The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Sheila Guyse

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Actor and singer Sheila Guyse has died. Guyse appeared on Broadway, most notably in “Finian’s Rainbow” and in “race films” with all-African-American casts catering to African-American audiences in the 1940s and 1950s. The New York Times has an obituary. Nina Mae McKinney has a tribute to Guyse. Here Sheila Guyse performs “Cinderella” with Billy Daniels […]

A History of Cinderella

Terry Windling recounts the history of the Ash Girl or Cinderella story from the 9th Century Yeh–hsien to the Disney film, Cinderella, based on Charles Perrault’s 1697 version. Like this:Like Loading…

All That Fairy Tale Nonsense

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One of the many criticisms levelled at romance novels is that they’re a poor model for women when it comes to real-life relationships. All that fairy tale nonsense, detractors say, will make women want the wrong things from their partners. I could list a dozen things wrong with that assumption, but I’ll limit myself to […]

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  • Of Note Elsewhere

    Author Philip Pullman talks about the work of William Blake at The Guardian: “My mind and my body reacted to certain lines from the Songs of Innocence and of Experience, from The Marriage of Heaven and Hell, from ‘Auguries of Innocence,’ from Europe, from America with the joyful immediacy of a flame leaping to meet a gas jet. What these things meant I didn’t quite know then, and I’m not sure I fully know now. There was no sober period of reflection, consideration, comparison, analysis: I didn’t have to work anything out. I knew they were true in the way I knew that I was alive. I had stumbled into a country in which I was not a stranger, whose language I spoke by instinct, whose habits and customs fitted me like my own skin.” (via Kate Laity)

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    At Sequential Art, Ryan Carey deconstructs and reconstructs Jack Kirby’s OMAC . “In order to better understand OMAC, then, we’ll be taking things one piece at a time here — we’ll look at where the ideas came from, how they related to other views of the future popular at the time, where Kirby was, creatively and professionally, in 1974, and ultimately try to decipher precisely why all of this ended up in the shape it ultimately did.  After that, we’ll concern ourselves with the real nitty-gritty of examining each and every one of the series’ eight issues, before taking a look at how, and in what form, the legacy of both the character and the book continue, and evolve, to this day.”

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    Video of illustrator and character designer Katsuya Terada drawing and talking about his work. (via @aicnanime)

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    A 1,300-year-old Egyptian book of spells has been translated. “Among other things, the ‘Handbook of Ritual Power,’ as researchers call the book, tells readers how to cast love spells, exorcise evil spirits and treat “black jaundice,” a bacterial infection that is still around today and can be fatal.”

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    Zack and Steve go through and review Advanced Dungeons & Dragons Module S-1: The Tomb Of Horrors at WTF, D&D?!…so you don’t have to.

    “Steve: Most of the opening paragraph is a warning about difficulty. ‘You’ll never find the demi-lich’s secret chamber’ and the tomb is fraught with “terrible traps, poison gases, and magical protections.” It’s telling you not to play the adventure.

    Zack: Not just in that part. In the DM’s notes section at the start, Gygax explicitly warns Dungeon Masters that if your players enjoy killing monsters they will be unhappy with the adventure.

    Steve: ‘This module is only for parties that enjoy dying immediately and repeatedly.’ Oh, man, we’re not going to play though this thing are we?”

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    Dr. Nerdlove takes a brief break from helping the nerd get the girl to address something that’s been bugging him. “Pardon me while I go off on a bit of a media criticism/ rant here. So I’ve been enjoying the *hell* out of The Flash lately except for one thing: Iris Allen. Her character is screen death; every time she’s around, everything comes to a screeching halt.

    The problem is: it’s not her fault, it’s the writers. Rather like Laurel Lance in the first two seasons of Arrow, she has Lois Lane syndrome. Her (like Laurel and Lois) entire character arc is based around being ignorant of events that literally everyone else in her life is aware of.”

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