The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Komik Indonesia

Devil Dog de la Rosa! The Blind Man from the Ghost Cave! Gundala, Son of Thunder and the Mahabharata’s own Bisma! Komik Indonesia has a huge gallery of cover art!  Glaaar! (onomatopeia for thunder in Indonesian).

Sita, Rama, Annette Hanshaw

Sita Sings the Blues is a multilayered Ramayana, an amazing display of animation prowess and Sita sings in the voice of 1920s jazz singer Annette Hanshaw. It’s neater than I make it sound. Make some time.

An Engineer and a Dreamer

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Sad news: Arthur C. Clarke, science fiction writer and inventor/scientist, died recently – at the age of 90, he had a full life, but it’s still a great loss. To mark his passing, I picked up my favourite of his books, Childhood’s End, and gave it a re-read. Some of his other accomplishments, like his [...]

Young Man’s Burden

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It’s one of the most successful fantasy series of all time, and the author died while writing the twelfth and final volume. What to do? The show must go on, but who would want to take time out from their own work to finish the damn thing? A young writer named Brandon Sanderson said goodbye [...]

Battlefield Asia

Looking for movies that combine big battles with the pain of Chinese history? How about: The Warlords, with Jet Li, Andy Lau and Takeshi Kaneshiro; the rape-free Mongol, with Tadanobu Asano as Temujin/Genghis Khan; An Empress and the Warriors, with Donnie Yen, Kelly Chen and Leon Lai; and after being roughed up by Hollywood John [...]

Floating Along in the World of Rivers and Lakes

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As the martial arts world of rivers and lakes flow, some of it seeps down to me here in the gutter. The last few months I’ve been soaking in wuxia, a Chinese genre of historical and fantastic epics about the adventures of xia, errant chivalrous heroes. 

Robert Jordan Remembered

Some words for Robert Jordan’s passing, and on the series he left unfinished: “Jordan stretched his ambitious tale even further, to a dozen books, until it was not just a Dark Tower but a literary Tower of Babel possessing all of the attendant frenzied hubris such an analogy demands.”

Not So Happy Ending

King puts himself in the story; he also screws with the happy ending formula.

Talk about a long journey. Stephen King wrote the first line of a short story called “The Gunslinger” in 1970, at the beginning of his career, and the first volume of the Dark Tower series was published in 1982. Nearly 35 years after its humble beginnings, the series has come to its conclusion with the [...]

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  • Of Note Elsewhere

    “It’s easier to tell the same stories everyone else does. There’s no particular shame in it.

    It’s just that it’s lazy, which is just about the worst possible thing a spec fic writer can be.

    Oh, and it’s not true.”

    Kameron Hurley writes about lazy writing, cannibal llamas, female soldiers, and women here. (Thanks, James!)

    ~

    Patton Oswalt’s multi-franchise super-movie described in his Star Wars filibuster from Parks and Recreation, animated.

    ~

    Corrigan Vaughan writes an open letter to “Fans of Geek Things“: “I appreciate that you think I have a nice rack and that some of you even find my friends and I to be pretty. That’s very kind. I’m not, however, super in love with the fact that having a rack at all seems to preclude me from being considered a ‘real’ fan.”

    ~

    The Black Girl Nerds Podcast discusses Black girls and women in the Heavy Metal industry with author and journalist Laina Dawes and Ursula “She-Wolf” Parson from Hear Evil News.

    ~

    The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a feeling of excitement: What if the film is scarier than I thought it’s going to be? You’re taken into that world. Nowadays, you can sit in the theater and know it’s going to be safe. That’s good for business, but not for filmmaking.”

    ~

    The Atlantic profiles Spectral Motion, creators of monsters, “effects, and other mechanical grotesqueries that have since become household nightmares, if not names.”

    ~

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