The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Second Place Ain’t Second Best

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Previously, I wrote a column about Meredith Duran, who got her start in publishing when her first novel, the astonishingly good Duke of Shadows, won the Gather.com First Chapters Romance Writing Competition. I liked the interesting and collaborative nature of the online contest. Entrants posted their first chapters on the Gather.com site for the community […]

Most Anticipated Asian Films of 2011

Wildgrounds breaks down their most anticipated films of 2011.

High Point Down Under

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Canadians and Australians tend to go together well. Our affinity makes sense: we have so much in common. We both have a lot of British in our backgrounds. We both live on the edges of our very large countries. And our climates are quite extreme (although in opposite directions). Plus there’s all that beer drinking. […]

Camera Obscura

Watch the first 3 episodes of Camera Obscura, a webseries about a woman who captures demons with her grandfather’s specially-altered camera. (Also, the grandfather? Played by Jack Klugman).

AX: An Edged Collection

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There are reasons I left alternative comics for superheroes and there are reasons I keep going back. They each have their wonder and joy; they each have their irritating and sadly heartbreaking points. Nothing’s perfect, not Superman, not Jimmy Corrigan. But there is a way to find comics that you love and avoid ones that […]

Genre on TV: Fantasy, Zombies

HBO has a teaser up for George R.R. Martin’s Game of Thrones.  Meanwhile, AMC has a clip up of actors learning to act like zombies for its upcoming The Walking Dead, based on Robert Kirkman’s comic.

Pencak Silat!

In Merantau a young Minangkabau man goes to Jakarta, where he uses pencak silat for the power of good.

Nak Prok’s Shadow

Wise Kwai reviews, Shadow of the Naga / Nak Prok, and talks a little about the film’s legal problems and the fear of a Buddhist backlash.

Good Things Gro-o-ow in To-ron-to

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Right. So you’ve joined the RWA, and are enjoying the information and advocacy your membership entitles you to. But National’s a long way off, and RWA headquarters is in Texas, and you’re starting to get a little lonely. So what do you do? You join your local chapter. Where I live, that means the Toronto […]

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  • Of Note Elsewhere

    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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