The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Is it really possible to disappear?

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Friend of the Gutter Jared Shurin is are involved with a new podcast, Missing, hosted by author Tim Weaver and in association with the release of his latest novel. “Over the course of an entire season, the show investigates the world of missing people – who disappears, why they disappear, the pressures of life on […]

“Friday Five: 5 Nifty Noir Films From Before 1955”

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At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

Return To The Planet Of Monkeys vs. Robots

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It’s time to return to a question I first confronted five years ago in  “A Matter of Evolution: Monkeys vs. Robots” and faced again in“Terror of Monkeys vs. Robots.”  The eternal question of Monkeys vs. Robots. Not just who would win in a fight. That question has been ably considered by James Kolchaka in Monkey […]

Diverse Mysteries List

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At Girls Wear Capes, Constance Gibbs shares a list of diverse mysteries for Girls Wear Capes‘ Diverse Reads Week. “I grew up reading mystery novels and obsessed over Veronica Mars. I probably read more Agatha Christie than a ten year old should, plus Encyclopedia Brown, some Nancy Drew computer games, and the Sammy Keyes novel […]

Gangs Of Wasseypur–Three Years Late

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At Beth Loves Bollywood, Beth is joined by Carla from Filmi Geek to discuss Gangs of Wasseypur in “Two Bloggers Who Don’t Like Violent Movies Manage To Get Through Gangs Of Wasseypur Three Years Late.” (The Gutter’s own Keith has written about Gangs of Wasseypur at his site, Teleport City).

“Charlie Manson’s Hollywood”

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“Maybe more than anything else Charlie Manson’s story is a Hollywood story.” You Must Remember This podcast looks at the Manson Murders and “Charlie Manson’s Hollywood.” Here’s part 1. (Thanks, Colin!)

The Projection Booth watches Night Moves with the Gutter’s Own Carol

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The Projection Booth watches Night Moves (1975) with special guest host the Gutter’s own Carol. “Arthur Penn’s Night Moves (1975) stars Gene Hackman as Harry Moseby, a private eye trying to find himself in a post-Watergate America. We’re joined by Nat Segaloff, author of Arthur Penn: American Director and Carol Borden of the Cultural Gutter.”

All Apocalypses Are Personal

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I’ve been watching the CW television series iZombie and thinking of few things. Like, how glad I am that it’s not a faithful adaptation of the comic iZombie. And whether all apocalypses, even zombie ones, are personal. And I can’t help wondering if my zombie fatigue has gone into remission. Have I been cured?

“When Drag Kings Ruled Alongside The Mafia”


“At a café in lower Chelsea, author and historian Lisa Davis leaned across the table to pass 40-year-old lesbian gossip to me. ‘Corinne wanted to take everything from Lee,’ she said. ‘So Lee called the Mafia. They sent Big George to Long Island, and that was the end of the problem. Corinne immediately backed down, […]

“Harrowing Books of Varying Reputability”


At Teleport City, the Gutter’s own Carol writes about 12 books that vary in reputability and their harrowing nature. They include books by Shirley Jackson, Raymond Chandler, Patricia Highsmith and Herman Melville.

Interview with John Boorman


At the Guardian, Xan Brooks interviews John Boorman, director of Point Blank (1967), Deliverance (1972), Zardoz (1974), Excalibur (1981) and the upcoming, Queen & Country. “If he could rewind to 1952 and reprise the entire trip, he cannot imagine exactly what he would change. Boorman frowns. ‘Actually, I can’t even contemplate it. I’m a completely […]

Danger: Diabolik: Deep, Deep Down

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This month’s Guest Star is the Gutter’s own Carol writing about the Mario Bava film, Danger: Diabolik. Holy cats, how’d that happen? My town has basically one landmark, you know the kind of thing people passing through take pictures of. It’s a water tower. An incredibly phallic water tower. It’s like a classical Hindu lingam. […]

“The Iceman List”


“Here are just a few other classic movie antagonists who we root against not because they’re wrong per se, but mostly because they’re just not as likable as the characters who carry the movie. Let’s call it ‘The Iceman List.’” Read more of Tim Carmody’s “The Iceman List” here.

“The Bitter Tears of the Private Detective”


At Multiglom, Anne Billson writes about Billy Wilder’s The Private Life of Sherlock Holmes and “The Bitter Tears of the Private Detective.” Last week I went to see Billy Wilder’s The Private Life of Sherlock Holmes again. And once again, as I dabbed my eyes with a hanky, I was intrigued and beguiled by the […]

“The Crime of Blackness: Dorothy B. Hughes’ Forgotten Noir”


Christine Smallwood writes about Dorothy  B. Hughes and her book, The Expendable Man, at The New Yorker. “It is not whodunit, but who-ness itself, that she’s after. By this I do not mean that she asks why—specific motives are as mulish and unanswerable as sin. Crime was never Hughes’s interest, evil was, and to be […]

On The Media: True Crime


On The Media dedicates an hour to the true crime genre.

“I Shot People I Like More For Less”

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Every April at the Gutter we mix things up with the editors writing something outside their usual domain. This week Comics Editor Carol writes about TV. ‘Ware ye plot details for the whole series including the series finale. “Raylan, if a book could only be judged by its cover, you’d be a best seller.” ~Boyd […]

Mucking Up The Respectable Comics Business


I’ve been thinking about disreputable art more than usual lately, between the film adaptation of 50 Shades of Grey coming out and Jonathan Franzen franzenating about women mucking up the whole respectable novel business. I can’t help but think of the history of the novel in Europe and North America. A tawdry form that was […]

RIP, Louis Jourdan

Actor Louis Jourdan has died. Jourdan starred in both films and television including, Gigi (1958), Letter From An Unknown Woman (1948), Swamp Thing (1982), Octopussy (1983), Madame Bovary (1949), Julie (1956), Columbo (1978), Paris Precinct (1955) and Dracula (1977). The BBC, The Guardian and The New York Times have obituaries. Here’s a brief interview with […]

“The Husband Did It”


At The Awl, Alice Bolin writes about Gone Girl, Serial, true crime television and “Why it’s scarier for a man to be accused than for a woman to be killed”: “It’s clear we love the Dead Girl, but we don’t empathize with her. If we did, we might ask why we did nothing to protect […]

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  • Of Note Elsewhere

    Open Culture has a re-vamped trailer for a film adaptation of  Alejandro Jodorowsky and Moebius’ comic The Incal. One that never happened. “[Incal‘s] success made it a logical candidate for film adaptation, and so director Pascal Blais brought together artists from Heavy Metal magazine (in which Mœbius first published some of his best known work) to make it happen. It resulted in nothing more than a trailer, but what a trailer; you can watch a recently revamped edition of the one Blais and his collaborators put together in the 1980s at the top of the post.” (Thanks, Felipe!)


    Hyperallergic has a gallery of astronomical and cosmological illustrations from photographer Michael Benson’s books, Cosmographics: Picturing Space Through Time. (Thanks, Stephanie!)


    A homophobic Tumblr post becomes Queer dystopian adventure fiction in two responses. Behold! (Thanks, Adele!)


    Tony Zhou has a new video up at Every Frame A Painting. This time, he looks at Buster Keaton and, “The Art Of The Gag.”


    At Dirge Magazine, friend of the Gutter Less Lee Moore writes about the cinema of Richard Kern. “My introduction to Richard Kern was an issue of Spin magazine from the mid-1980s. Having recently fallen under the spell of the feral pleasures of Scraping Foetus Off The Wheel – a.k.a. JG Thirlwell – I was intrigued by lurid descriptions of pornographic short films featuring Thirlwell and paramour/collaborator Lydia Lunch, whose snarky sound bites I scrawled in the margins of my diaries.”


    Art Of The Title looks the opening credits for The Man In The High Castle, True Detective and at Momentum, Alex Maragos interviews Andrew Geraci about making the opening credits for House Of Cards.


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