Ray Harryhausen passed away last week. This has been noted by people more qualified than I to discuss the master of stop-motion magic—Rick Baker, Adam Savage, Todd Masters, George Lucas, Peter Jackson, and more. The superhuman talent and perseverance evident in a Harryhausen effects sequence can easily be seen in countless visual effects artists since he first brought his creations to frame-by-frame life on the big screen. That makes sense. So how can I really say anything of worth when I say that I was also profoundly influenced by the artistry of Ray Harryhausen? With modesty, and a story about Clash of the Titans. Continue reading…
Comic Book Attic talks about comics about comics, with plenty of pages from Joe Simon and Jack Kirby’s The Newsboy Legion for your enjoyment.
At the School of Visual Art, Greil Marcus delivers a commencement speech discussing “high art” vs. “low art,” art, and influence. (Thanks, Andrew!)
At The Comics Journal, Joe McCulloch speaks to the legacy of Comics Alliance. The Beat‘s Steve Morris writes about what Comics Alliance meant to him. ” If Comics Alliance was known for anything – aside from the much-needed essays on prejudice and progression, aside from discussion of Batman punching people with car parts, aside from [...]
“Words like ‘realism’ and ‘dark’ and ‘gritty’ get bandied about Hollywood as if the only merit a story can have is in its verisimilitude, but that’s a lie. Emotional honesty transcends reality; it’s what allows disbelief to be suspended, and yet what makes a story stay true.” Writer Greg Rucka writes more about Superman and [...]
In honor of Lois Lane’s first appearance 75 years ago, Kurt Busiek talks about Lois with DC Women Kicking Ass. “If you’re a ne’er-do-well, the last person you want trying to get the goods on you in Lois, because she just doesn’t quit.”
When I was a mere lad, I picked up a battered newsstand copy of Power Man and Iron Fist. I had grown up with superheroes in Spider-Man and His Amazing Friends, The Incredible Hulk, and The Herculoids on the television, but my comics reading prior to that issue of Power Man and Iron Fist was [...]
The Gutter‘s own Carol Borden wrote a review of Wonder Women! The Untold Story of American Superheroines for the 2012 ActionFest Blog: “I’ve seen reviews suggesting this movie is a great one to show your daughter or niece, and it is. But it’s not just about letting little girls know that they can be heroes, [...]
Girls Gone Geek‘s Erika Peterman on why she’s no longer reading Wonder Woman. “At this point, it’s crystal clear that Brian Azzarello is not going to write the Wonder Woman comic I want to read. There’s a big disconnect between Cliff Chiang’s show-stopping, vibrant presentation of the character and the narrative, in which Wonder Woman [...]
At The Village Voice, Simon Abrams writes about The Walking Dead and its female characters.
Comic artist Carmine Infantino has died. Infantino is most famous for his work on Barry Allen, The Flash, as co-creator of Batgirl and on the 1980s Star Wars comics, but he also worked as an editor, freelance artist and teacher. Comics Alliance, The AV Club and Robot Six have obituaries. Gary Groth interviewed Infantino in [...]
“[T]he X-Men are a lot of things to a lot of people, but one of the most important things they are—I’m talking top two, right after “sexy people with cool powers”—is an oppression metaphor. You cannot escape this. It is built into the X-Men’s DNA….The oppression metaphor is a vital piece of the engine that [...]
I’m going to talk a bit about Adventure Time, but I want to tell a story first. When my nephew was a toddler, he liked to play princesses with his mother and me. Usually, we were all beautiful princesses. Once, to show his displeasure, his mother was a “Bad Princess,” which actually was kind of [...]
Gutters and Panels has a convenient timeline of notable departures, firings and bridge-burnings at DC Entertainment since 2010.
“[Persepolis is] aimed in part at kids–not despite the fact that it includes charged material, but because it does. Satrapi shows herself, as a child and then as a young woman, dealing with violence, with sexuality–with moving away from her parents, and failing, and trying again….But even if their exact experiences don’t map onto hers, [...]
A complete 1953 Pogo storyline featuring, “Simple J. Malarkey,” Walt Kelly’s stand-in for Sen. Joseph R. McCarthy. (via MightyGodKing–click through for more about Pogo and the Red Scare).
Sophia McDougall writes about “sexual assault and ‘Realism’ in popular culture.” (via @Pornokitsch)
The first of Colin Smith’s two-part interview with Kieron Gillen, the writer of comics such as Phonogram, Journey Into Mystery and the new Young Avengers. In this part, Gillen discusses Kid Loki and Journey Into Mystery: “I resisted defining myself as a fantasy writer because fantasy tends to be iffy. I became fine with it [...]
“[T]here is a sound narrative logic behind the sustained popularity of this impossible person in tights. There is one appeal whose effectiveness has remained operative since 1939.” Acephalous explains “[h]ow to teach the interrelatedness of historical context and audience via Warren Ellis’s Planetary/Batman: Night on Earth.” (via @aytiws)
Boing Boing is publishing Elfquest: The Final Quest, the latest Elfquest storyline. It’s an ongoing fantasy/science fiction comic by Wendy and Richard Pini that’s been going since 1978. The previous storylines are available gratis for your reading pleasure at the Elfquest official site.
Achewood, now animated!keep looking »