The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Kraken Wakes

In 1965 CBC Radio adapted John Wyndham’s alien invasion story,”The Kraken Wakes.” Keep watching the skies as you listen here.

Linda Bronte’s Terrifying Vision of Things To Come

There were not three Brontë Sisters, but four. Only Linda knew the future we all face.

Interview with Joe Gage/Tim Kincaid

At Fangoria, Sean Abley interviews Joe Gage, director of the Gay porn “Working Man Trilogy” (L.A. Tool and Die; Kansas City Trucking Co.; and El Paso Wrecking Co.) as well as a bunch of low-budget horror movies under the name, “Tim Kincaid.” (Thanks, Matt!)

The Last Canadian

Grady Hendrix reads London Free Press editor William C. Heine’s The Last Canadian, a plague-driven, apocalyptic pulp set in Montreal. Unfortunately, the protagonist’s citizenship papers haven’t come through before the plague hits.  For Canadian pulp fiction featuring full Canadian citizens, check out Tales from the Vault, curated by own own Screen Editor Emeritus, Ian Driscoll.

10 Comics I Liked in 2011

It’s the beginning of January, cold and dark where I am. The critics are all putting out their best of year lists, and maybe you’re looking for something to read. So here’s my entry into annual lists: 10 comics I liked in 2011 that I haven’t written about. Well 9 comics I haven’t written about […]

Red Skies: Soviet Science Fiction

A thorough and well-illustrated look at Soviet science fiction, from the 1920s through the 1980s. (via SF Signal)

10 Thankfully Deleted Scenes

Cracked presents 10 deleted scenes–with video clips–that would have ruined movies, from the very good, Alien, to the very bad, Revenge of the Sith.

Midnight Madness 2011

The line-up for the Midnight Madness Programme at the Toronto International Film Festival has been announced and the Gutter has some trailers and images for the films! Smuggler (directed by Funky Forest‘s Katsushito Ishii); The Day; Livid (from the directors of A L’Interieur/Inside); Kill List; The Incident; God Bless America (directed by Bobcat Goldthwait); Lovely […]

Summer Fun Time Reading ’11

It’s summer time and instead of beer bottles exploding out of coolers in a shower of refreshing ice, bikini-clad hotties and fireworks as we know it should be, everything is wilting and perhaps even melting. As far as I can tell there are only two possible explanations—Hot Lava Monsters have readjusted the earth’s thermostat to […]

Jim Munroe’s Rapture

The Gutter will help you get ready for the Rapture in Chicago with Gutter Founding Editor Jim Munroe’s Therefore, Repent! (free here) and the sequel set in Post-Rapture Detroit, Sword of My Mouth, featuring excellent art Shannon Gerrard.  The Rapture isn’t what we think it is. (Full disclosure: Carol was an editor on both and […]

Zombie Preparedness

The Center for Disease Control has some tips to help you survive a zombie apocalypse (or more prosaice emergency).

42 Deaths In Just Over A Minute

Every zombie death in The Walking Dead. 42 deaths in 1:09. (via @SFSignal)

What Do Zombies Mean to Americans?

Meanwhile, Annalee Newitz presents, “A Brief History of Zombies in America.”

Space Battleship Yamato

Here’s the opening 2 minutes of the new live-action Space Battleship Yamato. (I grew up with Space Battleship Yamato as Star Blazers). (Thanks, August Ragone!)

The Ladies of The Walking Dead

Yan Basque is troubled by the gender dynamics and female characters in The Walking Dead. Kelly at She Has No Head takes a look at 10 female characters and tries to see the shining moments in characters she’s not entirely comfortable with.

Gamma, Go!

Gamma World unboxed and Gamma World reviewed. It’s all part of the fallout at New York Comic Con 2010.

Midnight Madness 2010 Trailers

Here are trailers for 6 of the 10 movies at the Toronto International Film Festival’s Midnight Madness program this year: Fubar II; The Vanishing on 7th Street; The Butcher, The Chef and The Swordsman; Red Nights; Fire of Conscience; and Stake Land. (SUPER, Insidious, Bunraku and John Carpenter’s The Ward don’t have trailers yet).

No to Zombie Apocalypse!

Katie Doyle doesn’t want there to be a zombie apocalypse….

Shaft vs. Scarface

Shaft vs. Scarface, and other comics based on (mostly 80s) movies that should be.

Watch Your Head

Bladewood provides us all a much needed timeline of the events in the Doctor Who season/series 5 finale. Watch your head, please.

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  • Of Note Elsewhere

    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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