The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Coming Up Roses

Susana Kearsley

Like many in the book business, I get most of my books for free or at cost.  While I rarely have the patience or skill to bargain for any other object, when it comes to books the thought of paying retail is, to me, rather absurd.  The major exception to my self-imposed rule is in […]

How To Write An Entry About A Naked Werewolf

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Some titles are born great.  Some titles achieve greatness, usually through the hard work of an editor, agent, or author (who probably ripped out chunks of her own hair in the process).  And some titles will never come closer to greatness than possibly containing some of the same letters. Like this:Like Loading…

Second Place Ain’t Second Best

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Previously, I wrote a column about Meredith Duran, who got her start in publishing when her first novel, the astonishingly good Duke of Shadows, won the Gather.com First Chapters Romance Writing Competition. I liked the interesting and collaborative nature of the online contest. Entrants posted their first chapters on the Gather.com site for the community […]

Most Anticipated Asian Films of 2011

Wildgrounds breaks down their most anticipated films of 2011. Like this:Like Loading…

High Point Down Under

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Canadians and Australians tend to go together well. Our affinity makes sense: we have so much in common. We both have a lot of British in our backgrounds. We both live on the edges of our very large countries. And our climates are quite extreme (although in opposite directions). Plus there’s all that beer drinking. […]

Camera Obscura

Watch the first 3 episodes of Camera Obscura, a webseries about a woman who captures demons with her grandfather’s specially-altered camera. (Also, the grandfather? Played by Jack Klugman). Like this:Like Loading…

AX: An Edged Collection

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There are reasons I left alternative comics for superheroes and there are reasons I keep going back. They each have their wonder and joy; they each have their irritating and sadly heartbreaking points. Nothing’s perfect, not Superman, not Jimmy Corrigan. But there is a way to find comics that you love and avoid ones that […]

Genre on TV: Fantasy, Zombies

HBO has a teaser up for George R.R. Martin’s Game of Thrones.  Meanwhile, AMC has a clip up of actors learning to act like zombies for its upcoming The Walking Dead, based on Robert Kirkman’s comic. Like this:Like Loading…

Pencak Silat!

In Merantau a young Minangkabau man goes to Jakarta, where he uses pencak silat for the power of good. Like this:Like Loading…

Nak Prok’s Shadow

Wise Kwai reviews, Shadow of the Naga / Nak Prok, and talks a little about the film’s legal problems and the fear of a Buddhist backlash. Like this:Like Loading…

Good Things Gro-o-ow in To-ron-to

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Right. So you’ve joined the RWA, and are enjoying the information and advocacy your membership entitles you to. But National’s a long way off, and RWA headquarters is in Texas, and you’re starting to get a little lonely. So what do you do? You join your local chapter. Where I live, that means the Toronto […]

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  • Of Note Elsewhere

    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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    At Vox, Alex Abad-Santos interviews Kelly Sue DeConnick about feminism, raising girls and her new comic, Bitch Planet. “DeConnick says Bitch Planet, which debuted late last year, is her take on the exploitation films she loved as a kid. The sci-fi prison saga is confident, slick, and hilarious on multiple levels. But it also vibrates with frustration over the sexism still alive today and the impatience in wanting to eliminate it.”

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