The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Rockford Files, The Sopranos and Classic Television

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Friend of the Gutter, Will McKinley looks at “The 1979 Rockford Files Episode That Inspired The Sopranos.” “A gang from Newark’s South Side is hiding Vinnie Martine’s body in a restaurant freezer. Tony’s mad because Anthony Jr. got caught pranking another mobster. And a boss who’s trying to reform gets his mansion sprayed with bullets. […]

RIP, Larry Hagman

Actor and director (Son of Blob) Larry Hagman has died. The Guardian has an obituary. Joe O’Shea wrote a profile on Hagman’s birthday last September, which included Hagman talking about what he wanted done with his remains: “I would like to be minced. Did you ever see Fargo, when they put the guy in the […]

Ready for Prime Time in Belgrade

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This month Gutter Guest Star Kat Gligorijevic writes about watching tv and movies in Belgrade, Yugoslavia. Part 1 “Tumbling for Boy George in Baghdad” can be found here. It was the late ’80s and I was nine years old when my family returned to Belgrade from Baghdad. I was already a more sophisticated television viewer. […]

Dallas Episode IV: A New Hope

Ever wonder what Star Wars would look like as Dallas or Airwolf? Probably not, but it’s still worth seeing. (via Adult Swim)

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  • Of Note Elsewhere

    At Graveyardshift Sisters, Ashlee Blackwell writes about the complexity of Blaxploitation horror. “What is visceral, real to the fears of the oppressed, ignored, and patronized are often symbols of empowerment, showing true courage in the face of what’s on the screen and everyday circumstances to see a character figure who takes on the world. Whether that attempt is successful or not, Pandora’s Box of possibilities can flourish.”

     

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    At Graveyard Shift Sisters, Ashlee Blackwell looks at “Cinema’s Black Women Werewolves.” “At first viewed as monstrous, a deeper look would allow some semblance of compassion as horror films have originated in giving the monster character outside of its supposed and/or actual threat. Here, I wanted to look at two contrasts of the Black female as a werewolf to help us consider past attempts and possibly encourage future narratives.”

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    Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.

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    The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The mines, the scrap yards, the slums, perhaps most fittingly an abattoir streaked with grime and blood and offal (not all of it from slaughtered animals). Rather than being a slick fantasy world, Wasseypur takes place in a world that screams, ‘No one gets out of here alive.’”

    And The Times of India writes about the real life gangs of Wasseypur here.

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    A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)

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    A gallery of Medieval European beasts and creatures who can’t even.

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