The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Johnny Depp: Where Did It All Go Wrong?”

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At Multiglom, Anne Billson considers the career of Johnny Depp. “The watershed, of course, was Pirates of the Caribbean: The Curse of the Black Pearl. Depp’s campy, flouncing Captain Jack Sparrow, modelled on Keith Richards, dismayed Disney executives, who thought he was ruining the film, but elevated a run-of-the-mill blockbuster into something deliciously off-kilter. Alas, […]

“How The Death Of The Mid-Budget Film Left A Generation Of Filmmakers MIA”

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“While we weren’t looking, the mid-budget adult-oriented motion picture has all but disappeared. And the gifted directors behind them are in danger of disappearing as well. Movie wonks and box-office watchers have written and talked about the death of mid-budget filmmaking, but mostly in business terms—as opposed to personal ones, contemplating the phenomenon’s effect on […]

“It’s Time To Retire The Disney Death”

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At The Dissolve, Tasha Robinson writes about the use and overuse of the “Disney Death” in both Disney and non-Disney animated films. “Still, no matter how ambitious, sophisticated, and elaborate American animated films become, the Disney Death still dominates. It’s spread outside Disney to all sorts of films, from cartoons to adult stories; it’s a […]

The De-Radicalization of American Girl Dolls

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At The Atlantic, Amy Schiller writes about Mattel’s changes to American Girl Dolls line.  from teaching girls to understand thorny historical controversies and build political consciousness” to customizable accessories reflecting their owners’ own lives. Alexandra Petri writes “Even more terrible things are happening to the American Girl brand than you thought” at The Washington Post. […]

Fatality: Femmes Fatale, Disappointment, Expectations and Fatale

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Expectations can be a killer, at least for me. I really expected to love Fatale (Image, 2012-4). I had every reason to. Writer Ed Brubaker, artist Sean Phillips and colorist Dave Stewart have made some of my favorite comics together: Sleeper; Criminal; Incognito; and Velvet. Brubaker’s Catwoman brought me back to mainstream comics. And Fatale […]

An Open Letter to John Chu

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“Is it so outrageous to think that someone my color would be rocking out in a girl band?” Lindsay Taylor reads an open letter to director John M. Chu, director of the upcoming live action film  Jem And The Holograms . Taylor talks about what the character Shana means to her as well as whitewashing, […]

Vengeful gods and other simulated
life failures

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When it comes to raising a child who can use words and interact with other humans, so far I seem to be succeeding, but I have to admit that my track record prior to this was not exactly promising. Aside from managing to keep an egg safe for a week in middle school, my first […]

The Desire For Certainty In Film

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“In the world of online film discourse, there’s a veritable cottage industry devoted to bringing certainty to ambiguity.” The Dissolve has more. Meanwhile, Film Critic Hulk writes about film logic, plot holes and “THE ONLY ANSWER THAT ACTUALLY MATTERS.” Like this:Like Loading…

Art, Guilt and Intellectual Insecurity

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Jennifer Szalai and Adam Sternbergh argue for removing the guilt from “guilty pleasures.”  And in reading Eleanor Catton’s recent essay about the perception of literary elitism, Laura Miller considers intellectual insecurity in the literary world: “You can find it among fans of easy-to-read commercial fiction who insist (on very little evidence) that the higher-brow stuff […]

“Artists Respond To DC’s Harley Quinn Contest”

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Here’s a gallery of artist responses to DC’s Harley Quinn contest. (Thanks, Mark!) Like this:Like Loading…

The Weinstein Company vs. Asian Cinema

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At Daily Grindhouse, Ric Meyers writes about, “A History of Disrespect: The Weinstein Company’s War on Asian Cinema.” Meanwhile, at Flavorwire, Jason Bailey asks and answers. “Why Do Asian Films Have To Be Dumbed Down For An American Audience?” Like this:Like Loading…

Violence As A Cheap Conflict Drug

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In discussing The Following, Todd VanDerWerff writes about violence & wanting “to be only cool moments”: “Violence becomes a kind of cheap conflict drug, and the show’s writers keep trying to get hit after hit. The effect wears thin, particularly for those familiar with horror movies, who will see every single twist coming.” Like this:Like […]

“Why Does Every Movie Released These Days Feel Exactly The Same?”

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It turns out there’s a reason why movies are starting to feel the same: “Summer movies are often described as formulaic. But what few people know is that there is actually a formula—one that lays out, on a page-by-page basis, exactly what should happen when in a screenplay. It’s as if a mad scientist has […]

Under The Dome, Reviewed

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Grady Hendrix reviews episodes of the tv adaptation of Stephen King’s Under The Dome for Tor.com. Science Fiction Editor Emeritus James wrote about the book here. They are both disappointed, but their disappointment is interesting and sometimes hilarious. Like this:Like Loading…

Writers and Readers

“I write because writing is necessary to me. I don’t do it for the money, or the fame, or the readers (although readers are great). I write because I want to, because I need to, and as such, readers’ opinions, welcome as they always are, won’t change a thing to what I do.” Author Joanne […]

“¡Viva, Comics Alliance!”

At The Comics Journal, Joe McCulloch speaks to the legacy of Comics Alliance. The Beat‘s Steve Morris writes about what Comics Alliance meant to him. ” If Comics Alliance was known for anything – aside from the much-needed essays on prejudice and progression, aside from discussion of Batman punching people with car parts, aside from […]

“Goodbye for Now, Wonder Woman”

Girls Gone Geek‘s Erika Peterman on why she’s no longer reading Wonder Woman. “At this point, it’s crystal clear that Brian Azzarello is not going to write the Wonder Woman comic I want to read. There’s a big disconnect between Cliff Chiang’s show-stopping, vibrant presentation of the character and the narrative, in which Wonder Woman […]

“The DC New 52 Timeline of Departures, Firings, and Bridge-Burnings”

Gutters and Panels has a convenient timeline of notable departures, firings and bridge-burnings at DC Entertainment since 2010. Like this:Like Loading…

Stepping Back with The Great And Powerful Oz

“With such a rich tapestry on and off the Oz page, it’s depressing that 2013 finds our return to Oz burdened with a reluctant hero (the dominant kind in the 21st century), and not one of Baum’s plucky young heroines. In a bitter reversal of Baum’s stories, ‘Great and Powerful’ casts the women as the […]

“The Circus of Fashion”

As Popshifter has pointed out, Suzy Menkes’ article about fashion, could apply to so many other cultural pursuits now: “It is great to see the commentaries from smart bloggers — especially those in countries like China or Russia, where there was, in the past, little possibility of sharing fashion thoughts and dreams[.] But two things […]

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  • Of Note Elsewhere

    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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    At Vox, Alex Abad-Santos interviews Kelly Sue DeConnick about feminism, raising girls and her new comic, Bitch Planet. “DeConnick says Bitch Planet, which debuted late last year, is her take on the exploitation films she loved as a kid. The sci-fi prison saga is confident, slick, and hilarious on multiple levels. But it also vibrates with frustration over the sexism still alive today and the impatience in wanting to eliminate it.”

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