The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Beta Ray Bill, Fin Fang Foom and Frog Thor!

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Thirteen Covers celebrates Walt Simonson’s birthday with… 13 covers, including Beta Ray Bill, Fin Fang Foom and Frog Thor!

“Of Course Kimber and Stormer are Gay”

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At Autostraddle, Heather Hogan has “a Recap of Jem and the Holograms’ Truly Outrageous Lesbianism.” (Thanks, Sara Century!) “If you are a woman over the age of 30, I have some information that is going to send you cartwheeling back to 1987 to high five your young self and shout “We knew it! We knew it!” right in your […]

Gail Simone on Yvonne Craig

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Gail Simone remembers Yvonne Craig. “I knew a lot of boys who wanted to be Batman. But from that day to this, I wanted to be Batgirl. And to me, Yvonne Craig was Batgirl.”

Bitch Planet Studies Exploitation With Exploitation”

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At Sequential Art, Ian Dawe writes about Kelly Sue Deconnick and Valentine de Landro’s comic, Bitch Planet. “The first thing to understand about this comic is that it’s a deep homage to 1970s science fiction, sports movies and exploitation pornography. Artist Valentine De Landro uses the visual language of films like 1974’s Caged Heat, but […]

“How To Interview Japanese Manga Artists: Tips for Western Journalists”

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At Manga Comics Manga, Deb Aoki starts a conversation about suggestions in interviewing Japanese manga creators. “Here’s our tips for pre-interview prep, interview questions to avoid, tips for having more productive conversations with comics pros from Japan, plus seven requests that I’d like to make to publicists, convention guest coordinators and publishers that might help […]

“Who Was Jack Kirby’s Darkseid?”

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At Too Busy Thinking About My Comics, Colin Smith begins an in-depth look at Jack Kirby’s most anti-life creation, Darkseid. “What follows is my attempt to work out the character of Kirby’s Darkseid during those two wonderful years in the early 1970s, when DC Comics had handed The King four spaces in their publishing schedule […]

John Ostrander on The Killing Joke Animated Feature

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John Ostrander writes about the upcoming animated feature of The Killing Joke, his reaction to the assault on Barbara Gordon and his and Kim Yale’s reinvention of Barbara Gordon as Oracle. “The last story that Kim and I worked on together before she died was Oracle Year One, drawn by the wonderful Brian Stelfreeze. We […]

“Watercolor Superheroes Made Of Big Color Splashes”

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deMilked has a gallery of lovely superhero watercolors by Blule (Clementine Campardou). (via S. L. Johnson)  

“Super City: New York and the History of Comic Books”

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The Bowery Boys Podcast dedicates an episode to New York City in the history of comic books. “In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzer helped bring about the birth of the comic strip and, a few decades later, the comic book.  Today, comic book superheroes are bigger than ever — […]

One Comic: “When Red Sonja met her match(ish)”

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Pornokitsch’s One Comic Podcast looks at Red Sonja #10: “To everyone’s surprise, despite some of the covers and the character’s reputation, this isn’t the exploitative boobs’n’swordplay production it could have been. How did it achieve that? Listen and find out.”

Matt Fraction on Collaboration

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“I write for my partners. I write with them and to them. I seek collaborators and co-conspirators rather than employees. I share ownership of the books I do (Hawkeye obviously an exception) with the artists for whom I write as a rule. They make more than me, too, as a rule, and they earn it. […]

“Shifts and Living History”

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At Comics 212, Christopher Butcher has some interesting thoughts about recent shifts in comics. “So, basically, my theory goes that the manga boom in the late 90s sort of blew up every single thing that the industry thought about comics, and who the audience is for comics, and what comics can do….So how did the rest of […]

Interview with Noelle Stevenson

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Joanna Robinson interviews Noelle Stevenson. “Since she left art school, Stevenson has been busier than ever. At 23 years old, Stevenson just had the kind of year that would make even the most seasoned comics writer turn Hulk green with envy. She co-launched a wildly successful all-girl comic series, Lumberjanes; HarperCollins published a trade edition […]

Thoughts on J.G. Jones & Mark Waid’s Strange Fruit

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At Women Write About comics, J. A. Micheline writes about “The White Privilege, White Audacity and White Priorities of Strange Fruit #1.” JG Jones & Mark Waid’s new comic about an alien landing in the American South in 1927, an alien who appears as a Black man. Meanwhile, Joseph Phillip Illidge had written about the […]

Interview with Fiona Staples

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The New York Times profiles artist Fiona Staples and talks with her about her work on the new Archie comic and Saga. Also, she answers their, “Are you a Betty or a Veronica?”question just fine.

“Jeffrey Veregge: Art, Design, Mischief”

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A gallery of sweet geeky art from Native American artist, Jeffrey Veregge. “My origins are not supernatural, nor have they been enhanced by radioactive spiders. I am simply a Native American artist and writer whose creative mantra in best summed up with a word from my tribe’s own language as: ‘taʔčaʔx̣ʷéʔtəŋ,’ which means ‘get into […]

Like Mad Max: Fury Road, but lazier and crappier

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At the Mary-Sue, Ana Mardoll reviews Vertigo’s new Furiosa comic, which theoretically presents Imperator Furiosa’s backstory by trying to make Mad Max: Fury Road lazier and shittier. “We need to talk about the Mad Max: Fury Road Furiosa #1 comic and how awful it is. Huge content notes on this post, like, in big block […]

“Floating Eyeballs, Trained Bees”

At NPR’s Monkey See, Glen Weldon reviews Jon Morris’ The League of Regrettable Superheroes and considers the most intriguing comic book heroes of yore. “Truth in advertising: The Eye was a mysterious, giant, floating, all-knowing eyeball that hectored people to fight crime on its behalf. Which they did, and can you blame them?” (Thanks, Pauline!)

“The Re-Masculinization of Cyborg”

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Comics Alliance‘s Andrew Wheeler writes about David F. Walker’s impending run on Cyborg and “the re-masculinization” of a Black male superhero. “At Emerald City Comic-Con earlier this year I was lucky enough to be on a panel on diversity and representation with David F. Walker, two months after his Cyborg title was announced. During the […]

Danger: Diabolik: Deep, Deep Down

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This month’s Guest Star is the Gutter’s own Carol writing about the Mario Bava film, Danger: Diabolik. Holy cats, how’d that happen? My town has basically one landmark, you know the kind of thing people passing through take pictures of. It’s a water tower. An incredibly phallic water tower. It’s like a classical Hindu lingam. […]

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  • Of Note Elsewhere

    Thirteen Covers celebrates Walt Simonson’s birthday with… 13 covers, including Beta Ray Bill, Fin Fang Foom and Frog Thor!

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    Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut game of life and death.”

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    Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

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    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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