The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Superman vs. The Ku Klux Klan

Listen to Superman defend Tommy Lee and his family from the Ku Klux Klan in the 1946 Adventures of Superman storyline, “The Clan of the Fiery Cross” at the Internet Archive. Like this:Like Loading…

Loving the Alien: Superman and Masculinity

LTA clark kent thumb

Since alex, Chris and I decided to write about masculinity this month, I’ve been thinking about Superman. Actually, I’ve been thinking and rethinking Superman almost as long as I’ve been writing for The Cultural Gutter. I began really thinking about him while watching Justice League and Justice League Unlimited. I’ve spent most of my life—and […]

Superman’s Ex-Girlfriend, Lana Lang

Unofficial, Unsanctioned, Unsolicited–Colleen Coover’s “Superman’s Ex-Girlfriend Lana Lang!” Like this:Like Loading…

What Would Superman Do?

Comics Alliance reports on Superman taking on a more global role by renouncing his citizenship and there’s a blow out in their comments thread. Meanwhile, Colin at Too Busy Thinking About My Comics has been pondering Superman, community and Superman belonging to the world in a series of thoughtful and provocative essays for a while […]

Investigating Lois

Kelly Thompson never much liked reporters or Lois Lane, now she’s giving Lois a second chance with a review of Mindy Newell’s Lois Lane miniseries. (The discussion in the comments is excellent, too). Like this:Like Loading…

The Lonely Man

physician scientist 80.jpg

Hit play. I used to be so impatient watching The Incredible Hulk. I curled up coloring, waiting for David Banner to transform and roar and smash through brick walls. But watching that show only for the Hulk sets any viewer up for disappointment. Instead, I’ve learned to watch The Incredible Hulk for David Banner. And, […]

Stainless

Fearing what he can do.  Fearing what he won

Recently, one of my friends told me that Superman was an inch from becoming a dictator. It didn’t seem likely to me, but I didn’t have any arguments, just a sense that Superman wasn’t inclined toward world domination. Luckily enough, the public library system provided me with, The Man from Krypton: A Closer Look at […]

Eye-cons

The monocle makes the man.

“A good salesperson has to be a psychologist,” Mel Rapp says, sitting at the back of his College Street optical shop, legs crossed alertly, riding a tangent in his distant, foggy voice. “I use all my experiences to try to inform the attitudes and feelings — the psychology — behind the frames people wear.” Like […]

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  • Of Note Elsewhere

    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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    Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies.

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    The sounds of failing hard drives. (via @wfmu)

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    Drive-In Mob has a variety of tremendous ringtones from In Like Flint‘s Derek Flint speaking porpoise to the Wilhelm Scream as well as other shenanigans like a club mix  and “Sissy Goforth and The Seven Dwarf’s Yodel Song”  created from Boom (1968). Drive-In Mob, it’s the shock of being alive. (The Cultural Gutter is a proud host of the weekly Drive-In Mob movie tweetalong).

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    Dangerous Minds has a brief overview of Nudie Cohn’s life and work–including a gallery of some of his amazing designs for Hank Williams, Gram Parsons, Elvis and Keith Richards. “Nudie Cohn’s influence went way beyond country though. As he adapted with the 1960s counterculture, his work became even more subversive—the ‘pot, pills and poppies suit’ he made for Gram Parsons…is one example, but was not the only time Cohn used druggy imagery. What made his work impressive though—be it the (supposedly $10,000 suit that cost $50 to make) gold lamé suit he made for Elvis or his own insane custom 1964 Pontiac Bonneville—was not only the over-the-top styling, but the sheer attention to detail and quality craftsmanship of a custom Nudie suit festooned with rhinestones or embroidery.”

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