Ray Harryhausen passed away last week. This has been noted by people more qualified than I to discuss the master of stop-motion magic—Rick Baker, Adam Savage, Todd Masters, George Lucas, Peter Jackson, and more. The superhuman talent and perseverance evident in a Harryhausen effects sequence can easily be seen in countless visual effects artists since he first brought his creations to frame-by-frame life on the big screen. That makes sense. So how can I really say anything of worth when I say that I was also profoundly influenced by the artistry of Ray Harryhausen? With modesty, and a story about Clash of the Titans. Continue reading…
See All Categories
- Comics (120)
- First (7)
- Guest Star (45)
- Movies (34)
- Notes (2112)
- Romance (76)
- Science-Fiction (116)
- Screen (58)
- Videogames (71)
Recent Features
Ray Harryhausen and Me: A Life of High Adventure and Escapism
Things That Change You Forever
I have a ghost story of my own. At least, I have a ghost-cat story.
My final year as an undergraduate was spent in relative splendor. My friends and I lucked into tenancy in the house of a professor on sabbatical. Twelve foot ceilings! Built in bookshelves! Three cats! Real, grown-up furniture! Wait… let’s get back to the cats. The professorial family had three cats and a dog, though the dog was sent to a friend with a farm (later, they told us later that we clinched the lease when they told us that cat care was part of the deal and our response was, “Aw, we don’t get the dog?”).
So. Three housemates, three cats. One morning around the (solid oak!) table, we were chatting about the cats’ sleeping habits. Two of the cats routinely slept in my room, the third with one of the others. Feeling a little left out, the third roommate said, “That’s okay, because Ghost Cat slept on my bed last night.” Continue reading…
Secret Agent, Detective, Genius, Jerk: Modernizing Sherlock Holmes
A man with dark wavy hair wakes up in an iron-framed bed in the middle of a windowless room. He leaps out from under the white sheets and stares intently at a corner of the white ceiling. Suddenly, gracefully, he spins to defeat an invisible opponent in four swift motions, finally falling to his knees in front of an empty chair, hands outstretched.
There’s something about the way Benedict Cumberbatch plays the lead role in the BBC series Sherlock that seems like it could be Holmes’ fantasy version of how a brilliant detective behaves. Continue reading…
My New Weapon of Choice
In April, the Guttersnipes like to mix it up a little. This month, Comics Editor Carol Borden writes about romance.
“You hit him with a frying pan,” he said to her. “How come you didn’t grab a knife?”
“The frying pan was closer.” Her eyes slid away. “It’s not like I had time to pick a weapon. It’s not like the frying pan is my weapon of choice.” –Agnes And The Hitman (27)
Growing up in a town where Elvis was sighted post mortem, I despised and mocked The King. Now, I have held wakes in his honor. I used to only like punk. Then I used to say I liked everything but country. Now I don’t even bother arguing that I’m listening to “Americana,” not country. It is a truth universally acknowledged that something I once despised I will come to appreciate and, often, love. So when both Chris and alex recommended Jennifer Crusie, the author of many romance novels, and in particular her collaboration with Bob Mayer, Agnes And The Hitman, I knew I needed to read it. Continue reading…
Comics about Comics
Comic Book Attic talks about comics about comics, with plenty of pages from Joe Simon and Jack Kirby’s The Newsboy Legion for your enjoyment.
Greil Marcus SVA Commencement Speech
At the School of Visual Art, Greil Marcus delivers a commencement speech discussing “high art” vs. “low art,” art, and influence. (Thanks, Andrew!)
“¡Viva, Comics Alliance!”
At The Comics Journal, Joe McCulloch speaks to the legacy of Comics Alliance. The Beat‘s Steve Morris writes about what Comics Alliance meant to him. ” If Comics Alliance was known for anything – aside from the much-needed essays on prejudice and progression, aside from discussion of Batman punching people with car parts, aside from [...]
Superman and Transcending Reality
“Words like ‘realism’ and ‘dark’ and ‘gritty’ get bandied about Hollywood as if the only merit a story can have is in its verisimilitude, but that’s a lie. Emotional honesty transcends reality; it’s what allows disbelief to be suspended, and yet what makes a story stay true.” Writer Greg Rucka writes more about Superman and [...]
Interview with Kurt Busiek
In honor of Lois Lane’s first appearance 75 years ago, Kurt Busiek talks about Lois with DC Women Kicking Ass. “If you’re a ne’er-do-well, the last person you want trying to get the goods on you in Lois, because she just doesn’t quit.”
The Good Outnumber You: A Look at Heroism in Storytelling
When I was a mere lad, I picked up a battered newsstand copy of Power Man and Iron Fist. I had grown up with superheroes in Spider-Man and His Amazing Friends, The Incredible Hulk, and The Herculoids on the television, but my comics reading prior to that issue of Power Man and Iron Fist was [...]
“We Can Be Superheroines”
The Gutter‘s own Carol Borden wrote a review of Wonder Women! The Untold Story of American Superheroines for the 2012 ActionFest Blog: “I’ve seen reviews suggesting this movie is a great one to show your daughter or niece, and it is. But it’s not just about letting little girls know that they can be heroes, [...]
“Goodbye for Now, Wonder Woman”
Girls Gone Geek‘s Erika Peterman on why she’s no longer reading Wonder Woman. “At this point, it’s crystal clear that Brian Azzarello is not going to write the Wonder Woman comic I want to read. There’s a big disconnect between Cliff Chiang’s show-stopping, vibrant presentation of the character and the narrative, in which Wonder Woman [...]
“Think The Walking Dead has a Woman Problem? Here’s the Source”
At The Village Voice, Simon Abrams writes about The Walking Dead and its female characters.
RIP, Carmine Infantino
Comic artist Carmine Infantino has died. Infantino is most famous for his work on Barry Allen, The Flash, as co-creator of Batgirl and on the 1980s Star Wars comics, but he also worked as an editor, freelance artist and teacher. Comics Alliance, The AV Club and Robot Six have obituaries. Gary Groth interviewed Infantino in [...]
“Uncanny Avengers, X-Men, Rick Remender, and Oppression Comix”
“[T]he X-Men are a lot of things to a lot of people, but one of the most important things they are—I’m talking top two, right after “sexy people with cool powers”—is an oppression metaphor. You cannot escape this. It is built into the X-Men’s DNA….The oppression metaphor is a vital piece of the engine that [...]
Following How Your Dreams Make You Want To Be
I’m going to talk a bit about Adventure Time, but I want to tell a story first. When my nephew was a toddler, he liked to play princesses with his mother and me. Usually, we were all beautiful princesses. Once, to show his displeasure, his mother was a “Bad Princess,” which actually was kind of [...]
“The DC New 52 Timeline of Departures, Firings, and Bridge-Burnings”
Gutters and Panels has a convenient timeline of notable departures, firings and bridge-burnings at DC Entertainment since 2010.
“Persepolis is aimed in part at kids”
“[Persepolis is] aimed in part at kids–not despite the fact that it includes charged material, but because it does. Satrapi shows herself, as a child and then as a young woman, dealing with violence, with sexuality–with moving away from her parents, and failing, and trying again….But even if their exact experiences don’t map onto hers, [...]
Simple J. Malarkey by Walt Kelly
A complete 1953 Pogo storyline featuring, “Simple J. Malarkey,” Walt Kelly’s stand-in for Sen. Joseph R. McCarthy. (via MightyGodKing–click through for more about Pogo and the Red Scare).
“The Rape of James Bond”
Sophia McDougall writes about “sexual assault and ‘Realism’ in popular culture.” (via @Pornokitsch)
A Conversation with Kieron Gillen
The first of Colin Smith’s two-part interview with Kieron Gillen, the writer of comics such as Phonogram, Journey Into Mystery and the new Young Avengers. In this part, Gillen discusses Kid Loki and Journey Into Mystery: “I resisted defining myself as a fantasy writer because fantasy tends to be iffy. I became fine with it [...]
The Interrelatedness of Historical Context, Audience and Batman
“[T]here is a sound narrative logic behind the sustained popularity of this impossible person in tights. There is one appeal whose effectiveness has remained operative since 1939.” Acephalous explains “[h]ow to teach the interrelatedness of historical context and audience via Warren Ellis’s Planetary/Batman: Night on Earth.” (via @aytiws)
Elfquest: The Final Quest
Boing Boing is publishing Elfquest: The Final Quest, the latest Elfquest storyline. It’s an ongoing fantasy/science fiction comic by Wendy and Richard Pini that’s been going since 1978. The previous storylines are available gratis for your reading pleasure at the Elfquest official site.
Achewood, with Voices and Everything
Achewood, now animated!
keep looking »Of Note Elsewhere
“It’s easier to tell the same stories everyone else does. There’s no particular shame in it.
It’s just that it’s lazy, which is just about the worst possible thing a spec fic writer can be.
Oh, and it’s not true.”
Kameron Hurley writes about lazy writing, cannibal llamas, female soldiers, and women here. (Thanks, James!)
Patton Oswalt’s multi-franchise super-movie described in his Star Wars filibuster from Parks and Recreation, animated.
Corrigan Vaughan writes an open letter to “Fans of Geek Things“: “I appreciate that you think I have a nice rack and that some of you even find my friends and I to be pretty. That’s very kind. I’m not, however, super in love with the fact that having a rack at all seems to preclude me from being considered a ‘real’ fan.”
The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a feeling of excitement: What if the film is scarier than I thought it’s going to be? You’re taken into that world. Nowadays, you can sit in the theater and know it’s going to be safe. That’s good for business, but not for filmmaking.”
The Book!
Obsessive?
Weekly Notifications
Search the Gutter
What We’re Talking About
1930s
1940s
1950s
1960s
1970s
1980s
1990s
2000s
2010s
action
adaptation
animation
art
Canada
capitalism
China
comedy
comics
fandom
fantasy
feminism
film history
games
geekery
gender
history
horror
interviews
Japan
martial arts
monsters
movies
music
RIP
romance
science fiction
space
superheroes
the ladies
trailers
tv
UK
USA
video
writing