The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Strong Female Character

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A little while ago, a friend told me that I was a “strong woman.” It was a compliment and I took it as one. Part of me knows what he means, that I keep trying, that I pick myself up as best I can after things go to hell, that I try to keep moving. […]

Crimewave!

It seems like when people think of comics, they think of superheroes, but there was a long time when crime and comics were synonymous. And now it seems like some of the best comics around are crime books. There’s a new golden age, a new crimewave in comics. I’ve been meaning to write about it, […]

10 Comics I Liked in 2011

It’s the beginning of January, cold and dark where I am. The critics are all putting out their best of year lists, and maybe you’re looking for something to read. So here’s my entry into annual lists: 10 comics I liked in 2011 that I haven’t written about. Well 9 comics I haven’t written about […]

Ed Brubaker on Fresh Ink

Comic writer Ed Brubaker joins Blair Butler on Fresh Ink online. Find out what comics he likes right now.

Batwoman: Elegaic

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In this time of uncertainty and dread, with Batman dying and Dick Grayson taking up the cowl, with dead Robins returning all crazy or replacing Batgirl, with Bruce Wayne taking a global crimefighting initiative Batman Inc. public, there’s one thing I am sure Gotham that has going for it: Batwoman.

10 Comics I Liked in 2009

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It’s that time of year when writers list the year’s best things. This year, some people are listing the decade’s best. And, oh, my temples ache because if there’s someone who manages to read every comic every year for a decade, let alone every comic setting fans a-twitter, that someone’s not me.

Catwoman: Silicon-Injected

Who are Catwoman

In 2001, Catwoman was everything I ever wanted in a comic. I admit I was a sucker for her new look. A woman’s stompy black boots are her pride and Catwoman’s boots were stompy, black and flat after years of thigh high Pretty Woman stilettos. Not to mention that zippers with rings, black leather, kitty […]

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    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

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    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

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    In  Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence.

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    Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

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    Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available).

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    The Guardian has collected some responses Haruki Murakami gave to reader questions at the Edinburgh International Book Festival. “I don’t have any idea at all, when I start writing, of what is to come. For instance, for The Wind-Up Bird Chronicle, the first thing I had was the call of the bird, because I heard a bird in my back yard (it was the first time I heard that kind of sound and I never have since then. I felt like it was predicting something. So I wanted to write about it). The next thing was cooking spaghetti – these are things that happen to me! I was cooking spaghetti, and somebody call. So I had just these two things at the start. Two years I kept on writing. It’s fun! I don’t know what’s going to happen next, every day. I get up, go to the desk, switch on the computer, etc. and say to myself: ‘so what’s going to happen today?’ It’s fun!”

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