I don’t remember how it was I first came across Adam Adamant Lives!, though I suspect it was the culmination of a plot put into motion the day I was born, my sole purpose for existing being so that I might one day discover a British television show about a swashbuckling Edwardian gentleman adventurer who is frozen by his mortal enemy and revived in swingin’ sixties London, at which time he teams up with a hip young woman and resumes his life of derring-do and crime-fighting. It’s as if the creative team at the BBC sat down one day and thought, “Well, some day Keith Allison going to be born, and he’s going to want to see this show.” Continue reading…
When I was about 12, my parents took me to see a stage version of Tolkien’s The Lord of the Rings performed with life-sized puppets. As Frodo was agonizing over pitching his precious ring into the fiery pit of Mount Doom, Sam, exhausted from the epic journey but determined to help his beloved friend, inched […]
The trouble with endings, of course, is that they are really difficult to do well. I’ll try to take that warning to heart myself, since this piece will be my last for The Cultural Gutter. And what better way to wrap up a really fun time on a neat project than to look at endings!
Becky Chambers breaks down the controversy around the ending of Mass Effect 3 in a spoiler-free, accessible and interesting article at The Mary-Sue.
The Aquaman Shrine says good-bye to Batman: The Brave and The Bold, the cartoon in which Aquaman was the break-out star, with a look at the last episode, “Mitefall!,” and an interview with James Tucker, producer of Batman: The Brave and The Bold.
Science studies whether spoilers spoil. Strangely enough, they might not. Even more strangely, they might make the spoiled story more enjoyable.
College Humor fixes ambiguous endings from The Graduate to The Sopranos to No Country for Old Men. I’d be happier if Anton Chigurh were taken out by Llewellyn Moss’ ninjitsu, though.
Disturbing as hell, an elegantly constructed first-person plunge into the mind of a maniac, a teenager who murdered kids when he was a kid (and got away with it), and now has elaborate rituals that mostly involve killing small mammals. As a first novel, that’s one way to make a splash – The Wasp Factory […]
I call it a bait and switch. The first book in Philip Pullman’s His Dark Materials trilogy, The Golden Compass, was an adventure fantasy that was fast-paced and written in an incredibly smooth style. Intrigue, danger, children in peril, armoured polar bears, witch clans at war with each other, and above all, a girl named […]
I’ve noticed recently that otherwise good stories have been let down by their endings. It’s partly due to the expectations of the audience: you can imagine any kind of ending you want, but when the ending finally arrives, it’s been narrowed down to a single one of those possibilities and it might not be as […]