The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Projection Booth watches Night Moves with the Gutter’s Own Carol

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The Projection Booth watches Night Moves (1975) with special guest host the Gutter’s own Carol. “Arthur Penn’s Night Moves (1975) stars Gene Hackman as Harry Moseby, a private eye trying to find himself in a post-Watergate America. We’re joined by Nat Segaloff, author of Arthur Penn: American Director and Carol Borden of the Cultural Gutter.”

All Apocalypses Are Personal

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I’ve been watching the CW television series iZombie and thinking of few things. Like, how glad I am that it’s not a faithful adaptation of the comic iZombie. And whether all apocalypses, even zombie ones, are personal. And I can’t help wondering if my zombie fatigue has gone into remission. Have I been cured?

“When Drag Kings Ruled Alongside The Mafia”

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“At a café in lower Chelsea, author and historian Lisa Davis leaned across the table to pass 40-year-old lesbian gossip to me. ‘Corinne wanted to take everything from Lee,’ she said. ‘So Lee called the Mafia. They sent Big George to Long Island, and that was the end of the problem. Corinne immediately backed down, […]

“Harrowing Books of Varying Reputability”

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At Teleport City, the Gutter’s own Carol writes about 12 books that vary in reputability and their harrowing nature. They include books by Shirley Jackson, Raymond Chandler, Patricia Highsmith and Herman Melville.

Interview with John Boorman

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At the Guardian, Xan Brooks interviews John Boorman, director of Point Blank (1967), Deliverance (1972), Zardoz (1974), Excalibur (1981) and the upcoming, Queen & Country. “If he could rewind to 1952 and reprise the entire trip, he cannot imagine exactly what he would change. Boorman frowns. ‘Actually, I can’t even contemplate it. I’m a completely […]

Danger: Diabolik: Deep, Deep Down

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This month’s Guest Star is the Gutter’s own Carol writing about the Mario Bava film, Danger: Diabolik. Holy cats, how’d that happen? My town has basically one landmark, you know the kind of thing people passing through take pictures of. It’s a water tower. An incredibly phallic water tower. It’s like a classical Hindu lingam. […]

“The Iceman List”

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“Here are just a few other classic movie antagonists who we root against not because they’re wrong per se, but mostly because they’re just not as likable as the characters who carry the movie. Let’s call it ‘The Iceman List.’” Read more of Tim Carmody’s “The Iceman List” here.

“The Bitter Tears of the Private Detective”

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At Multiglom, Anne Billson writes about Billy Wilder’s The Private Life of Sherlock Holmes and “The Bitter Tears of the Private Detective.” Last week I went to see Billy Wilder’s The Private Life of Sherlock Holmes again. And once again, as I dabbed my eyes with a hanky, I was intrigued and beguiled by the […]

“The Crime of Blackness: Dorothy B. Hughes’ Forgotten Noir”

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Christine Smallwood writes about Dorothy  B. Hughes and her book, The Expendable Man, at The New Yorker. “It is not whodunit, but who-ness itself, that she’s after. By this I do not mean that she asks why—specific motives are as mulish and unanswerable as sin. Crime was never Hughes’s interest, evil was, and to be […]

On The Media: True Crime

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On The Media dedicates an hour to the true crime genre.

“I Shot People I Like More For Less”

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Every April at the Gutter we mix things up with the editors writing something outside their usual domain. This week Comics Editor Carol writes about TV. ‘Ware ye plot details for the whole series including the series finale. “Raylan, if a book could only be judged by its cover, you’d be a best seller.” ~Boyd […]

Mucking Up The Respectable Comics Business

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I’ve been thinking about disreputable art more than usual lately, between the film adaptation of 50 Shades of Grey coming out and Jonathan Franzen franzenating about women mucking up the whole respectable novel business. I can’t help but think of the history of the novel in Europe and North America. A tawdry form that was […]

RIP, Louis Jourdan

Actor Louis Jourdan has died. Jourdan starred in both films and television including, Gigi (1958), Letter From An Unknown Woman (1948), Swamp Thing (1982), Octopussy (1983), Madame Bovary (1949), Julie (1956), Columbo (1978), Paris Precinct (1955) and Dracula (1977). The BBC, The Guardian and The New York Times have obituaries. Here’s a brief interview with […]

“The Husband Did It”

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At The Awl, Alice Bolin writes about Gone Girl, Serial, true crime television and “Why it’s scarier for a man to be accused than for a woman to be killed”: “It’s clear we love the Dead Girl, but we don’t empathize with her. If we did, we might ask why we did nothing to protect […]

RIP, Lizabeth Scott

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Actor Lizabeth Scott has died. Scott appeared in film and film and television including, The Strange Loves of Martha Ivers (1946), Dead Reckoning (1947), I Walk Alone (1948), The Company She Keeps (1951), Loving You (1957) and The Third Man tv series.  The Los Angeles Times, The New York Times and The Guardian have obituaries. […]

The Patricia Highsmith Papers

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The Swiss Literary Archives have made their Patricia Highsmith collection available online here. (Thanks, Kate!)

Taylor Negron on Catherine Davis

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The late Taylor Negron wrote a lovely piece about his friend Catherine Davis, murdered by Johnny Lewis. “If you look at initial reports of the death of Johnny Lewis — the “Sons of Anarchy” actor and, as all the media outlets have made sure to note, the ex of Katy Perry — the name of […]

“Where True Detective Meets Community

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At SeqArt, Harry Edmundson-Cornell writes about the fourth wall, metafiction, tone and character in True Detective and Community (as well as Bojack Horseman and Rick & Morty). “When a show points out the mechanics driving the medium they’re essentially violating the realism of the art. They’re pointing out the frame of the painting, which tends […]

RIP, Billie Whitelaw

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Actor Billie Whitelaw has died. Whitelaw was Samuel Beckett’s “perfect actress” and she also appeared in television and films, including: Gumshoe (1971), Frenzy (1972), The Omen (1976), Space: 1999 (“One Moment of Humanity”) (1976), The Dark Crystal (1982), The Secret Garden (1987), The Krays (1990), Jane Eyre (1996), Quills (2000) and Hot Fuzz (2007).  The […]

My Secret List Of Comics I Want To Read

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Since DC’s reboot, I have hinted publicly about the comics I want other people to make so that I can read them. And by hinting, I mean, “talking about them endlessly until I inevitably lose friends.” However, hinting doesn’t seem to be getting me anywhere. So I’m harnessing the inconceivable power of The Cultural Gutter […]

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  • Of Note Elsewhere

    deMilked has a gallery of lovely superhero watercolors by Blule (Clementine Campardou). (via S. L. Johnson)

     

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    In honor of director Mario Bava’s birthday, Shudder TV is having a Bava-thon with nine of his classic horror films chosen by friend of the Gutter Colin Geddes streaming free online all weekend. See the line-up here and watch here.

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    There’s a set of Star Wars cards autographed with amusing comments by Mark Hamill at imgur.

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    The Projection Booth watches Night Moves (1975) with special guest host the Gutter’s own Carol. “Arthur Penn’s Night Moves (1975) stars Gene Hackman as Harry Moseby, a private eye trying to find himself in a post-Watergate America. We’re joined by Nat Segaloff, author of Arthur Penn: American Director and Carol Borden of the Cultural Gutter.”

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    At Graveyard Shift Sisters, Ashlee Blackwell considers love in Ganja & Hess. ” It is up to the viewer to map a path that suits their understanding. What writer/director Bill Gunn (who plays Dr. Hess’ assistant) wanted was a disruption of mainstream fare. Gunn didn’t seem too interested in what Hollywood desired, and like many writers, wrote a screenplay that felt personal and needed to be written. It tackles so many themes, it’s almost difficult to begin. While most rely on it being vampiric and about addiction, it’s important to note the journey that Hess and Ganja embark on together. Their romantic entanglement may by one of the most fascinating aspects of the film that is commonly overlooked because it is challenging to simplify.”

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    Friend of the Gutter Less Lee Moore interviews friend of the Gutter Colin Geddes about his work on the new horror streaming service, Shudder.

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