The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Desire For Certainty In Film

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“In the world of online film discourse, there’s a veritable cottage industry devoted to bringing certainty to ambiguity.” The Dissolve has more. Meanwhile, Film Critic Hulk writes about film logic, plot holes and “THE ONLY ANSWER THAT ACTUALLY MATTERS.” Like this:Like Loading…

“Where Have All The Midnight Movies Gone?”

Midnight Madness Programmer and Gutter Friend, Colin Geddes, is interviewed (along with many others) about the history of midnight movies from El Topo and Eraserhead till now. Like this:Like Loading…

Slate’s 25 Best Horror Films of the 2000s

Slate has a nicely ecletic and thoughtful list of the best horror films of the ’00s, including many Midnight Madness favorites and films by Rob Zombie, David Lynch, Takashi Miike, Sam Raimi, Tomas Alfredson, David Cronenberg, William Friedkin, Alexandre Bustillo and Julien Maury. Like this:Like Loading…

RIP, Dino De Laurentiis

Dino De Laurentiis has died at 91 after a long and incredibly varied career directing and producing movies such as Danger: Diabolik, Barbarella, Death Wish, Serpico, La Strada, Conan the Barbarian, Flash Gordon, Blue Velvet and Army of Darkness. The Guardian has an obituary and overview of his career in clips. Like this:Like Loading…

“This Pie’s So Good It Is A Crime”

MC Chris’s song, “Twin Peaks”: “This pie’s so good it is a crime.” Like this:Like Loading…

A Century of Cinematic Horror

Decade by decade, the Movie Morlocks look at 100 years of cinematic horror, starting with the 1910 silent, Frankenstein. Like this:Like Loading…

HELLO DOCTOR NAME CONTINUE YESTERDAY TOMORROW

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I had really hoped that my list of the top 10 films of the decade would be more surprising. Or perhaps I just assumed that I was less predictable. I thought about a lot of other films, some of which you’ll see in my runners-up rundown at the foot of this article, but these are […]

THE LONG WALK HOME

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“Now, if you’re playing the movie on a telephone, you will never in a trillion years experience the film. You’ll think you’ve experienced it. But you’ll be cheated. It’s such a sadness that you think you’ve seen a film on your [adjective deleted] telephone. Get real.” Like this:Like Loading…

AN ANICONIC ICON

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This month we’re mixing it up at the Gutter, with the editors writing about something outside their usual domain. This week Ian Driscoll writes about comics. Well, mostly comics. When the Danish newspaper Jyllands-Posten published twelve editorial cartoons, several of which depicted the prophet Muhammad, well, you probably remember. Outcry. Controversy. Embassies on fire. All […]

DANGEROUS BECAUSE IT HAS A PHILOSOPHY

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In Videodrome, shortly before the arrival of the least sexy waiter in the history of cinema (no link for this, you’ll just have to go rent the movie), Max Renn (James Woods, no hyperlink needed) and Masha (Lynne Gorman, IMDb listing not interesting enough to link to) share the following exchange on the nature of […]

“I’ll kiss anything that moves!”

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I’m sure it’s happened to all of us at one time or another. You’ll be flipping channels and arrive on a TV broadcast of one of your favourite motion pictures, one where you know lots of the scripted dialogue by heart. Then suddenly, as if one of the characters has been possessed, a different voice […]

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  • Of Note Elsewhere

    At Sequential Art, Ryan Carey deconstructs and reconstructs Jack Kirby’s OMAC . “In order to better understand OMAC, then, we’ll be taking things one piece at a time here — we’ll look at where the ideas came from, how they related to other views of the future popular at the time, where Kirby was, creatively and professionally, in 1974, and ultimately try to decipher precisely why all of this ended up in the shape it ultimately did.  After that, we’ll concern ourselves with the real nitty-gritty of examining each and every one of the series’ eight issues, before taking a look at how, and in what form, the legacy of both the character and the book continue, and evolve, to this day.”

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    Video of illustrator and character designer Katsuya Terada drawing and talking about his work. (via @aicnanime)

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    A 1,300-year-old Egyptian book of spells has been translated. “Among other things, the ‘Handbook of Ritual Power,’ as researchers call the book, tells readers how to cast love spells, exorcise evil spirits and treat “black jaundice,” a bacterial infection that is still around today and can be fatal.”

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    Zack and Steve go through and review Advanced Dungeons & Dragons Module S-1: The Tomb Of Horrors at WTF, D&D?!…so you don’t have to.

    “Steve: Most of the opening paragraph is a warning about difficulty. ‘You’ll never find the demi-lich’s secret chamber’ and the tomb is fraught with “terrible traps, poison gases, and magical protections.” It’s telling you not to play the adventure.

    Zack: Not just in that part. In the DM’s notes section at the start, Gygax explicitly warns Dungeon Masters that if your players enjoy killing monsters they will be unhappy with the adventure.

    Steve: ‘This module is only for parties that enjoy dying immediately and repeatedly.’ Oh, man, we’re not going to play though this thing are we?”

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    Dr. Nerdlove takes a brief break from helping the nerd get the girl to address something that’s been bugging him. “Pardon me while I go off on a bit of a media criticism/ rant here. So I’ve been enjoying the *hell* out of The Flash lately except for one thing: Iris Allen. Her character is screen death; every time she’s around, everything comes to a screeching halt.

    The problem is: it’s not her fault, it’s the writers. Rather like Laurel Lance in the first two seasons of Arrow, she has Lois Lane syndrome. Her (like Laurel and Lois) entire character arc is based around being ignorant of events that literally everyone else in her life is aware of.”

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    Get your own copy of the Satanic Temple’s The Satanic Children’s Big Book of Activities!

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