The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Comics Alliance: The Return

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Hey, everybody, Comics Alliance is back! (via @World_Of_Hurt) Like this:Like Loading…

“¡Viva, Comics Alliance!”

At The Comics Journal, Joe McCulloch speaks to the legacy of Comics Alliance. The Beat‘s Steve Morris writes about what Comics Alliance meant to him. ” If Comics Alliance was known for anything – aside from the much-needed essays on prejudice and progression, aside from discussion of Batman punching people with car parts, aside from […]

“Ask Dr. Racism”

At 4thLetter, David Brothers, aka, “Dr. Racism,” talks about “Blackface, Cosplay, Intent, Reactions and Responsibility.” “You don’t have to know the history of race relations to not be a dick about race.” Like this:Like Loading…

“Me and My People Got History”

David Brothers writes about Luke Cage, comics history and how and why he writes about race. “I really, really care about this stuff. I care about others getting it right and I definitely care about getting it right myself. Otherwise, you get ‘LOL Luke Cage’ instead of treating the guy like his history is as […]

Leaving DC and Marvel

At Comics Alliance, David Brothers details why he decided to stop reading DC and Marvel comics. Meanwhile, The Comics Journal interviews Chris Roberson on why he decided to stop writing for DC. Like this:Like Loading…

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  • Of Note Elsewhere

    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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    Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies.

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    The sounds of failing hard drives. (via @wfmu)

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    Drive-In Mob has a variety of tremendous ringtones from In Like Flint‘s Derek Flint speaking porpoise to the Wilhelm Scream as well as other shenanigans like a club mix  and “Sissy Goforth and The Seven Dwarf’s Yodel Song”  created from Boom (1968). Drive-In Mob, it’s the shock of being alive. (The Cultural Gutter is a proud host of the weekly Drive-In Mob movie tweetalong).

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    Dangerous Minds has a brief overview of Nudie Cohn’s life and work–including a gallery of some of his amazing designs for Hank Williams, Gram Parsons, Elvis and Keith Richards. “Nudie Cohn’s influence went way beyond country though. As he adapted with the 1960s counterculture, his work became even more subversive—the ‘pot, pills and poppies suit’ he made for Gram Parsons…is one example, but was not the only time Cohn used druggy imagery. What made his work impressive though—be it the (supposedly $10,000 suit that cost $50 to make) gold lamé suit he made for Elvis or his own insane custom 1964 Pontiac Bonneville—was not only the over-the-top styling, but the sheer attention to detail and quality craftsmanship of a custom Nudie suit festooned with rhinestones or embroidery.”

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