The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Second Place Ain’t Second Best

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Previously, I wrote a column about Meredith Duran, who got her start in publishing when her first novel, the astonishingly good Duke of Shadows, won the Gather.com First Chapters Romance Writing Competition. I liked the interesting and collaborative nature of the online contest. Entrants posted their first chapters on the Gather.com site for the community […]

Most Anticipated Asian Films of 2011

Wildgrounds breaks down their most anticipated films of 2011.

High Point Down Under

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Canadians and Australians tend to go together well. Our affinity makes sense: we have so much in common. We both have a lot of British in our backgrounds. We both live on the edges of our very large countries. And our climates are quite extreme (although in opposite directions). Plus there’s all that beer drinking. […]

Camera Obscura

Watch the first 3 episodes of Camera Obscura, a webseries about a woman who captures demons with her grandfather’s specially-altered camera. (Also, the grandfather? Played by Jack Klugman).

AX: An Edged Collection

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There are reasons I left alternative comics for superheroes and there are reasons I keep going back. They each have their wonder and joy; they each have their irritating and sadly heartbreaking points. Nothing’s perfect, not Superman, not Jimmy Corrigan. But there is a way to find comics that you love and avoid ones that […]

Genre on TV: Fantasy, Zombies

HBO has a teaser up for George R.R. Martin’s Game of Thrones.  Meanwhile, AMC has a clip up of actors learning to act like zombies for its upcoming The Walking Dead, based on Robert Kirkman’s comic.

Pencak Silat!

In Merantau a young Minangkabau man goes to Jakarta, where he uses pencak silat for the power of good.

Nak Prok’s Shadow

Wise Kwai reviews, Shadow of the Naga / Nak Prok, and talks a little about the film’s legal problems and the fear of a Buddhist backlash.

Good Things Gro-o-ow in To-ron-to

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Right. So you’ve joined the RWA, and are enjoying the information and advocacy your membership entitles you to. But National’s a long way off, and RWA headquarters is in Texas, and you’re starting to get a little lonely. So what do you do? You join your local chapter. Where I live, that means the Toronto […]

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  • Of Note Elsewhere

    Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.

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    The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The mines, the scrap yards, the slums, perhaps most fittingly an abattoir streaked with grime and blood and offal (not all of it from slaughtered animals). Rather than being a slick fantasy world, Wasseypur takes place in a world that screams, ‘No one gets out of here alive.’”

    And The Times of India writes about the real life gangs of Wasseypur here.

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    A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)

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    A gallery of Medieval European beasts and creatures who can’t even.

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    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

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    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

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