The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Three Readings from the World Fantasy Convention

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Videos of writers Alaya Dawn Johnson, Andy Duncan and Kelly Link reading from their work at the World Fantasy Convention. Like this:Like Loading…

“The Roots of Reactionary Rage”

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At The Daily Beast, Arthur Chu writes about GamerGate, Disco Demolition and Lilith Fair. “The biggest 1970s music bonfire was not done by a church, and the records they destroyed weren’t metal records. And they didn’t use kerosene and a match, they used explosives. And rather than singing hymns and being quietly self-righteous, the event […]

Line Up for the Midnight Madness 2014 Program

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Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available). Like this:Like Loading…

Haruki Murakami on his Writing

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The Guardian has collected some responses Haruki Murakami gave to reader questions at the Edinburgh International Book Festival. “I don’t have any idea at all, when I start writing, of what is to come. For instance, for The Wind-Up Bird Chronicle, the first thing I had was the call of the bird, because I heard […]

RIP, Marilyn Burns

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Actor Marilyn Burns has died. Burns is probably most famous for her work in The Texas Chainsaw Massacre (1974), but she also appeared in Brewster McCloud (1970), Helter Skelter (1976), Future-Kill (1985), and most recently in Shawn Ewert’s Sacrament (2014). The Los Angeles Times, The Wrap and The AV Club have obituaries. Marilyn Burns and […]

Movies! Movies! Movies!

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The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later. […]

Learning from DashCon

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At On The Media, Alex Goldman tries to learn something from DashCon’s many, many problems: “So here I am trying to glean a point from something that just sounds like a disaster from to bottom. What is there to learn from this? Well, it speaks a bit to the nature of interaction on the web and […]

Noir City XII Dispatches

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Odienator collects all of his dispatches from Noir City XII, San Francisco’s film noir festival, in one place and you can find them here. Like this:Like Loading…

“‘Diversity Lounge? PAX has a lot of work to do”

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Leigh Alexander writes about the gaming community, PAX’s proposed “Diversity Lounge” and providing safe, inclusive spaces: “But the ‘Diversity Hub and Lounge’ is vaguely insulting as a concept: What marginalized people want from games events is not necessarily to have special zones just for them, but to feel welcome, wanted and safe at the entire […]

“The Truth About Krampus”

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At Atlas Obscura, Al Ridenour writes about the Krampus, Krampusse, Perchten and LA’s upcoming Krampusfest. Like this:Like Loading…

Two Female Authors Talk About Sexism, Being Out and Self-Promotion

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At The Toast, author Sarah Rees Brennan writes about promoting one’s work and  sexism.  And author Malinda Lo writes a companion piece about promoting one’s work, being out as a Queer author, heterosexism, homophobia and sexism. Like this:Like Loading…

“Bani Garu: Problems from the start”

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Lea Hernandez has a new webcomic about her time at anime studio Gainax up at Boing Boing. Like this:Like Loading…

Interviews and Q&A from Midnight Madness 2013

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All the red carpet interviews and post-screening question and answer sessions from this year’s Midnight Madness Programme at the Toronto International Film Festival.  And all conducted by friend of The Gutter and Soldier of Cinema, Robert Mitchell! [Update: Link fixed!] Like this:Like Loading…

“Michelle Rodriguez Made Me Cry At Comic-Con”

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Kate Conway writes about how powerful she found the Women Who Kick Ass Panel in San Diego Comic-Con’s Hall C. “These dudes onstage weren’t selling themselves to me; they didn’t even care what I thought. Here we were, in the biggest room at Comic-Con, and I only felt disgust. And then, out came Michelle Rodriguez.” […]

“A Day Inside Comic-Con’s Hall H: Worshipping in the Ultimate Movie Church”

Todd VanDerWerff spends a day in San Diego Comic Con’s Hall H and has some interesting observations about the film industry, fan culture, sexism and “Worshipping in the Ultimate Movie Church.” Like this:Like Loading…

“An E3 Teachable Moment”

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Game Designer Steve Swink writes about harassment at E3 and some steps the gaming community can take. Like this:Like Loading…

“Where Have All The Midnight Movies Gone?”

Midnight Madness Programmer and Gutter Friend, Colin Geddes, is interviewed (along with many others) about the history of midnight movies from El Topo and Eraserhead till now. Like this:Like Loading…

The Rants of GDC 2013

Games Industry International is publishing transcripts of this year’s rants at the Game Developers Conference. The first rant is from Tiniest Shark founder, Mitu Khandaker. “I’m 100 per cent able and willing to identify with white male characters – I don’t need characters to look like me to identify with them. That would be really […]

Deciding Not To Repel Women

“As nice as it must be to be that [18-25 year old male] demographic—when you’ve got everyone banging on your door, trying to court you, it must be very pleasant—what’s it like for someone who isn’t in that demographic? We know they play our games. We can see that they do. OK, there’s support for […]

“Ask Dr. Racism”

At 4thLetter, David Brothers, aka, “Dr. Racism,” talks about “Blackface, Cosplay, Intent, Reactions and Responsibility.” “You don’t have to know the history of race relations to not be a dick about race.” Like this:Like Loading…

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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