As soon as the old detective starts talking about buying a boat and all the fish he’s going to catch, or what the view will be like from his back window when he retires, you pretty much know he’s not gonna make it. Or maybe he will, but not without taking a bullet in the gut first just to psych you out. It’s not because he’s not a good guy – in fact he’s often the most genuinely decent, likeable character. It’s because life isn’t fair, and bad guys are only clearly bad if they hurt good people. And, like a bad boyfriend/girlfriend, the movie wants to hurt you so it can be the one to make you feel better. Continue reading…
For someone with a well-documented history of cowardice, I really like Hallowe’en. Yes, the holiday comes replete with ghosts and ghoulies, and a porous boundary between the living and the dead. It produces scads of creepy costumes, and an endless supply of horrible slasher films. But to all that I say: candy! There’s more to it, of […]
I’ve been thinking about heroes and archetypes again (which is not actually news: story archetype is a sandbox in which I happily spend a lot of time). Feels like it’s everywhere these days. A few weeks back I was on a panel at the World Fantasy Convention that discussed love and monsters. Alex and Carol […]
Generally speaking, Romances are divided into two broad groups: contemporary and historical. Those distinctions are somewhat fluid. For instance, although it used to refer to anything set after 1900, ‘contemporary’ now encompasses anything set after World War II. ‘Historical’, meanwhile, covers everything else.
In the spirit of the season, here are ten, in alphabetical order by author.