The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, David Hannay

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Producer David Hannay has died. Hannay is probably best known for Dragon Flies / The Man From Hong Kong (1975), The Kung Fu Killers (1974) and Mapantsula (1987).  The Sydney Morning Herald, NZ Edge and IF.com.au have obituaries. Jon Hewitt remembers Hannay at SBS. Brian Trenchard-Smith remembers Hannay on Hannay’s Facebook page. Hannay speaks at […]

RIP, Lorenzo Semple

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Screenwriter and creator of the Sixties Batman television series Lorenzo Semple has died. Besides Batman, Gutter readers might know Semple best from his screenplays for, The Parallax View, Flash Gordon (1980), Papillon, The Drowning Pool, Never Say Never Again, Sheena, and King Kong (1976). The Los Angeles Times,  The Hollywood Reporter and Comics Alliance have […]

RIP, James Rebhorn

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Actor James Rebhorn has died. The Los Angeles Times, The New York Times, and The Hollywood Reporter have obituaries. Rebhorn had roles in films including Independence Day, Basic Instinct, The Talented Mr. Ripley and He Knows You’re Alone. And he had roles in television shows including, Search for Tomorrow, Guiding Light, As The World Turns, […]

Fan Theorizing and True Detective

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“Fan-crafted theorizing is fun enough – it’s a solid way to keep up audience engagement over a show’s run and even inject excitement into series that might be flailing on its own (see: that horrifying “dead mother” theory that’s been circulating amongst How I Met Your Mother fans, which is either entirely insane or decidedly […]

The 39 Steps

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“Alfred Hitchcock’s original 1935 version of The 39 Steps is one of those films that’s so seminal that when watched today it can seem like little more than a parade of hoary old clichés; that is, until you consider that The 39 Steps is where many of those clichés originated.” Friend of the Gutter Todd […]

Kuala Lumpur Noir

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At Pulp Curry, Andrew Netter reviews, KL Noir: “Kuala Lumpur may not seem like the most obvious place to set an anthology of noir fiction. On the surface, at least, it has a reputation as an orderly, well behaved city. But if this book is anything to go by, a lot is going on under […]

“He looks just like what you want a hitman to look like”

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Jeanne Marie Laskas tells the story of an ATF agent who works undercover as a hitman. Hear an interview with her at NPR and read the story at GQ.

Tales of Desolation

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Friends of The Gutter Todd Sharp and John Crye are releasing chapters of their new serialized photo book, Tales of Desolation, every Tuesday and Thursday. “I was ten when everything changed. That’s when it all stopped working.”

RIP, Antonia Bird

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Director and producer Antonia Bird has died. Bird is probably best known for her films Ravenous (1999) and Priest (1994), but she also directed UK television series, episodes and  tv movies such as, The Village,  Cracker, MI-5, Inspector Morse and EastEnders. The BBC has an obituary. The Guardian has collected tributes to Bird. The Guardian […]

RIP, Hal Needham

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Director, stunt coordinator  and stuntman Hal Needham has died. Needham directed Smokey and the Bandit and The Cannonball Run, but he also performed and coordinated stunts in The French Connection II, Three The Hard Way, Chinatown, Our Man Flint, The War Wagon and Blazing Saddles. and in television shows such as, Mission: Impossible, Star Trek, […]

“The Art of Stealing”

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Lex Boon explores “The Art of Stealing: The Tragic Fate of The Masterpieces Stolen from Rotterdam”: “Picasso, Gauguin, Matisse, Monet, Meijer de Haan and Freud. On television they are talking about a loot worth hundreds of millions of euros. The amount is not important to her. The pictures are evidence against her son and destroying […]

“Blood, Meth and Tears”

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At Cinema Junkie, Beth Accomando says good-bye to Breaking Bad: “In the end for me what Breaking Bad delivered was a portrait of America and a distinctly American sense of identity. By tapping into the western genre, the show starts with something quintessentially American. That genre is prone to celebrate the individual over the community […]

The Fatal Flaw of Dexter

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And Todd Van Der Werff has some thoughts on the series finale of Dexter at The AV Club: “The fatal flaw of Dexter has always been that its writers have rarely, if ever, treated the central character with anything like a clear vision of who he’s meant to be.”

“Walter White, Angry White Man”

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“If…other antihero shows played off the thrill that results from being able to do anything or take whatever one wants, then Breaking Bad is increasingly about how unpleasant that actually is in real life. Walt’s justifications for why he should have what he wants stem almost entirely from believing that he’s owed in some way, […]

Bad Fans and a Mind-Bending Phone Call

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Emily Nussbaum writes about the complexity of one phone call in Breaking Bad‘s “Ozymandias” episode.

Old Crime Photos in a New Context

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Marc Hermann superimposes historic NY Daily News crime photos onto contemporary photos of the same locations. (Thanks, Edie!)

“He used to be on police dramas, then he met a bad buy in real life.”

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Portrait of actor Tom Ligon at The New York Times: “Fans of 1970s police shows have Mr. Ligon’s face stamped in unconscious corners of their minds.  He played bit parts in Baretta and Police Woman. In an episode of Starsky and Hutch, he played a character listed in the credits as Young Man, a mumbling, brainwashed […]

Anna Gunn’s Character Issue

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Anna Gun writes about the experience of playing Breaking Bad‘s Skyler White and how it trickles into hatred towards her: “I finally realized that most people’s hatred of Skyler had little to do with me and a lot to do with their own perception of women and wives. Because Skyler didn’t conform to a comfortable […]

RIP, Julie Harris

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Actress Julie Harris has died. The Los Angeles Times remembers her.  The Hollywood Reporter has an obituary. She appeared in countless film, television and stage roles. Here she is as Eleanor in The Haunting (1963) and as Betty in Harper (1966).

RIP, Elmore Leonard

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Writer Elmore Leonard has died. The Detroit News remembers Leonard and reprints his “Squad 7: Impressions of Murder.” The Detroit Free Press also remembers Leonard. The Onion offers their own tribute. Here is a three-part interview Leonard did at the F. Scott Fitzgerald Literary Conference. Cinemablend shares their favorite film adaptations of Leonard’s work.

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  • Of Note Elsewhere

    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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    Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n’roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the king. Enter the Khmer Rouge, communism and the war on intellectuals. Between 1975 and 1979, about 2 million Cambodians, roughly a third of the population, were rounded up and either were killed or died of starvation. Artists were particularly disliked by the Khmer Rouge, which saw creativity as decadence: Almost all of the biggest names perished during that era.”

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