The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Comics Alliance: The Return

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Hey, everybody, Comics Alliance is back! (via @World_Of_Hurt) Like this:Like Loading…

“¡Viva, Comics Alliance!”

At The Comics Journal, Joe McCulloch speaks to the legacy of Comics Alliance. The Beat‘s Steve Morris writes about what Comics Alliance meant to him. ” If Comics Alliance was known for anything – aside from the much-needed essays on prejudice and progression, aside from discussion of Batman punching people with car parts, aside from […]

“Ask Dr. Racism”

At 4thLetter, David Brothers, aka, “Dr. Racism,” talks about “Blackface, Cosplay, Intent, Reactions and Responsibility.” “You don’t have to know the history of race relations to not be a dick about race.” Like this:Like Loading…

“Me and My People Got History”

David Brothers writes about Luke Cage, comics history and how and why he writes about race. “I really, really care about this stuff. I care about others getting it right and I definitely care about getting it right myself. Otherwise, you get ‘LOL Luke Cage’ instead of treating the guy like his history is as […]

Leaving DC and Marvel

At Comics Alliance, David Brothers details why he decided to stop reading DC and Marvel comics. Meanwhile, The Comics Journal interviews Chris Roberson on why he decided to stop writing for DC. Like this:Like Loading…

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    Get your own copy of the Satanic Temple’s The Satanic Children’s Big Book of Activities!

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    At The Atlantic, Ta-Nehisi Coates writes about Dr. Doom: “Comics are so often seen as the province of white geeky nerds. But, more broadly, comics are  the literature of outcasts, of pariahs, of Jews, of gays, of blacks. It’s really no mistake that we saw ourselves in Doom, Magneto or Rogue.”

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    Actor Ken Takakura has died. Takakura starred in films such as Brutal Tales of Chivalry (1965); Red Peony Gambler (1968); Miyamoto Musashi: Duel at Ichijoji (1955) and Miyamoto Musashi: Duel at Ganryu Island (1956); as well as in co-productions like The Yakuza (1974); The Bullet Train (1975); Black Rain (1989) and Riding Alone For Thousands Of Miles (2005).  The Japan Times, The South China Morning Post and The AV Club have obituaries. Japan Subculture has an interview with Takakura. Here Takakura sings the theme to Abhashiri Prison (1965)

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    Producer, writer and director Glen A. Larson has died. Larson was responsible for creating tv series such as Battlestar Galactica, Magnum P.I, Knight Rider, The Fall Guy, Quincy M.E., The Hardy Boys/Nancy Drew Mysteries and Buck Rogers In The 25Th Century, about which the Gutter’s own Keith wrote here. The New York Times, The Hollywood Reporter and The AV Club have obituaries. Watch Larson’s interview from 2010 at “Battlestar Galactica: The Exhibition”.

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    At Re/Action, Maddy Myers writes about how important the Metroid franchise, in both game and manga form, and its protagonist, Samus Aran, were to her. “Samus still represents a breakthrough. She first took off her armor to reveal a woman’s form back in 1986, the year that I was born. Samus and I grew up separately, kindred spirits who did not find one another until 2007. A best friend, a fraternal twin sister, a clone separated at birth. Or so I felt, as I let myself slip behind that visor. I wasn’t Samus myself – not yet. I stood behind her, hanging back. Did I dare? Did I dare pretend, role-play, allow myself to act as Samus? Could I be that cool?”

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    Maddy Myers writes about playing violent games, wanting to be powerful and internalized sexism. “Given my lifelong history of playing at war, and my desperate wish to feel strong, big, and powerful, it made sense that I would gravitate towards Counter-Strike and its ilk around the age of 15. But Counter-Strike, with its all-male selection of avatars and predominantly male player base, allowed no room for princesses — and the guys I played with didn’t either. I developed some traits during that time that I regret now — the belief that I was ‘special,’ and that I was ‘better’ than other women I knew because I liked playing violent games and they didn’t. The guys I played with encouraged and reinforced this behavior, assuring me that I was ‘different from those other girls,’ that my liking violence made me ‘cool.’ Girl stuff is stupid, I told myself, as I bought pants from the men’s section, told sexist jokes, and mocked all the ‘girl stuff’ that I’d liked, not so many years prior.”

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