The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Two Interviews with Marjorie Liu


Author and comics creator Marjorie Liu is interviewed by Nerds of Color and The Beat about her latest comic, Monstress. “There are a couple ways to describe Monstress. The first way is as a dark steampunk epic fantasy about a girl who has a psychic connection to a monster. On another level, there were a […]

John Ostrander on The Spectre


John Ostrander talks about working with Tom Mandrake on The Spectre. “The Spectre was an interesting amalgam of both supernatural and superhero. Created in 1940 by Superman creator Jerry Siegel and artist Bernard Baily, the central character was hardnosed plainclothes detective Jim Corrigan who falls afoul of mobsters and is murdered. He’s sealed into a […]

Restoring Howard the Duck’s Origin


At Bleeding Cool, Cap Blackard writes about the contested homeworld of Howard the Duck. “If you’ve seen the much maligned Howard the Duck film or read any Howard the Duck stories published since 1979, you’re probably familiar with the concept of Duckworld. You know, an alternate Earth where everyone is ducks and everything is duck-themed: […]

Interview with Kate Beaton


At the Guardian, Kate Beaton talks about comics, history and her years working in Alberta’s oil sands.

Sequential Facts: Big Books Offered An Education in Comic Styles


Comics Editor Carol is off convincing mummies that those ladies who look like their beloved are spunky archaeologists who have their own lives now, thank you very much. She’s also running the official TIFF Midnight Madness and Vanguard program blogs and will be back next month. Now, please enjoy this fantastic piece by Nick Hanover. […]

Beta Ray Bill, Fin Fang Foom and Frog Thor!

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Thirteen Covers celebrates Walt Simonson’s birthday with… 13 covers, including Beta Ray Bill, Fin Fang Foom and Frog Thor!

“Of Course Kimber and Stormer are Gay”

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At Autostraddle, Heather Hogan has “a Recap of Jem and the Holograms’ Truly Outrageous Lesbianism.” (Thanks, Sara Century!) “If you are a woman over the age of 30, I have some information that is going to send you cartwheeling back to 1987 to high five your young self and shout “We knew it! We knew it!” right in your […]

Gail Simone on Yvonne Craig

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Gail Simone remembers Yvonne Craig. “I knew a lot of boys who wanted to be Batman. But from that day to this, I wanted to be Batgirl. And to me, Yvonne Craig was Batgirl.”

Bitch Planet Studies Exploitation With Exploitation”

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At Sequential Art, Ian Dawe writes about Kelly Sue Deconnick and Valentine de Landro’s comic, Bitch Planet. “The first thing to understand about this comic is that it’s a deep homage to 1970s science fiction, sports movies and exploitation pornography. Artist Valentine De Landro uses the visual language of films like 1974’s Caged Heat, but […]

“How To Interview Japanese Manga Artists: Tips for Western Journalists”

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At Manga Comics Manga, Deb Aoki starts a conversation about suggestions in interviewing Japanese manga creators. “Here’s our tips for pre-interview prep, interview questions to avoid, tips for having more productive conversations with comics pros from Japan, plus seven requests that I’d like to make to publicists, convention guest coordinators and publishers that might help […]

“Who Was Jack Kirby’s Darkseid?”

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At Too Busy Thinking About My Comics, Colin Smith begins an in-depth look at Jack Kirby’s most anti-life creation, Darkseid. “What follows is my attempt to work out the character of Kirby’s Darkseid during those two wonderful years in the early 1970s, when DC Comics had handed The King four spaces in their publishing schedule […]

John Ostrander on The Killing Joke Animated Feature

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John Ostrander writes about the upcoming animated feature of The Killing Joke, his reaction to the assault on Barbara Gordon and his and Kim Yale’s reinvention of Barbara Gordon as Oracle. “The last story that Kim and I worked on together before she died was Oracle Year One, drawn by the wonderful Brian Stelfreeze. We […]

“Watercolor Superheroes Made Of Big Color Splashes”

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deMilked has a gallery of lovely superhero watercolors by Blule (Clementine Campardou). (via S. L. Johnson)  

“Super City: New York and the History of Comic Books”

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The Bowery Boys Podcast dedicates an episode to New York City in the history of comic books. “In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzer helped bring about the birth of the comic strip and, a few decades later, the comic book.  Today, comic book superheroes are bigger than ever — […]

One Comic: “When Red Sonja met her match(ish)”

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Pornokitsch’s One Comic Podcast looks at Red Sonja #10: “To everyone’s surprise, despite some of the covers and the character’s reputation, this isn’t the exploitative boobs’n’swordplay production it could have been. How did it achieve that? Listen and find out.”

Matt Fraction on Collaboration


“I write for my partners. I write with them and to them. I seek collaborators and co-conspirators rather than employees. I share ownership of the books I do (Hawkeye obviously an exception) with the artists for whom I write as a rule. They make more than me, too, as a rule, and they earn it. […]

“Shifts and Living History”


At Comics 212, Christopher Butcher has some interesting thoughts about recent shifts in comics. “So, basically, my theory goes that the manga boom in the late 90s sort of blew up every single thing that the industry thought about comics, and who the audience is for comics, and what comics can do….So how did the rest of […]

Interview with Noelle Stevenson


Joanna Robinson interviews Noelle Stevenson. “Since she left art school, Stevenson has been busier than ever. At 23 years old, Stevenson just had the kind of year that would make even the most seasoned comics writer turn Hulk green with envy. She co-launched a wildly successful all-girl comic series, Lumberjanes; HarperCollins published a trade edition […]

Thoughts on J.G. Jones & Mark Waid’s Strange Fruit


At Women Write About comics, J. A. Micheline writes about “The White Privilege, White Audacity and White Priorities of Strange Fruit #1.” JG Jones & Mark Waid’s new comic about an alien landing in the American South in 1927, an alien who appears as a Black man. Meanwhile, Joseph Phillip Illidge had written about the […]

Interview with Fiona Staples


The New York Times profiles artist Fiona Staples and talks with her about her work on the new Archie comic and Saga. Also, she answers their, “Are you a Betty or a Veronica?”question just fine.

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  • Of Note Elsewhere

    Open Culture has a re-vamped trailer for a film adaptation of  Alejandro Jodorowsky and Moebius’ comic The Incal. One that never happened. “[Incal‘s] success made it a logical candidate for film adaptation, and so director Pascal Blais brought together artists from Heavy Metal magazine (in which Mœbius first published some of his best known work) to make it happen. It resulted in nothing more than a trailer, but what a trailer; you can watch a recently revamped edition of the one Blais and his collaborators put together in the 1980s at the top of the post.” (Thanks, Felipe!)


    Hyperallergic has a gallery of astronomical and cosmological illustrations from photographer Michael Benson’s books, Cosmographics: Picturing Space Through Time. (Thanks, Stephanie!)


    A homophobic Tumblr post becomes Queer dystopian adventure fiction in two responses. Behold! (Thanks, Adele!)


    Tony Zhou has a new video up at Every Frame A Painting. This time, he looks at Buster Keaton and, “The Art Of The Gag.”


    At Dirge Magazine, friend of the Gutter Less Lee Moore writes about the cinema of Richard Kern. “My introduction to Richard Kern was an issue of Spin magazine from the mid-1980s. Having recently fallen under the spell of the feral pleasures of Scraping Foetus Off The Wheel – a.k.a. JG Thirlwell – I was intrigued by lurid descriptions of pornographic short films featuring Thirlwell and paramour/collaborator Lydia Lunch, whose snarky sound bites I scrawled in the margins of my diaries.”


    Art Of The Title looks the opening credits for The Man In The High Castle, True Detective and at Momentum, Alex Maragos interviews Andrew Geraci about making the opening credits for House Of Cards.


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