, “A History of Disrespect: The Weinstein Company’s War on Asian Cinema.” Meanwhile, at Flavorwire, Jason Bailey asks and answers. “Why Do Asian Films Have To Be Dumbed Down For An American Audience?”

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  • Of Note Elsewhere

    The Internet Archive has archived Starlog, Heavy Metal and they have a collection of Warren Publishing magazines like Blazing Combat, Vampirella, Eerie and Teenage Love Stories.

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    The 1980 BBC Radio dramatization of “Sherlock Holmes vs. Dracula; or, The Adventure of the Sanguinary Count” is now available on YouTube, which is nice since it is no longer available on the Internet Archive.

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    The “Stuff You Missed In History Class” podcast discusses the life of Bela Lugosi in two parts: Part 1 and Part 2.

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    Dangerous Minds has a gallery of  papier-mâché masks made by Krista Argale and a gallery of “demonic and dramatic” horned masks made by Aisha Voya. (Thanks, Kate!)

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    Stunt performer and coordinator Gary McLarty has died. McLarty performed stunts in many, many movies and tv shows including: Gone In Sixty Seconds (2000), Wyatt Earp (1994), Jurassic Park (1993), Last Action Hero (1993), Days of Thunder (1990), Lethal Weapon 2 (1989), Rambo III (1988), Maximum Overdrive (1986), Big Trouble in Little China (1986), To Live And Die In L.A. (1985),  The Terminator (1984), Twilight Zone: The Movie (1982), Blade Runner (1982), Blues Brothers (1980), Convoy (1978), Hooper (1978),  Smokey & The Bandit (1977), Dirty Mary Crazy Larry (1974), Beneath The Planet Of The Apes (1970), Hell’s Angels ’69 (1969) and The Wild Bunch (1969). Deadline has a report on McLarty’s death  and the death of his friend and fellow stuntman Bob Orrison. Hollywood Stuntman has a profile of McLarty. Here’s a clip of McLarty talking a bit about his work.

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    Stunt performer and coordinator Bob Orrison has died. Orrison performed stunts in many, many movies and tv shows including: Speed (1994), Universal Soldier (1992), Die Hard 2 (1990), Hooper (1978), The A-Team, The Dukes of Hazzard, Blues Brothers (1980), Smokey & The Bandit (1977), Three The Hard Way (1974), Star Trek and The Wild Bunch (1969). Deadline has a report on Bob Orrison’s death  and the death of his friend and fellow stuntman Gary McLarty.

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