You may have missed the news, but this is the 50th anniversary of a cheap, scrappy British science fiction series called Doctor Who. Like a fair number of folk my age, I first stumbled across Doctor Who one Saturday afternoon on PBS, back when PBS was able to air things like Doctor Who, The Avengers, The Prisoner, and it being cultural and all, Benny Hill. Unlike many, however, I seem to be one of the few people who came into the show not during an airing of the iconic Tom Baker years, but rather during the tenure of the man with the velvet smoking jackets and Venusian aikido. The Third Doctor, Jon Pertwee, was my introduction to Doctor Who, and he remains my favorite. Continue reading…
Indiewire talks to TV Club‘s Todd VanDerWerff about television criticism: “The way we’ve been selling ‘review’ versus ‘recap’ is ‘Should I watch this?’ versus ‘What did I just watch?’ The move toward episodic criticism has been a good thing for TV criticism on the whole, I think, but it’s started to run roughshod over the […]
This Cage Is Worms has some thoughts on Grand Theft Auto V, and Grand Theft Auto in general: “By making fun of ‘everything,’ GTAV is trying to convince us that it is above any real commitment to an ideology.” (via @bombsfall)
Emily Nussbaum writes about the complexity of one phone call in Breaking Bad‘s “Ozymandias” episode.
At The AV Club, Stephen Bowie makes, “The Case Against Breaking Bad,” while at The New York Times, A.O. Scott examines how <i>Breaking Bad</i>’s Walter White “found his inner sociopath.” and the beloved antiheroes of television’s current Golden Age.
Todd VanDerWerff spends a day in San Diego Comic Con’s Hall H and has some interesting observations about the film industry, fan culture, sexism and “Worshipping in the Ultimate Movie Church.”
At Teach Me Tonight, Kate Laity writes about Joanna Russ’ 1985 essay, “Pornography by Women for Women With Love”: “While the entire collection makes fascinating reading, I want to focus on the chapter “Pornography By Women For Women, With Love” as it provides some interesting roots for the ongoing academic dissections of romance writing today […]
The Ferroni Brigade considers how Lau Kar-Leung brought comedy to kung fu as well as scrutinized the kung fu film tradition that had come before him. David Bordwell writes about Lau and how sometimes stylized action captures the real better than “realism.”
NPR’s Monkey See blog shares a look at Adventure Time. “Adventure Time insists on emotional honesty.” (via @profmdwhite)
At Vern Reviews The Films Of Cinema, Outlaw Vern offers “one Seagalologist’s perspective on the ‘vulgar auteurism’ debate”: “The practitioners are trying to bring recognition to artists who they think are marginalized, but they’re accidentally creating a ranking of ‘vulgar auteur’ beneath ‘actual auteur.’ And that also shines a spotlight on the idea’s most glaring […]
“In a column just as true today as it was at the time of its writing, this reprint from the February 1998 issue of Game Developer magazine by game designer J.C. Herz blasts the industry conservatism and the retreading of familiar ideas.” Read it at Gamasutra.
Hey, everybody, Comics Alliance is back! (via @World_Of_Hurt)
At the School of Visual Art, Greil Marcus delivers a commencement speech discussing “high art” vs. “low art,” art, and influence. (Thanks, Andrew!)
At The Comics Journal, Joe McCulloch speaks to the legacy of Comics Alliance. The Beat‘s Steve Morris writes about what Comics Alliance meant to him. ” If Comics Alliance was known for anything – aside from the much-needed essays on prejudice and progression, aside from discussion of Batman punching people with car parts, aside from […]
Jim Emerson collects and breaks down the criticisms of Room 237, a documentary of people who obsess over Stanley Kubrick’s The Shining. And Drew Morton created a visual essay in response to the film.
“Room 237 is like an act of revenge from a filmmaker upon the critics,” writes Robert Greene in his review. And The Verge’s Adi Robinson interviews Room 237 director Rodney Ascher on The Shining, interpretation and conspiracy theories. “[Room 237 is] about what happens when the movie leaves the filmmaker’s hands, and the audience is […]
The Gutter’s own Carol writes about Roger Ebert, art and adapting: “I’ll miss Roger Ebert. He was complicated and messy and smart and talented and human.”
Matt Singer explores two elements that recur in all of Sam Raimi’s films, Pandora’s box and, “The Classic,” a 1973 Delta 88. “Using The Classic to play Uncle Ben’s car may have just been a fortuitous way for Raimi to shoehorn in his beloved trademark, but in the larger context of his career, it imbues […]
As Popshifter has pointed out, Suzy Menkes’ article about fashion, could apply to so many other cultural pursuits now: “It is great to see the commentaries from smart bloggers — especially those in countries like China or Russia, where there was, in the past, little possibility of sharing fashion thoughts and dreams[.] But two things […]
Monster Island Resort Podcast celebrates Women In Horror Month with a reading of horror forerunner, Romantic and Gothic novelist Ann Radcliffe’s “The Supernatural in Poetry.” Terror vs. Horror. Gore vs. No Gore. Realism vs. Atmosphere. It’s all discussed.
J. Robert Lennon has some advice on writing a bad review, including, “provide context,” “have a little fucking humility.” and “don’t be a dick.”keep looking »