The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Interview with Soi Cheang

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The Gutter’s own Carol interviews director Soi Cheang at the Toronto International Film Festival’s Midnight Madness blog.

Three Readings from the World Fantasy Convention


Videos of writers Alaya Dawn Johnson, Andy Duncan and Kelly Link reading from their work at the World Fantasy Convention.

“The Roots of Reactionary Rage”


At The Daily Beast, Arthur Chu writes about GamerGate, Disco Demolition and Lilith Fair. “The biggest 1970s music bonfire was not done by a church, and the records they destroyed weren’t metal records. And they didn’t use kerosene and a match, they used explosives. And rather than singing hymns and being quietly self-righteous, the event […]

Line Up for the Midnight Madness 2014 Program


Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available).

Haruki Murakami on his Writing


The Guardian has collected some responses Haruki Murakami gave to reader questions at the Edinburgh International Book Festival. “I don’t have any idea at all, when I start writing, of what is to come. For instance, for The Wind-Up Bird Chronicle, the first thing I had was the call of the bird, because I heard […]

RIP, Marilyn Burns


Actor Marilyn Burns has died. Burns is probably most famous for her work in The Texas Chainsaw Massacre (1974), but she also appeared in Brewster McCloud (1970), Helter Skelter (1976), Future-Kill (1985), and most recently in Shawn Ewert’s Sacrament (2014). The Los Angeles Times, The Wrap and The AV Club have obituaries. Marilyn Burns and […]

Movies! Movies! Movies!


The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.

Learning from DashCon

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At On The Media, Alex Goldman tries to learn something from DashCon’s many, many problems: “So here I am trying to glean a point from something that just sounds like a disaster from to bottom. What is there to learn from this? Well, it speaks a bit to the nature of interaction on the web and […]

Noir City XII Dispatches


Odienator collects all of his dispatches from Noir City XII, San Francisco’s film noir festival, in one place and you can find them here.

“‘Diversity Lounge? PAX has a lot of work to do”


Leigh Alexander writes about the gaming community, PAX’s proposed “Diversity Lounge” and providing safe, inclusive spaces: “But the ‘Diversity Hub and Lounge’ is vaguely insulting as a concept: What marginalized people want from games events is not necessarily to have special zones just for them, but to feel welcome, wanted and safe at the entire […]

“The Truth About Krampus”


At Atlas Obscura, Al Ridenour writes about the Krampus, Krampusse, Perchten and LA’s upcoming Krampusfest.

Two Female Authors Talk About Sexism, Being Out and Self-Promotion


At The Toast, author Sarah Rees Brennan writes about promoting one’s work and  sexism.  And author Malinda Lo writes a companion piece about promoting one’s work, being out as a Queer author, heterosexism, homophobia and sexism.

“Bani Garu: Problems from the start”


Lea Hernandez has a new webcomic about her time at anime studio Gainax up at Boing Boing.

Interviews and Q&A from Midnight Madness 2013


All the red carpet interviews and post-screening question and answer sessions from this year’s Midnight Madness Programme at the Toronto International Film Festival.  And all conducted by friend of The Gutter and Soldier of Cinema, Robert Mitchell! [Update: Link fixed!]

“Michelle Rodriguez Made Me Cry At Comic-Con”


Kate Conway writes about how powerful she found the Women Who Kick Ass Panel in San Diego Comic-Con’s Hall C. “These dudes onstage weren’t selling themselves to me; they didn’t even care what I thought. Here we were, in the biggest room at Comic-Con, and I only felt disgust. And then, out came Michelle Rodriguez.”

“A Day Inside Comic-Con’s Hall H: Worshipping in the Ultimate Movie Church”

Todd VanDerWerff spends a day in San Diego Comic Con’s Hall H and has some interesting observations about the film industry, fan culture, sexism and “Worshipping in the Ultimate Movie Church.”

“An E3 Teachable Moment”


Game Designer Steve Swink writes about harassment at E3 and some steps the gaming community can take.

“Where Have All The Midnight Movies Gone?”

Midnight Madness Programmer and Gutter Friend, Colin Geddes, is interviewed (along with many others) about the history of midnight movies from El Topo and Eraserhead till now.

The Rants of GDC 2013

Games Industry International is publishing transcripts of this year’s rants at the Game Developers Conference. The first rant is from Tiniest Shark founder, Mitu Khandaker. “I’m 100 per cent able and willing to identify with white male characters – I don’t need characters to look like me to identify with them. That would be really […]

Deciding Not To Repel Women

“As nice as it must be to be that [18-25 year old male] demographic—when you’ve got everyone banging on your door, trying to court you, it must be very pleasant—what’s it like for someone who isn’t in that demographic? We know they play our games. We can see that they do. OK, there’s support for […]

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  • Of Note Elsewhere

    At Bleeding Cool, Cap Blackard writes about the contested homeworld of Howard the Duck. “If you’ve seen the much maligned Howard the Duck film or read any Howard the Duck stories published since 1979, you’re probably familiar with the concept of Duckworld. You know, an alternate Earth where everyone is ducks and everything is duck-themed: Ducktor Strange, Bloomingducks, etc, etc. Sounds like a recipe for a finite barrel of bad jokes, right? It is, and it’s also not Howard’s real point of origin. During his landmark initial run, Howard’s creator Steve Gerber had the down-and-out duck hailing from a world of talking animals, but all that changed when Gerber was kicked off the book and Disney flashed a lawsuit. Now, after decades of backstory fumbling, Mark Waid has reinstated Howard’s point of origin in a one-shot issue of S.H.I.E.L.D.” (Thanks, Mark!)


    At The Village Voice, Jackson Connor writes about the making of The Warriors. Amid the refurbished boardwalk and laughter of children, it’s easy to forget that Coney Island was once a place where tourists did not venture. For much of the latter half of the twentieth century, street gangs dominated this neighborhood. They ran rampant through the area’s neglected housing projects, tearing along Surf and Neptune avenues toward West 8th Street. Those gangs, or gangs like them, and that incarnation of Coney Island would form the backbone of author Sol Yurick’s 1965 debut novel, The Warriors, about the young members of a street gang. More than a decade after the novel’s publication it would be optioned and, eventually, turned into a major motion picture of the same name.” (via @pulpcurry)


    Edith Garrud taught Suffragettes jiu-jitsu and formed Emmeline Pankhurst’s Bodyguard. “The first connection between the suffragettes and jiu-jitsu was made at a WSPU meeting. Garrud and her husband William, who ran a martial arts school in London’s Golden Square together, had been booked to attend. But William was ill, so she went alone. ‘Edith normally did the demonstrating, while William did the speaking,’ says Tony Wolf, writer of Suffrajitsu, a trilogy of graphic novels about this aspect of the suffragette movement. ‘But the story goes that the WSPU’s leader, Emmeline Pankhurst, encouraged Edith to do the talking for once, which she did.'”


    At Playboy, Jake Rossen writes about the story behind the filming and the restoration of Manos: The Hands of Fate. “For a long time no one wanted to see it unless it was accompanied by MST3K’s taunts. Then, in 2011, a collector of film prints uncovered the original negative of Manos and embarked on an inexplicable project to restore the film with all the white-glove attention archivists give to Hollywood classics. His efforts would incur the wrath of a mysterious man with a fake New Zealand accent named Rupert, as well as Joe Warren, Hal Warren’s embittered son, who intends to preserve the Manos legacy at all costs.” (Thanks, Ed!)


    At Die, Danger, Die, Die, Kill!, Todd reviews the two part Ghanian director Ninja’s film, 2016. “2016 is a movie that I am obligated to review by virtue of my having long ago joined the internet chorus of people trumpeting on about its insane trailer—and this despite the fact that all of you with any interest in seeing it have most likely tracked it down already. In that case, you already know that it is essentially a no-budget remake of Independence Day set in the suburbs of Ghana. And if that sounds like a massive over-reach to you, you obviously know very little about Ghanaian action cinema, and even less about the films of maverick multi-hyphenate Ninja.”

    Read about part one, here, and part two, here.


    Look, it’s the trailer for “The Abominable Snowman” a new episode of classic Thunderbirds. Huffington Post UK has more: “It’s exactly half a century since we heard the ominous tones of voice actor Peter Dyneley bringing us the Thunderbirds intro ‘5 -4 – 3 – 2 -1 Thunderbirds are go’, and to celebrate, the team are producing three brand new original episodes, based on audio-only recordings made in 1966, which means fans will get to enjoy the original voices, with some 21st century gadgetry thrown in on screen.” (Thanks, Todd!)


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