The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Superman vs. The Ku Klux Klan

Listen to Superman defend Tommy Lee and his family from the Ku Klux Klan in the 1946 Adventures of Superman storyline, “The Clan of the Fiery Cross” at the Internet Archive. Like this:Like Loading…

Loving the Alien: Superman and Masculinity

LTA clark kent thumb

Since alex, Chris and I decided to write about masculinity this month, I’ve been thinking about Superman. Actually, I’ve been thinking and rethinking Superman almost as long as I’ve been writing for The Cultural Gutter. I began really thinking about him while watching Justice League and Justice League Unlimited. I’ve spent most of my life—and […]

Superman’s Ex-Girlfriend, Lana Lang

Unofficial, Unsanctioned, Unsolicited–Colleen Coover’s “Superman’s Ex-Girlfriend Lana Lang!” Like this:Like Loading…

What Would Superman Do?

Comics Alliance reports on Superman taking on a more global role by renouncing his citizenship and there’s a blow out in their comments thread. Meanwhile, Colin at Too Busy Thinking About My Comics has been pondering Superman, community and Superman belonging to the world in a series of thoughtful and provocative essays for a while […]

Investigating Lois

Kelly Thompson never much liked reporters or Lois Lane, now she’s giving Lois a second chance with a review of Mindy Newell’s Lois Lane miniseries. (The discussion in the comments is excellent, too). Like this:Like Loading…

The Lonely Man

physician scientist 80.jpg

Hit play. I used to be so impatient watching The Incredible Hulk. I curled up coloring, waiting for David Banner to transform and roar and smash through brick walls. But watching that show only for the Hulk sets any viewer up for disappointment. Instead, I’ve learned to watch The Incredible Hulk for David Banner. And, […]

Stainless

Fearing what he can do.  Fearing what he won

Recently, one of my friends told me that Superman was an inch from becoming a dictator. It didn’t seem likely to me, but I didn’t have any arguments, just a sense that Superman wasn’t inclined toward world domination. Luckily enough, the public library system provided me with, The Man from Krypton: A Closer Look at […]

Eye-cons

The monocle makes the man.

“A good salesperson has to be a psychologist,” Mel Rapp says, sitting at the back of his College Street optical shop, legs crossed alertly, riding a tangent in his distant, foggy voice. “I use all my experiences to try to inform the attitudes and feelings — the psychology — behind the frames people wear.” Like […]

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  • Of Note Elsewhere

    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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    At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from key individuals and tribes. What it showed me was that you had to identify and build relationships with those opinion-formers – the DJs, the music industry, the fashion industry, the underground media.” (via @timmaughan)

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    Neill Cameron has re-imagined the characters of Parks & Recreation as members of Starfleet. (Via @neillcameron)

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