The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Desire For Certainty In Film

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“In the world of online film discourse, there’s a veritable cottage industry devoted to bringing certainty to ambiguity.” The Dissolve has more. Meanwhile, Film Critic Hulk writes about film logic, plot holes and “THE ONLY ANSWER THAT ACTUALLY MATTERS.”

“That’s Not A Plot Hole. Allow Me To Explain”

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Scott Nye writes about plot holes, deflection, and characters explaining for the audience at Ebert.com‘s “Balder & Dash” blog: “Characters must constantly address questions on behalf of a too-curious audience awash in complexly-plotted mega-stories. The movies are trying to plug leaks in a boat before the whole thing sinks—never quite repairing it, but doing just […]

Superman and Transcending Reality

“Words like ‘realism’ and ‘dark’ and ‘gritty’ get bandied about Hollywood as if the only merit a story can have is in its verisimilitude, but that’s a lie. Emotional honesty transcends reality; it’s what allows disbelief to be suspended, and yet what makes a story stay true.” Writer Greg Rucka writes more about Superman and […]

“The Rape of James Bond”

Sophia McDougall writes about “sexual assault and ‘Realism’ in popular culture.” (via @Pornokitsch)

The Dark Knight and the ACME Bomb: Batman and realism part I

The ending to The Dark Knight Rises left my wife doubled over laughing in the parking lot of the theatre. I tried to take a picture for posterity, but it was too dark. Given that no one else in the audience seemed affected in the same way, I expect I’ll need to explain why: simply […]

Batman vs. The French Revolution

“A hero can be anyone, even a man doing something as simple and reassuring as putting a coat around a young boy’s shoulders to let him know the world hasn’t ended.” “The mask is to show that Batman could be anybody.” Is saying anyone can be Batman the same as saying anyone can be a […]

King of the World 3D

David Bordwell tells the story of digital projection, 3D and how James Cameron lobbied theaters to buy the technology to show the films he wants to make. Meanwhile, Christopher Nolan wants to save 35mm film.  (Thanks, Kimberly Lindbergs!)

Inception in Real-Time

Inception in Real-Time.  All the dreams played against one another and with editorial comments. (via Entertainment Weekly’s blog)

In Living Colour

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This  last month at the Gutter, we’ve been mixing things up, with the editors writing outside of their usual domains. This week, instead of romance, Chris Szego will talk about movies or comics. Hey, wait! How about movies AND comics? Or rather, comic book movies? Recently, the theatre’s been a good place for comics. Not […]

HELLO DOCTOR NAME CONTINUE YESTERDAY TOMORROW

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I had really hoped that my list of the top 10 films of the decade would be more surprising. Or perhaps I just assumed that I was less predictable. I thought about a lot of other films, some of which you’ll see in my runners-up rundown at the foot of this article, but these are […]

Batman vs. Batman, Turkey

“The royalty of the name ‘Batman’ belongs to us … There is only one Batman in the world. The American producers used the name of our city without informing us[.]”  The city of Batman in Turkey plans to sue Christopher Nolan. (via Lady, That’s My Skull)  

HAVING YOUR DUALITY AND EATING IT, TOO

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Spoiler warning. When the question arises of who could be the villain in a third Batman movie, I’m stymied. I can’t picture The Penguin or The Riddler or Catwoman working in the world Christopher Nolan has created. Poison Ivy? I don’t think so. The Mad Hatter? Clayface? Kite Man? Bane? Nope, nope, nope and please […]

“If this is Gotham, get me a one-way ticket to Metropolis.”

Mel at Bluestocking Banter smells some Frank Miller in Christopher Nolan’s Dark Knight:  “Dark, sure. Violent, yes. But fascist? Maybe.”

MAN-BAT NINJAS, NINJA BATMEN AND ART WITH NO CONTENT

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At the risk of tearing up Carol’s yard (a risk I’ll take, since she’s parked on my lawn currently, leaving me nowhere to pull up). I’m going to talk about comics for bit here. Don’t worry, I’ll get to the screen part soon enough.

13 Ways of Looking at a Bat

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“Among twenty empty warehouses, The only moving thing Was the eye of the Batman.” –sorta Wallace Stevens You should know right from the start that I’m a terrible geek—not extremely geeky, but bad at being a geek. Continuity in the sense of an overarching, epic and harmonized chronology just isn’t that important to me. What […]

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  • Of Note Elsewhere

    Actor Richard Kiel has died. Kiel worked in both film and television, including performances in The Twilight Zone episode, “To Serve Man”; Eegah (1962); The Barbary Coast with William Shatner; Happy Gilmore (1996); Pale Rider (1985); as Vlad in Tangled (201); and as Jaws in The Spy Who Loved Me (1977) and Moonraker (1979).   The New York TimesThe Los Angeles Times and Variety have obituaries. Here he is interviewed with Britt Ekland. And David Letterman interviews Kiel here.

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    Open Culture has a round-up of eight free and complete films by Dziga Vertov, including Man With A Movie Camera (1929) and the first Soviet animated feature, Soviet Toys (1924). (Thanks, Earl!)

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    Matt Zoller Seitz has written a lovely meditation on Robin Williams at RogerEbert.com: “Williams wore the invisible garments of depression. He carried that burden. A lot of the time we didn’t see it, because he was a bright and enthusiastic comic performer and a great actor. But the weight was always there.

    Somehow he lived 63 years.

    What a warrior he was.”

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    At Kaiju Shakedown, Hiroshi Fukazawa interviews director Ringo Lam. “Not as flashy as John Woo, never as hyperkinetic as Tsui Hark, Ringo Lam is one of Hong Kong’s most underappreciated directors. He made his name with sophisticated, downbeat crime dramas that came to define a certain style of urban Hong Kong cinema in the Eighties and early Nineties. After getting his start in television at CTV and TVB, he directed five features before finding his stride with 1987’s City on Fire, the movie that provided the blueprint for Quentin Tarantino’s Reservoir Dogs.”

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    “[Grace] Jones — who was famous not just for her music, but also for her acting and modeling — took Lundgren to New York, where they partied at the legendary Studio 54 and Andy Warhol took pictures of Lundgren. Jones introduced Lundgren to the world of show business. Meanwhile, Lundgren was still set to begin his Fulbright scholarship at MIT. ‘I started sort of thinking, “Wow, this is kind of cool,”‘ Lundgren remembers: ‘”I don’t know if I want to go back to engineering after this.”‘ More at NPR.

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    “A mid-20th century collaboration between artists, poets and printers gave rise to a unique book of surrealistic creatures accompanied by complementary typographic art poems.” See more at BibliOdyssey. (Thanks, Andrezo!)

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