The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Punisher vs. Dr. Doom

At Comics Alliance, Chris Sims recounts that time the Punisher battled Dr. Doom. “It starts off with Dr. Doom kicking it in an extradimensional conference room set up by Loki to coordinate mass villainy, where he is just ripping into the Kingpin for being unable to kill the Punisher….Thus, in a sterling example of the […]

Chris Sims on Comics and Lettering

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At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it […]

Interview with Ed Brubaker

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At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking […]

Ask Chris #173: The Trouble With Harley Quinn”

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Chris Sims writes about Harley Quinn, Batman: The Animated Series, and the problem with getting Harley wrong. “See, that’s the tragedy of Harley Quinn, the thing that makes her so compelling underneath all the bright, poppy cheer. She’s in love with someone who will never, ever love her back. Someone who can never, ever love […]

“Everything is, AND ALWAYS WAS, Very Very Serious”

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Chris Sims reviews DC’s Superman: A Celebration OF 5 Years. “It’s divided into different eras….But thematically? There’s not a lot of variety. They focus overwhelmingly on one idea of how they want you to see Superman, and the Superman they present is a depressed sad sack who never wins. That’s the Superman they want you […]

Comics Alliance: The Return

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Hey, everybody, Comics Alliance is back! (via @World_Of_Hurt) Like this:Like Loading…

“¡Viva, Comics Alliance!”

At The Comics Journal, Joe McCulloch speaks to the legacy of Comics Alliance. The Beat‘s Steve Morris writes about what Comics Alliance meant to him. ” If Comics Alliance was known for anything – aside from the much-needed essays on prejudice and progression, aside from discussion of Batman punching people with car parts, aside from […]

“The Trouble with Skyrim”

At his Invincible Super Blog, Chris Sims has some trouble with Elder Scrolls 5:  Skyrim and compares the game to Assassin’s Creed 3: Brotherhood and Fallout 3.  “What’s the point of giving you an overwhelming amount of content when none of it matters?”   Like this:Like Loading…

“Why Spider-Man is the Best Character Ever”

Comics Alliance‘s Senior Batmanologist Chris Sims makes a moving argument for why Spider-Man is the best comic book character ever: “Those first 200 issues of Amazing Spider-Man — a run that’s downright shocking in how good it is — are essentially teenager problems on a super-heroic scale, both literally and translated into the metaphor of […]

Batman vs. Mystery

Comics Alliance’s Senior Batmanologist Chris Sims lays out how the Dark Knight would foil pickup artist Mystery’s “Art Gallery Scheme.”   Like this:Like Loading…

Comics-Themed Cocktails

Comics Alliance‘s Chris Sims has concocted his own comics-themed cocktails, including a comments section cocktail for comics fans. Like this:Like Loading…

Dracula: Sovereign of the Damned

Comics Alliance’s Chris Sims provides a link to the anime version of Tomb of Dracula and his own running commentary on things like, Dracula’s light up fangs and stealing the Devil’s girlfriend. Like this:Like Loading…

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  • Of Note Elsewhere

    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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