The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Drag Is Raw: Wrestlers, Queens And Gender As A Performance Art”

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At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a […]

Kansas City’s Drag Balls

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Private Birthday Party has a collection of photographs from Kansas City’s Drag Balls in the 1950s and 1960s.

Loving the Alien: Superman and Masculinity

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Since alex, Chris and I decided to write about masculinity this month, I’ve been thinking about Superman. Actually, I’ve been thinking and rethinking Superman almost as long as I’ve been writing for The Cultural Gutter. I began really thinking about him while watching Justice League and Justice League Unlimited. I’ve spent most of my life—and […]

Two Interviews with Divine

Two interviews with Divine from a 1981 documentary and on NPR’s Fresh Air with Terry Gross.

The Woman in the Costume

“Look for the woman in the dress. If there is no woman, there is no dress.” –Coco Chanel “The core of the issue for me is the integrity of the superhero and that’s something that I take very seriously and the costume figures prominently in that. It would have to. And that’s why with Star […]

Cosplaying the Monarch, Dr. Girlfriend and Dr. Mrs. the Monarch

Adult Swim has a video interviewing a group of Venture Bros. cosplayers who attended San Diego Comic Con as The Monarch, Dr. Girlfriend and Dr. Mrs. The Monarch. There’s also a little bit of Rusty Venture.

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  • Of Note Elsewhere

    A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)

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    A gallery of Medieval European beasts and creatures who can’t even.

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    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

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    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

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    In  Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence.

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    Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

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