The Cultural Gutter

unashamed geekery

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Catharsis denied: when fiery doom
is an anti-climax

lego mount doom 2

When I was about 12, my parents took me to see a stage version of Tolkien’s The Lord of the Rings performed with life-sized puppets. As Frodo was agonizing over pitching his precious ring into the fiery pit of Mount Doom, Sam, exhausted from the epic journey but determined to help his beloved friend, inched […]

The Trouble with Endings, Part 2: The Re-conclusioning

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The trouble with endings, of course, is that they are really difficult to do well. I’ll try to take that warning to heart myself, since this piece will be my last for The Cultural Gutter. And what better way to wrap up a really fun time on a neat project than to look at endings!

What Changing An Ending Means

Becky Chambers breaks down the controversy around the ending of Mass Effect 3 in a spoiler-free, accessible and interesting article at The Mary-Sue.

An Outrageous Farewell

The Aquaman Shrine says good-bye to Batman: The Brave and The Bold, the cartoon in which Aquaman was the break-out star, with a look at the last episode, “Mitefall!,” and an interview with James Tucker, producer of Batman: The Brave and The Bold.

The Psychology of Spoilers

Science studies whether spoilers spoil. Strangely enough, they might not. Even more strangely, they might make the spoiled story more enjoyable.

No More Uncertain Endings

College Humor fixes ambiguous endings from The Graduate to The Sopranos to No Country for Old Men. I’d be happier if Anton Chigurh were taken out by Llewellyn Moss’ ninjitsu, though.

Breaking into the Business by Being Really, Really Disturbing

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Disturbing as hell, an elegantly constructed first-person plunge into the mind of a maniac, a teenager who murdered kids when he was a kid (and got away with it), and now has elaborate rituals that mostly involve killing small mammals. As a first novel, that’s one way to make a splash – The Wasp Factory […]

His Dark Ending

The anti-Narnia has a stinker of an ending

I call it a bait and switch. The first book in Philip Pullman’s His Dark Materials trilogy, The Golden Compass, was an adventure fantasy that was fast-paced and written in an incredibly smooth style. Intrigue, danger, children in peril, armoured polar bears, witch clans at war with each other, and above all, a girl named […]

The Trouble with Endings

Hey Spielberg! Get somebody to finish the script.

I’ve noticed recently that otherwise good stories have been let down by their endings. It’s partly due to the expectations of the audience: you can imagine any kind of ending you want, but when the ending finally arrives, it’s been narrowed down to a single one of those possibilities and it might not be as […]

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  • Of Note Elsewhere

    The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.

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    Actor James Shigeta has died. Shigeta appeared in Die Hard (1988), The Crimson Kimono (1959) The Flower Drum Song (1961),  Bridge To The Sun (1961), Paradise, Hawaiian Style (1966), The Yakuza (1974) and many, many television shows.  The AV Club, Den Of Geek and Angry Asian Man have obituaries. Bridge to the Sun is discussed by Robert Osborne and Dr. Peter Feng on TCM.  At RogerEbert.com, Matt Zoller Seitz writes an appreciation of Shigeta’s life and work. “Shigeta, who died yesterday at 81, was a marvelous performer, and his work as Nakatomi Corporation President Joseph Takagi in the original 1988 Die Hard is one of my favorite examples of how an imaginative actor can sketch out a life in just a few scenes and lines.”

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    At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)

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    At Never Get Off The Bus, Debbie Moon writes about Captain America: First Avenger. “When adapting existing material, it’s easy to assume that in order to reach point F, you simply have to work through points A – E. To set up Steve Rogers in the modern world, simply romp briskly through everything that happened before he got there. But your character may not be undergoing a single united emotional journey during that period. “

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    At Sequart, friend of the Gutter Colin Smith is taking an exhaustive look at the American superhero comics of Mark Millar–and by exhaustive, we mean, “28 Part.”

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    Friend of the Gutter, Will McKinley writes about his past as a soap opera fan and the return of a classic soap opera, The Doctors, and its significance for the genre.

     

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