The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Rockford Files, The Sopranos and Classic Television

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Friend of the Gutter, Will McKinley looks at “The 1979 Rockford Files Episode That Inspired The Sopranos.” “A gang from Newark’s South Side is hiding Vinnie Martine’s body in a restaurant freezer. Tony’s mad because Anthony Jr. got caught pranking another mobster. And a boss who’s trying to reform gets his mansion sprayed with bullets. […]

RIP, Larry Hagman

Actor and director (Son of Blob) Larry Hagman has died. The Guardian has an obituary. Joe O’Shea wrote a profile on Hagman’s birthday last September, which included Hagman talking about what he wanted done with his remains: “I would like to be minced. Did you ever see Fargo, when they put the guy in the […]

Ready for Prime Time in Belgrade

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This month Gutter Guest Star Kat Gligorijevic writes about watching tv and movies in Belgrade, Yugoslavia. Part 1 “Tumbling for Boy George in Baghdad” can be found here. It was the late ’80s and I was nine years old when my family returned to Belgrade from Baghdad. I was already a more sophisticated television viewer. […]

Dallas Episode IV: A New Hope

Ever wonder what Star Wars would look like as Dallas or Airwolf? Probably not, but it’s still worth seeing. (via Adult Swim) Like this:Like Loading…

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  • Of Note Elsewhere

    The Paris Review shares some of cartoonist Roz Chast’s intriguingly painted Easter eggs. See more at her website.

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    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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