The Czech science fiction comedy I Killed Einstein, Gentlemen (Zabil jsem Einsteina, panove) starts off with a fairly shocking scene, even by the standards of today: two bearded men locked in the throes of a passionate kiss. It’s a fake-out, we soon learn, a way to introduce both the central premise of the plot — the future has been ravaged by radioactive fallout that has caused women to grow beards — and the fact that this movie is going to have a grand time tweaking its nose at gender expectations, stereotypes, and comfort zones. The comedy is a mix of subtle and slapstick, something like Monty Python meets Charlie Chaplin meets the Marx Brothers, with a bit of Benny Hill-esque sex farce thrown in. Sadly, no one ever pats an old man on the head, though I’m sure Karel Effa (who should have teamed up with HK comedy actor Richard Ng) would have been up for it. Continue reading…
Jeanne Marie Laskas tells the story of an ATF agent who works undercover as a hitman. Hear an interview with her at NPR and read the story at GQ.
Friends of The Gutter Todd Sharp and John Crye are releasing chapters of their new serialized photo book, Tales of Desolation, every Tuesday and Thursday. “I was ten when everything changed. That’s when it all stopped working.”
Director and producer Antonia Bird has died. Bird is probably best known for her films Ravenous (1999) and Priest (1994), but she also directed UK television series, episodes and tv movies such as, The Village, Cracker, MI-5, Inspector Morse and EastEnders. The BBC has an obituary. The Guardian has collected tributes to Bird. The Guardian […]
Director, stunt coordinator and stuntman Hal Needham has died. Needham directed Smokey and the Bandit and The Cannonball Run, but he also performed and coordinated stunts in The French Connection II, Three The Hard Way, Chinatown, Our Man Flint, The War Wagon and Blazing Saddles. and in television shows such as, Mission: Impossible, Star Trek, […]
Lex Boon explores “The Art of Stealing: The Tragic Fate of The Masterpieces Stolen from Rotterdam”: “Picasso, Gauguin, Matisse, Monet, Meijer de Haan and Freud. On television they are talking about a loot worth hundreds of millions of euros. The amount is not important to her. The pictures are evidence against her son and destroying […]
At Cinema Junkie, Beth Accomando says good-bye to Breaking Bad: “In the end for me what Breaking Bad delivered was a portrait of America and a distinctly American sense of identity. By tapping into the western genre, the show starts with something quintessentially American. That genre is prone to celebrate the individual over the community […]
And Todd Van Der Werff has some thoughts on the series finale of Dexter at The AV Club: “The fatal flaw of Dexter has always been that its writers have rarely, if ever, treated the central character with anything like a clear vision of who he’s meant to be.”
“If…other antihero shows played off the thrill that results from being able to do anything or take whatever one wants, then Breaking Bad is increasingly about how unpleasant that actually is in real life. Walt’s justifications for why he should have what he wants stem almost entirely from believing that he’s owed in some way, […]
Emily Nussbaum writes about the complexity of one phone call in Breaking Bad‘s “Ozymandias” episode.
Marc Hermann superimposes historic NY Daily News crime photos onto contemporary photos of the same locations. (Thanks, Edie!)
Portrait of actor Tom Ligon at The New York Times: “Fans of 1970s police shows have Mr. Ligon’s face stamped in unconscious corners of their minds. He played bit parts in Baretta and Police Woman. In an episode of Starsky and Hutch, he played a character listed in the credits as Young Man, a mumbling, brainwashed […]
Anna Gun writes about the experience of playing Breaking Bad‘s Skyler White and how it trickles into hatred towards her: “I finally realized that most people’s hatred of Skyler had little to do with me and a lot to do with their own perception of women and wives. Because Skyler didn’t conform to a comfortable […]
Actress Julie Harris has died. The Los Angeles Times remembers her. The Hollywood Reporter has an obituary. She appeared in countless film, television and stage roles. Here she is as Eleanor in The Haunting (1963) and as Betty in Harper (1966).
Writer Elmore Leonard has died. The Detroit News remembers Leonard and reprints his “Squad 7: Impressions of Murder.” The Detroit Free Press also remembers Leonard. The Onion offers their own tribute. Here is a three-part interview Leonard did at the F. Scott Fitzgerald Literary Conference. Cinemablend shares their favorite film adaptations of Leonard’s work.
Daily Grindhouse interviews Lee Espstein, author of the biography, Lee Marvin: Point Blank (2013). “I had several moments when I realized that when you study someone’s career you’re going to see certain themes become prevalent, and with Marvin it was this constant thread of violence. I wanted to know where that came from. I also […]
At The AV Club, Stephen Bowie makes, “The Case Against Breaking Bad,” while at The New York Times, A.O. Scott examines how <i>Breaking Bad</i>’s Walter White “found his inner sociopath.” and the beloved antiheroes of television’s current Golden Age.
At The LA Review of Books, Sarah Weinman writes about fine, subtle and underappreciated noir writer, Dorothy B. Hughes. “In a Lonely Place…blasted my mind open to new ways of reading. I wasn’t only enjoying the story and getting creeped out by the wholly unreliable narrator, Dix Steele, but marveling at the way Hughes let […]
In discussing The Following, Todd VanDerWerff writes about violence & wanting “to be only cool moments”: “Violence becomes a kind of cheap conflict drug, and the show’s writers keep trying to get hit after hit. The effect wears thin, particularly for those familiar with horror movies, who will see every single twist coming.”
Actor Dennis Farina has died. The Chicago Tribune and WGN TV remember Farina. The New York Times and The Guardian have obituaries. Here’s Farina as Jimmy Serrano in Midnight Run, as Henry DeSalvo in Big Trouble and as Mike Torello in Crime Story.
At Pulp Curry, Andrew Nette looks at In A Lonely Place, both Nicholas Ray’s cinematic adaptation and Dorothy B. Hughes’ original novel.« go back — keep looking »