The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

DC Variant Covers by Mike Allred

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A gallery of Mike Allred’s covers for twenty of DC’s titles. (via @profmdwhite) Like this:Like Loading…

Summer Fun Time Reading ’12

Summer’s come early this year, with the hum of air conditioners and fans in the air and the grass peacefully brown beneath my feet, the fireflies rising into the trees and all around the internet, Summer Top Ten lists are in bloom, from the Top Ten YA Summer Reads to the Top Ten Summer Eggplant Recipes […]

The Secret History of the Skeleton Suit (in Japan)

I appreciate Lord Death Man’s flair, his élan, panache, the way he daringly wears brown leather gloves, belt and boots with his high-contrast black and white skeleton suit—and makes it work. Of the many skeleton suits in the criminal underworld, I would wear Lord Death Man’s. Like this:Like Loading…

Interview with Devin Grayson

The Womanthology blog interviews Devin Grayson, as part of their neat  series of interviews with female comics  creators, “Inside the Creator’s Studio.” Grayson discusses acting and writing, writing game scripts, and writing Dick Grayson in his Nightwing guise. Like this:Like Loading…

10 Comics I Liked in 2010

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Sometimes it’s easy to forget why I like comics and 2010 was a particularly tough year, in comics and otherwise. But here are 10 that reminded me why I do like them. There’s a lot of crime, anthropomorphic animals, gorgeous art, silly fun, people dealing with things the best they can, and plenty of Greg […]

Batwoman: Elegaic

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In this time of uncertainty and dread, with Batman dying and Dick Grayson taking up the cowl, with dead Robins returning all crazy or replacing Batgirl, with Bruce Wayne taking a global crimefighting initiative Batman Inc. public, there’s one thing I am sure Gotham that has going for it: Batwoman. Like this:Like Loading…

Dick Grayson’s New Threads vs. Critters

Project Rooftop has Dick Grayson as Batman costume designs. Creature Spot has critter designs. Who wins? We all do! (Creature Spot via Super Punch). Like this:Like Loading…

So Many Fan Films!

The monkeys over at See Monkey round up a whole whack of fan film action including “the greatest fan film of all time,” which “def[ies] all laws of God, man and intellectual property and cramming vastly different fictive universes — Marvel, DC, Power Rangers, Ninja Turtles, you name it — into one great big ball […]

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  • Of Note Elsewhere

    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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    At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from key individuals and tribes. What it showed me was that you had to identify and build relationships with those opinion-formers – the DJs, the music industry, the fashion industry, the underground media.” (via @timmaughan)

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    Neill Cameron has re-imagined the characters of Parks & Recreation as members of Starfleet. (Via @neillcameron)

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