The Cultural Gutter

unashamed geekery

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

80s Supervillain Album Art

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Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies. Like this:Like Loading…

“No Room For Failure”

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MTV News spoke to directors Lexi Alexander, Brenda Chapman and Yulin Kuang about “what they thought of MacLaren’s departure [from Wonder Woman] and how they think it speaks to the bigger problem in the industry – namely, the lack of opportunities women have in film.” If you’d like to know more about MacLaren’s career, including […]

“Humanity Not Included: DC’s Cyborg and the Mechanization of the Black Body”

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At The Middle Spaces, Robert Jones, Jr. writes about Cyborg: “DC Comics’ Cyborg is my least favorite black character currently being published in comic books. He illustrates how the black body functions in a white supremacist framework and embodies so many different offensive stereotypes of black people that it is necessary to enumerate these characteristics […]

“Lighten Up”

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At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic. Like this:Like Loading…

The Projection Booth Watches Conan The Barbarian

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The Projection Booth tells you of days of high adventure in an epic seven hour podcast on Conan The Barbarian (1982). Like this:Like Loading…

“Let’s Talk About The Women Of The Walking Dead

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At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of […]

“A Tribute to Dwayne McDuffie and Milestone Media”

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Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was […]

Nate Powell Talks about The March, Depicting Violence and “I Have A Dream’

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Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what […]

Interview with Kelly Sue DeConnick

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At Vox, Alex Abad-Santos interviews Kelly Sue DeConnick about feminism, raising girls and her new comic, Bitch Planet. “DeConnick says Bitch Planet, which debuted late last year, is her take on the exploitation films she loved as a kid. The sci-fi prison saga is confident, slick, and hilarious on multiple levels. But it also vibrates with frustration […]

“She-Hulk, Attorney at Law”

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At Bitch Magazine, Tammy Oler writes about the history and legal life of Jennifer Walters, attorney and She-Hulk. (Thanks, Mark!) Like this:Like Loading…

“The Pull List: Black History Month”

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At Tor.com, Alex Brown shares her top ten favorite Black comic book characters. “For all their talk about diversity and inclusion, comic books still tend to be pretty straight, white, and male (and catered to same). But that doesn’t mean there aren’t a lot of great characters of color that do more than fill the […]

My Year With The Fantastic Four

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Days after we rang in the New Year, I finished a year spent reading all of the Fantastic Four comics, from Stan Lee and Jack Kirby’s earth-shattering first issue in 1961, which explained how four family members and friends were transformed by cosmic rays into super-powered adventurers, through the latest issues in 2015 by James […]

Transformers: The Romance of the Machine

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Hasbro’s toy brand Transformers turned thirty last year. Children around the world have been hearing the Transformers’ story for decades, passed on by cartoons, comics, movies, and toys. It’s always the same, more or less. An alien race of transforming robots is at war, divided into two factions: the villainous Decepticons, led by Megatron, and […]

Interview With Colin Smith

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Comics Bulletin interviews friend of the Gutter Colin Smith about criticism in general and comics criticism in particular. “Despite what so many in the ever-polarising blogosphere appear to believe, criticism isn’t about delivering an opinion that the reader agrees with, or even feels comfortable with. It’s not about standing with this crowd or that, but […]

“The Adventures of Mr. Obadiah Oldbuck”

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The Dartmouth College Library ahs scans of the oldest extant comic book, Rodolphe Töpffer’s “The Adventures of Mr. Obadiah Oldbuck” (1837). (via @SoxOnTheBrain) Like this:Like Loading…

Little Fat Nothing: Herbie Popnecker and Early Meta-Comics Narratives

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Publicly admitting you read comics means you’re willing to put up with a perplexingly persistent notion of the medium as the exclusive domain of the super heroes. Even in the current realm of savvy pop art dabblers as likely to pray at the altar of independents like Image Comics as they are the Big Two […]

Best of 2014 at Popshifter!

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The Gutter’s own Carol was invited to join Less Lee Moore and J.G. Thirlwell and other swell folk in sharing “Best of 2014″ lists at Popshifter! Like this:Like Loading…

Evan’s Best of 2014

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Author, illustrator, writer and friend of the Gutter Evan Munday shares a variety things in “The Best of 2014″: “Though no one will care at all and my taste is, by most measures, truly heinous, here are lists of things – namely comic books, movies, songs, and (new!) unfulfilled projects–I greatly enjoyed in the year […]

Never Goodnight is the Best

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The Dissolve shares some panels from the source material for Lukas Moodysson’s Swedish punk rock coming of age story, We Are The Best–Coco Moodysson’s graphic novel, Never Goodnight, about her experience growing up punk in 1980s Stockholm. The Dissolve piece also links to an interview with Coco Moodysson at Female First and a New York Times […]

Chris Sims on Comics and Lettering

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At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it […]

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  • Of Note Elsewhere

    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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    Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies.

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    The sounds of failing hard drives. (via @wfmu)

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    Drive-In Mob has a variety of tremendous ringtones from In Like Flint‘s Derek Flint speaking porpoise to the Wilhelm Scream as well as other shenanigans like a club mix  and “Sissy Goforth and The Seven Dwarf’s Yodel Song”  created from Boom (1968). Drive-In Mob, it’s the shock of being alive. (The Cultural Gutter is a proud host of the weekly Drive-In Mob movie tweetalong).

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    Dangerous Minds has a brief overview of Nudie Cohn’s life and work–including a gallery of some of his amazing designs for Hank Williams, Gram Parsons, Elvis and Keith Richards. “Nudie Cohn’s influence went way beyond country though. As he adapted with the 1960s counterculture, his work became even more subversive—the ‘pot, pills and poppies suit’ he made for Gram Parsons…is one example, but was not the only time Cohn used druggy imagery. What made his work impressive though—be it the (supposedly $10,000 suit that cost $50 to make) gold lamé suit he made for Elvis or his own insane custom 1964 Pontiac Bonneville—was not only the over-the-top styling, but the sheer attention to detail and quality craftsmanship of a custom Nudie suit festooned with rhinestones or embroidery.”

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