The Cultural Gutter

we've seen things you people wouldn't believe

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Desire For Certainty In Film

GetDownGutter_Thumb

“In the world of online film discourse, there’s a veritable cottage industry devoted to bringing certainty to ambiguity.” The Dissolve has more. Meanwhile, Film Critic Hulk writes about film logic, plot holes and “THE ONLY ANSWER THAT ACTUALLY MATTERS.”

“Where Have All The Midnight Movies Gone?”

Midnight Madness Programmer and Gutter Friend, Colin Geddes, is interviewed (along with many others) about the history of midnight movies from El Topo and Eraserhead till now.

Slate’s 25 Best Horror Films of the 2000s

Slate has a nicely ecletic and thoughtful list of the best horror films of the ’00s, including many Midnight Madness favorites and films by Rob Zombie, David Lynch, Takashi Miike, Sam Raimi, Tomas Alfredson, David Cronenberg, William Friedkin, Alexandre Bustillo and Julien Maury.

RIP, Dino De Laurentiis

Dino De Laurentiis has died at 91 after a long and incredibly varied career directing and producing movies such as Danger: Diabolik, Barbarella, Death Wish, Serpico, La Strada, Conan the Barbarian, Flash Gordon, Blue Velvet and Army of Darkness. The Guardian has an obituary and overview of his career in clips.

“This Pie’s So Good It Is A Crime”

MC Chris’s song, “Twin Peaks”: “This pie’s so good it is a crime.”

A Century of Cinematic Horror

Decade by decade, the Movie Morlocks look at 100 years of cinematic horror, starting with the 1910 silent, Frankenstein.

HELLO DOCTOR NAME CONTINUE YESTERDAY TOMORROW

Top 80.jpg

I had really hoped that my list of the top 10 films of the decade would be more surprising. Or perhaps I just assumed that I was less predictable. I thought about a lot of other films, some of which you’ll see in my runners-up rundown at the foot of this article, but these are […]

THE LONG WALK HOME

Lynch 80.jpg

“Now, if you’re playing the movie on a telephone, you will never in a trillion years experience the film. You’ll think you’ve experienced it. But you’ll be cheated. It’s such a sadness that you think you’ve seen a film on your [adjective deleted] telephone. Get real.”

AN ANICONIC ICON

Word baloon 80 2.jpg

This month we’re mixing it up at the Gutter, with the editors writing about something outside their usual domain. This week Ian Driscoll writes about comics. Well, mostly comics. When the Danish newspaper Jyllands-Posten published twelve editorial cartoons, several of which depicted the prophet Muhammad, well, you probably remember. Outcry. Controversy. Embassies on fire. All […]

DANGEROUS BECAUSE IT HAS A PHILOSOPHY

videodrome_80.jpg

In Videodrome, shortly before the arrival of the least sexy waiter in the history of cinema (no link for this, you’ll just have to go rent the movie), Max Renn (James Woods, no hyperlink needed) and Masha (Lynne Gorman, IMDb listing not interesting enough to link to) share the following exchange on the nature of […]

“I’ll kiss anything that moves!”

TV castrated my favourite movie

I’m sure it’s happened to all of us at one time or another. You’ll be flipping channels and arrive on a TV broadcast of one of your favourite motion pictures, one where you know lots of the scripted dialogue by heart. Then suddenly, as if one of the characters has been possessed, a different voice […]

  • The Book!

  • Support The Gutter

  • Of Note Elsewhere

    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

    ~

    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

    ~

    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

    ~

    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

    ~

    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

    ~

    Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n’roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the king. Enter the Khmer Rouge, communism and the war on intellectuals. Between 1975 and 1979, about 2 million Cambodians, roughly a third of the population, were rounded up and either were killed or died of starvation. Artists were particularly disliked by the Khmer Rouge, which saw creativity as decadence: Almost all of the biggest names perished during that era.”

    ~

  • Spilling into Twitter

  • Obsessive?

    Then you might be interested in knowing you can subscribe to our RSS feed, find us on Facebook and follow us on Twitter or Tumblr.

    -------

  • Weekly Notifications

  • What We’re Talking About

  • Thanks To

    No Media Kings hosts this site, and Wordpress autoconstructs it.

  • %d bloggers like this: