I don’t remember how it was I first came across Adam Adamant Lives!, though I suspect it was the culmination of a plot put into motion the day I was born, my sole purpose for existing being so that I might one day discover a British television show about a swashbuckling Edwardian gentleman adventurer who is frozen by his mortal enemy and revived in swingin’ sixties London, at which time he teams up with a hip young woman and resumes his life of derring-do and crime-fighting. It’s as if the creative team at the BBC sat down one day and thought, “Well, some day Keith Allison going to be born, and he’s going to want to see this show.” Continue reading…
“Is it so outrageous to think that someone my color would be rocking out in a girl band?” Lindsay Taylor reads an open letter to director John M. Chu, director of the upcoming live action film Jem And The Holograms . Taylor talks about what the character Shana means to her as well as whitewashing, […]
When it comes to raising a child who can use words and interact with other humans, so far I seem to be succeeding, but I have to admit that my track record prior to this was not exactly promising. Aside from managing to keep an egg safe for a week in middle school, my first […]
“In the world of online film discourse, there’s a veritable cottage industry devoted to bringing certainty to ambiguity.” The Dissolve has more. Meanwhile, Film Critic Hulk writes about film logic, plot holes and “THE ONLY ANSWER THAT ACTUALLY MATTERS.”
Jennifer Szalai and Adam Sternbergh argue for removing the guilt from “guilty pleasures.” And in reading Eleanor Catton’s recent essay about the perception of literary elitism, Laura Miller considers intellectual insecurity in the literary world: “You can find it among fans of easy-to-read commercial fiction who insist (on very little evidence) that the higher-brow stuff […]
Here’s a gallery of artist responses to DC’s Harley Quinn contest. (Thanks, Mark!)
At Daily Grindhouse, Ric Meyers writes about, “A History of Disrespect: The Weinstein Company’s War on Asian Cinema.” Meanwhile, at Flavorwire, Jason Bailey asks and answers. “Why Do Asian Films Have To Be Dumbed Down For An American Audience?”
In discussing The Following, Todd VanDerWerff writes about violence & wanting “to be only cool moments”: “Violence becomes a kind of cheap conflict drug, and the show’s writers keep trying to get hit after hit. The effect wears thin, particularly for those familiar with horror movies, who will see every single twist coming.”
It turns out there’s a reason why movies are starting to feel the same: “Summer movies are often described as formulaic. But what few people know is that there is actually a formula—one that lays out, on a page-by-page basis, exactly what should happen when in a screenplay. It’s as if a mad scientist has […]
Grady Hendrix reviews episodes of the tv adaptation of Stephen King’s Under The Dome for Tor.com. Science Fiction Editor Emeritus James wrote about the book here. They are both disappointed, but their disappointment is interesting and sometimes hilarious.
“I write because writing is necessary to me. I don’t do it for the money, or the fame, or the readers (although readers are great). I write because I want to, because I need to, and as such, readers’ opinions, welcome as they always are, won’t change a thing to what I do.” Author Joanne […]
At The Comics Journal, Joe McCulloch speaks to the legacy of Comics Alliance. The Beat‘s Steve Morris writes about what Comics Alliance meant to him. ” If Comics Alliance was known for anything – aside from the much-needed essays on prejudice and progression, aside from discussion of Batman punching people with car parts, aside from […]
Girls Gone Geek‘s Erika Peterman on why she’s no longer reading Wonder Woman. “At this point, it’s crystal clear that Brian Azzarello is not going to write the Wonder Woman comic I want to read. There’s a big disconnect between Cliff Chiang’s show-stopping, vibrant presentation of the character and the narrative, in which Wonder Woman […]
Gutters and Panels has a convenient timeline of notable departures, firings and bridge-burnings at DC Entertainment since 2010.
“With such a rich tapestry on and off the Oz page, it’s depressing that 2013 finds our return to Oz burdened with a reluctant hero (the dominant kind in the 21st century), and not one of Baum’s plucky young heroines. In a bitter reversal of Baum’s stories, ‘Great and Powerful’ casts the women as the […]
As Popshifter has pointed out, Suzy Menkes’ article about fashion, could apply to so many other cultural pursuits now: “It is great to see the commentaries from smart bloggers — especially those in countries like China or Russia, where there was, in the past, little possibility of sharing fashion thoughts and dreams[.] But two things […]
“In an age when every conceivable permutation of pornography is immediately accessible for free online, the power dynamic between viewer and star has shifted. Most porn viewers are still quietly accessing the material from the privacy of their own homes, but because it’s so easy to get, the reverence has faded.” At the Adult Entertainment […]
“The Bicholim Conflict is a figment of a creative Wikipedian’s imagination. It’s a huge, laborious, 4,500 word hoax. And it fooled Wikipedia editors for more than 5 years.” The Daily Dot has more.
At Gutters and Panels, John Gholson shares his 3 biggest disappointments in comics this year.
“I don’t think she knows how the human body works.” Tonjes reads Chapter 1 and 2 of 50 Shades of Grey. For your further pleasure, “A (Drunken) Dramatic Reading” of 2 (NSFW) sex scenes by Gineriella. (And, in case you missed it, Jennifer Armintrout blogged her whole experience reading the book).
Matt Stoller Seitz writes about meeting a film on its own terms, suspending your own disbelief and watching From Russia With Love and Singin’ In The Rain with audiences who wouldn’t or couldn’t do either. (Thanks, @DriveInMob)keep looking »