The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Desire For Certainty In Film

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“In the world of online film discourse, there’s a veritable cottage industry devoted to bringing certainty to ambiguity.” The Dissolve has more. Meanwhile, Film Critic Hulk writes about film logic, plot holes and “THE ONLY ANSWER THAT ACTUALLY MATTERS.”

“That’s Not A Plot Hole. Allow Me To Explain”

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Scott Nye writes about plot holes, deflection, and characters explaining for the audience at Ebert.com‘s “Balder & Dash” blog: “Characters must constantly address questions on behalf of a too-curious audience awash in complexly-plotted mega-stories. The movies are trying to plug leaks in a boat before the whole thing sinks—never quite repairing it, but doing just […]

Superman and Transcending Reality

“Words like ‘realism’ and ‘dark’ and ‘gritty’ get bandied about Hollywood as if the only merit a story can have is in its verisimilitude, but that’s a lie. Emotional honesty transcends reality; it’s what allows disbelief to be suspended, and yet what makes a story stay true.” Writer Greg Rucka writes more about Superman and […]

“The Rape of James Bond”

Sophia McDougall writes about “sexual assault and ‘Realism’ in popular culture.” (via @Pornokitsch)

The Dark Knight and the ACME Bomb: Batman and realism part I

The ending to The Dark Knight Rises left my wife doubled over laughing in the parking lot of the theatre. I tried to take a picture for posterity, but it was too dark. Given that no one else in the audience seemed affected in the same way, I expect I’ll need to explain why: simply […]

Batman vs. The French Revolution

“A hero can be anyone, even a man doing something as simple and reassuring as putting a coat around a young boy’s shoulders to let him know the world hasn’t ended.” “The mask is to show that Batman could be anybody.” Is saying anyone can be Batman the same as saying anyone can be a […]

King of the World 3D

David Bordwell tells the story of digital projection, 3D and how James Cameron lobbied theaters to buy the technology to show the films he wants to make. Meanwhile, Christopher Nolan wants to save 35mm film.  (Thanks, Kimberly Lindbergs!)

Inception in Real-Time

Inception in Real-Time.  All the dreams played against one another and with editorial comments. (via Entertainment Weekly’s blog)

In Living Colour

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This  last month at the Gutter, we’ve been mixing things up, with the editors writing outside of their usual domains. This week, instead of romance, Chris Szego will talk about movies or comics. Hey, wait! How about movies AND comics? Or rather, comic book movies? Recently, the theatre’s been a good place for comics. Not […]

HELLO DOCTOR NAME CONTINUE YESTERDAY TOMORROW

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I had really hoped that my list of the top 10 films of the decade would be more surprising. Or perhaps I just assumed that I was less predictable. I thought about a lot of other films, some of which you’ll see in my runners-up rundown at the foot of this article, but these are […]

Batman vs. Batman, Turkey

“The royalty of the name ‘Batman’ belongs to us … There is only one Batman in the world. The American producers used the name of our city without informing us[.]”  The city of Batman in Turkey plans to sue Christopher Nolan. (via Lady, That’s My Skull)  

HAVING YOUR DUALITY AND EATING IT, TOO

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Spoiler warning. When the question arises of who could be the villain in a third Batman movie, I’m stymied. I can’t picture The Penguin or The Riddler or Catwoman working in the world Christopher Nolan has created. Poison Ivy? I don’t think so. The Mad Hatter? Clayface? Kite Man? Bane? Nope, nope, nope and please […]

“If this is Gotham, get me a one-way ticket to Metropolis.”

Mel at Bluestocking Banter smells some Frank Miller in Christopher Nolan’s Dark Knight:  “Dark, sure. Violent, yes. But fascist? Maybe.”

MAN-BAT NINJAS, NINJA BATMEN AND ART WITH NO CONTENT

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At the risk of tearing up Carol’s yard (a risk I’ll take, since she’s parked on my lawn currently, leaving me nowhere to pull up). I’m going to talk about comics for bit here. Don’t worry, I’ll get to the screen part soon enough.

13 Ways of Looking at a Bat

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“Among twenty empty warehouses, The only moving thing Was the eye of the Batman.” –sorta Wallace Stevens You should know right from the start that I’m a terrible geek—not extremely geeky, but bad at being a geek. Continuity in the sense of an overarching, epic and harmonized chronology just isn’t that important to me. What […]

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  • Of Note Elsewhere

    At Paleofuture, Matt Novak writes about Idiocracy‘s unpleasant implications: “Sure. As an over-the-top comedic dystopia, the movie is actually enjoyable. But the movie’s introduction makes it an unnerving reference to toss around as our go-to insult….Unlike other films that satirize the media and the soul-crushing consequences of sensationalized entertainment (my personal favorite being 1951′s Ace in the Hole), Idiocracy lays the blame at the feet of an undeserved target (the poor) while implicitly advocating a terrible solution (eugenics). The movie’s underlying premise is a fundamentally dangerous and backwards way to understand the world.” (via The Projection Booth)

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    Friend of the Gutter, Will McKinley looks at “The 1979 Rockford Files Episode That Inspired The Sopranos.” “A gang from Newark’s South Side is hiding Vinnie Martine’s body in a restaurant freezer. Tony’s mad because Anthony Jr. got caught pranking another mobster. And a boss who’s trying to reform gets his mansion sprayed with bullets. Remember that episode of The Sopranos? If you do, your memory’s playing tricks on you, because all these things happened on a 1979 episode of The Rockford Files—written by Sopranos creator David Chase.”

    And McKinley defends classic television with, “In Praise of Vintage Television.”

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    Journalist Margot Adler has died. She is best known for her work as a journalist on NPR, but she also created the speculative fiction radio program, “The Hour Of The Wolf” and was the writer of Drawing Down The Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today (1979) and Vampires Are Us: Understanding Our Love Affair with the Immortal Dark Side (2014). The New York Times, NPR and  Suvudu have obituaries.  Here Adler discusses Vampires Are Us. And here is an excerpt from Adler’s memoir, Heretic’s Heart (1997).

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    The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.

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    Actor James Shigeta has died. Shigeta appeared in Die Hard (1988), The Crimson Kimono (1959) The Flower Drum Song (1961),  Bridge To The Sun (1961), Paradise, Hawaiian Style (1966), The Yakuza (1974) and many, many television shows.  The AV Club, Den Of Geek and Angry Asian Man have obituaries. Bridge to the Sun is discussed by Robert Osborne and Dr. Peter Feng on TCM.  At RogerEbert.com, Matt Zoller Seitz writes an appreciation of Shigeta’s life and work. “Shigeta, who died yesterday at 81, was a marvelous performer, and his work as Nakatomi Corporation President Joseph Takagi in the original 1988 Die Hard is one of my favorite examples of how an imaginative actor can sketch out a life in just a few scenes and lines.”

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    At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)

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