The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Punisher vs. Dr. Doom

At Comics Alliance, Chris Sims recounts that time the Punisher battled Dr. Doom. “It starts off with Dr. Doom kicking it in an extradimensional conference room set up by Loki to coordinate mass villainy, where he is just ripping into the Kingpin for being unable to kill the Punisher….Thus, in a sterling example of the […]

Chris Sims on Comics and Lettering

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At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it […]

Interview with Ed Brubaker

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At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking […]

Ask Chris #173: The Trouble With Harley Quinn”

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Chris Sims writes about Harley Quinn, Batman: The Animated Series, and the problem with getting Harley wrong. “See, that’s the tragedy of Harley Quinn, the thing that makes her so compelling underneath all the bright, poppy cheer. She’s in love with someone who will never, ever love her back. Someone who can never, ever love […]

“Everything is, AND ALWAYS WAS, Very Very Serious”

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Chris Sims reviews DC’s Superman: A Celebration OF 5 Years. “It’s divided into different eras….But thematically? There’s not a lot of variety. They focus overwhelmingly on one idea of how they want you to see Superman, and the Superman they present is a depressed sad sack who never wins. That’s the Superman they want you […]

Comics Alliance: The Return

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Hey, everybody, Comics Alliance is back! (via @World_Of_Hurt)

“¡Viva, Comics Alliance!”

At The Comics Journal, Joe McCulloch speaks to the legacy of Comics Alliance. The Beat‘s Steve Morris writes about what Comics Alliance meant to him. ” If Comics Alliance was known for anything – aside from the much-needed essays on prejudice and progression, aside from discussion of Batman punching people with car parts, aside from […]

“The Trouble with Skyrim”

At his Invincible Super Blog, Chris Sims has some trouble with Elder Scrolls 5:  Skyrim and compares the game to Assassin’s Creed 3: Brotherhood and Fallout 3.  “What’s the point of giving you an overwhelming amount of content when none of it matters?”  

“Why Spider-Man is the Best Character Ever”

Comics Alliance‘s Senior Batmanologist Chris Sims makes a moving argument for why Spider-Man is the best comic book character ever: “Those first 200 issues of Amazing Spider-Man — a run that’s downright shocking in how good it is — are essentially teenager problems on a super-heroic scale, both literally and translated into the metaphor of […]

Batman vs. Mystery

Comics Alliance’s Senior Batmanologist Chris Sims lays out how the Dark Knight would foil pickup artist Mystery’s “Art Gallery Scheme.”  

Comics-Themed Cocktails

Comics Alliance‘s Chris Sims has concocted his own comics-themed cocktails, including a comments section cocktail for comics fans.

Dracula: Sovereign of the Damned

Comics Alliance’s Chris Sims provides a link to the anime version of Tomb of Dracula and his own running commentary on things like, Dracula’s light up fangs and stealing the Devil’s girlfriend.

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  • Of Note Elsewhere

    The Los Angeles Times has an interview with Margaret Sixel, editor of Mad Max: Fury Road. “I wanted every single shot to progress the story. I don’t like repetition. And I think we applied that rule religiously throughout the film….I watched a film last night and they kept cutting back again and again and the expression on the actor’s face was exactly the same. I felt like, ‘You’ve used the shot three times already!’ That’s what I don’t like. There’d better be some progress.”

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    “During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)

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    Mubi has a collection of film posters designed by Eva Švankmajerová, Surrealist painter, writer and filmmaker. Learn more about Eva Švankmajerová with an posthumous interview with Gwendolyn Albert, the translator of her novel, Baradla Cave.

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    At The Toast, Mo Moulton watches Downton Abbey and discusses its portrayal of Neville Chamberlain. “Here, then, is Neville Chamberlain in 1925. He is fulfilling the expectations set by an extraordinary political family. His father, Joseph Chamberlain, ran a screw factory in Birmingham, where he became passionate about urban improvement as a method for bettering the lives of his workers. As Liberal mayor of Birmingham, he was an early, passionate proponent of what became known as “gas and water socialism”: he wanted to put those services within reach of every resident by putting them under the management of local government. So far, it’s hard to imagine the Earl of Grantham having much in common with this energetic, egalitarian entrepreneur.”

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    In honor of Black History and Women In Horror Month, Graveyard Shift Sisters take a look at Audre’s Revenge Film collective, which was founded by Monika Estrella Negra:  “Audre’s Revenge Film was created in order to promote visibility of womyn, queer, trans and intersex folks of color in the sci fi and horror universe.

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    Please enjoy an hour of rare Bollywood synth funk (and an interview with DJ Fitz who put the mix together). (via @BethLovesBolly)

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