The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Christopher Lee’s Christmas Symphonic Metal

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Christopher Lee has released a promotional video for his latest album, Darkest Carols, Faithful Sing.  You should probably watch everything at Charlemagne Productions.

The Monster in Me

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I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]

Christopher Lee is the King of Metal

Christopher Lee conquers Symphonic Metal. Survey his Holy Metal Empire with two promos for Charlemagne, a message from Christopher Lee about the project and some track teasers.

Christopher Lee Is Metal.

Christopher Lee is Metal. “I have been metal for many years,” he says in a review of his new CD, Charlemagne:  By the Sword and the Cross.

A Century of Cinematic Horror

Decade by decade, the Movie Morlocks look at 100 years of cinematic horror, starting with the 1910 silent, Frankenstein.

No More Screaming

Hammer Studios and Corman horror star, Hazel Court, died Wednesday.  She starred with icons like Boris Karloff, Vincent Price, Christopher Lee, Peter Cushing, Peter Lorre–and even Patrick McGoohan (Danger Man) and Rock Hudson on television. 

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  • Of Note Elsewhere

    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

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    Remezcla has a gallery of Lourdes Grobet’s portraits of luchadores with their families and a bit of an interview with her. (Yes, the luchadores are in their masks and often wearing suits or casual wear, which is the best thing). (Thanks, Matt!) “Father and warrior, the masked wrestler is the perfect metaphor for the duality that Grobet’s photography wants to depict. Her work is resonant because she doesn’t try to demolish the myths that envelop lucha libre – she simply nurtures and expands them in an offbeat way.”

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    At Autostraddle, Heather Hogan has “a Recap of Jem and the Holograms’ Truly Outrageous Lesbianism.” (Thanks, Sara Century!) “If you are a woman over the age of 30, I have some information that is going to send you cartwheeling back to 1987 to high five your young self and shout “We knew it! We knew it!” right in your own tiny gay face: Stormer and Kimber from Jem are truly, outrageously, canonically queer….This is good news. Great news. But it’s not really news news. Of course Stormer and Kimber are gay. They’ve been in love since 1987!”

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    “Over the last couple of weeks, I’ve been binge-watching one of the most innovative series on television. Like many of the gems of the current TV renaissance, it features extended narratives with complex plots, intricate backstories, and layered characters. Its approach to storytelling is remarkably adventurous, shattering television, and even cinematic conventions.

     I’m speaking, of course, of General Hospital.” Noah Berlatsky writes about the influence of soap operas on “prestige television” at Quartz. (And make sure to click through to Akash Nikolas’ “Yes, Mad Men is a Soap Opera and that Shouldn’t be an Insult”).
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    Here’s the first Gutterthon 2015 Geektastic Song–“Fortune Cookie” by Chica Non Grata. Chica Non Grata kindly offered to write 3 songs based on topics offered by 3 lucky backers. So listen up and get down. “A song about pop-up ads and how creepy they are and how they seem to be reading your mind and maybe there is actually an artificial intelligence who is stalking you.”

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    Friend of the Gutter, Nitrate Diva writes about 13 women who helped shape cinema. “Hollywood is, in many ways, a more male-dominated environment today than it was 90 or so years ago. Scary, huh?

    In order to perpetuate a culture where more women make movies now, we need to recognize the women who made movies in the medium’s formative years. Let’s take our editing shears and snip the ‘boys only’ myth right out. It belongs on the cutting room floor.”

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