The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Dwayne McDuffie

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Animation and comics creator Dwayne McDuffie has died. Among his many accomplishments was the founding of Milestone Media, the animated Justice League, the Ben 10 animated series and most recently the animated All-Star Superman. Comics Alliance has more. And Pop Culture Shock remembers him. (If you are interested, Carol recently wrote an article about him). […]

Soundtracks for Your Awesomeness

Let J.G. Thirlwell’s Venture Bros. soundtrack bore into your skull until your every mundane mouse tap is explosions, necromancy and two-way wrist radios.  Make your life more brutal than you’ve ever imagined with Dethklok. Like this:Like Loading…

Detroit Metal City: No Music, No Dream

dmc krauser 80.jpg

We live in a time of film adaptations of comic books massive and tiny, from Iron Man and The Dark Knight to Wanted and The Surrogates. But I don’t need to see any more. I have seen Detroit Metal City and it is a testament to awesomeness. Like this:Like Loading…

In the Sewer with the Alligators

Hey everybody, let

I’m tired of the two-camera, hour-long drama. I’m tired of the Oscar-oriented mainstream film. I’m tired of “literary fiction,” you know, respectable middlebrow art. I don’t enjoy everyday reality heightened with swelling strings. I’m tired of realism’s conventions; so I’ve been turning to comics, pulp fiction, cartoons and genre film. Like this:Like Loading…

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  • Of Note Elsewhere

    Actor, director, writer and artist Leonard Nimoy has died. Nimoy was most famous for playing Spock in Star Trek, but he also appeared in Invasion of the Body Snatchers (1978), In Search Of…, Ancient Mysteries, Columbo, Fringe, The Man from U.N.C.L.E., Faerie Tale Theatre, Mission: Impossible, Dragnet and Bonanza.  Nimoy directed Three Men And A Baby (1987), two Star Trek films and an episode of Night Gallery (“Death on a Barge”) among others. The New York Times and The Guardian have obituaries. Here are some tweets from William Shatner’s online memorial for Nimoy. George Takei remembers Nimoy. Zachary Quinto remembers Nimoy. EW also has other remembrances, including one from President Obama. Code Switch’s Steve Haruch discusses Spock’s importance as a biracial character. Nimoy talks about his work at the Archive of American Television. You can see some of Nimoy’s photography here. And a reminder that Nimoy had an Etsy shop.

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    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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