The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Rookie Mistakes”

Tim Reis shares ten things he learned from producing his first independent feature The Demon’s Rook. “Making an independent feature film is hard. Making an independent feature film with no money is especially hard. Making an independent feature film with no money, no actors, and a first-time director and crew is almost impossible. It is […]

The Akira Project

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An amazing fan-made trailer for a live-action adaptation of Katsuhiro Otomo’s Akira. Like this:Like Loading…

Blast of Silence: Independent Filmmaking Then & Now”

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Allen Baron talks about making  his film, Blast of Silence, and the differences between making an independent film between then and now. “In the fall of 1959 I returned to NYC and decided to make my own movie. Making an independent feature film then was expensive, extraordinarily technical, and if the film was completed the […]

What’s New At No Media Kings?

CG Co-Founding Editor Jim Munroe and Matt Hamill have a new text game, Guilded Youth. Meanwhile, Jim’s latest movie, Ghosts With Shit Jobs, is now available on Xbox. Like this:Like Loading…

NIRO

Cameron Stewart has posted a preview of his upcoming, self-published comic, NIRO. See the pretty here. Like this:Like Loading…

Indiana Jones and the Mystery of Ravenwood’s Journal

Wired digs deeper into the mysterious journal sent to Henry Walton Jones, Jr., aka, Indiana Jones, at the University of Chicago. Like this:Like Loading…

RIP, Spain

Comix artist Spain Rodriguez has died. The Comics Journal has tributes from his fellow artists including Trina Robbins, R. Crumb, Mario Hernandez, Mary Fleener, Bill Griffith and Art Spiegelman Like this:Like Loading…

Attention, Horror Fans!

Couchcutter asks horror fans not to cheat themselves out of the future: “I’m not asking you to buy less Hollywood. I’m telling you that we *need* to buy more Independent. At least, if there is any independent stuff that you love or have ever loved. If one of the two have to suffer out of […]

DIY; Godel

For those DIY/artsy types out there, here’s a really thorough look at making your own boardgame prototypes (it’s amazing how much you can do at home with software and simple tools!). Also, Rudy Rucker digs up some conversations with Kurt Gödel from his archives. Like this:Like Loading…

Protein Patterns

Knit your own favorite amino acids according to these charts of all 20 at ChemKnits! Like this:Like Loading…

Ramsay International Horror

“The ‘Ramsay Brothers,’ as they are called, have in these films, and in India’s first horror show on television, featured ghosts, ghouls, monsters, zombies, witches, vampires and every conceivable version of things that go bump in the night. Mostly, they’ve been the first to do so.”  More on the Ramsay Brothers and Hindi film horror […]

Writers and Publishers

Anthony Horowitz dares ask whether publishers are necessary to writers anymore.  (via @IndoorsType) Like this:Like Loading…

A Decision to Self-Publish

Publishing powerhouse Jackie Collins explains her decision to self-publish and the business of books. Like this:Like Loading…

Ghosts With Sh*t Jobs Kickstarter and Premiere!

Gutter founder Jim Munroe’s new film, Ghosts With Shit Jobs, will be premiering in Toronto, Berlin and at the Sci Fi London Festival in the UK. Chip in to the Kickstarter campaign to bring the film to more cities. Like this:Like Loading…

Interview with Zale Dalen

Canuxploitation has an extensive interview with filmmaker Zale Dalen. They talk about filming in Vancouver, making educational shorts and Dalen’s Canuxploitation classic, Skip Tracer. Like this:Like Loading…

Steven Kostanski Talks Astron-6, Winnipeg and Manborg!

Filmmaker Steven Kostanski answers some questions about mysterious subjects such as, Astron-6, Winnipeg and his latest film, Manborg, questions posited by the Gutter’s own Carol Borden. Like this:Like Loading…

The Projection Booth Special Report

The Projection Booth covers Manos: The Hands of Fate, with a  look at the Kickstarter project to restore Manos, an interview Ben Solovey, a reading of a review of Manos‘ premiere screening in El Paso as well as also links a-plenty (including to the Kickstarter project and to a piece on Manos: The Hands of […]

Ghosts With Shit Jobs Site

The website for Jim Munroe’s new lo-fi, sci-fi flick, Ghosts With Shit Jobs, is now up with video clips from the film. (Full disclosure: Jim was a co-founding editor and video games editor for the Cultural Gutter). Like this:Like Loading…

Thinking about Video Games

Off Book goes in depth on video games with interesting discussions of interactivity, story telling, creativity, world-building and how video games help people understand and manipulate complex systems. Like this:Like Loading…

Horrible Imaginings Film Festival, 2011

The 2nd Annual Horrible Imaginings Film Festival could use some help horrifying San Diego. Check out the HIFF project page at the Indiegogo. Also, HIFF’ s line-up has been announced including many amazing indie shorts and the Classic Eyes Without A Face. Gutter-Approved! Like this:Like Loading…

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  • Of Note Elsewhere

    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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    At Vox, Alex Abad-Santos interviews Kelly Sue DeConnick about feminism, raising girls and her new comic, Bitch Planet. “DeConnick says Bitch Planet, which debuted late last year, is her take on the exploitation films she loved as a kid. The sci-fi prison saga is confident, slick, and hilarious on multiple levels. But it also vibrates with frustration over the sexism still alive today and the impatience in wanting to eliminate it.”

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