The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

a little bit of evil keeps you alive

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It’s inside you. If you’re talking about blood or cookies, that’s a good thing. You definitely want those inside you. If you’re talking about aliens or zombie viruses, not so much, right? Well, 99% of the time the answer is probably ‘Hell, no!’ but the other 1% makes it a much more interesting question than […]

“The Circus of Fashion”

As Popshifter has pointed out, Suzy Menkes’ article about fashion, could apply to so many other cultural pursuits now: “It is great to see the commentaries from smart bloggers — especially those in countries like China or Russia, where there was, in the past, little possibility of sharing fashion thoughts and dreams[.] But two things […]

Is that a gun in your sweatpants?
Art, morality and The Superbowl

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I told my 3 year old that I’d find a bed for his google-eyed dinosaur. “I promise, sweetheart.” Then, after 45 minutes of ducking in and out of his room with him crying and the senile cat howling in the background while I tried to write an article, I threw the dinosaur across the living […]

“No Matter How Hard They’re Punched: Superheroes and Real World Issues”

Books and Adventures finishes off a series on comics and educations with a discussion of superheroes and real world issues between Books and Adventures’ Matt Finch, Professor Mark D. White of CUNY; Tom Miller of McMaster University; critic, screenwriter and University of Melbourne graduate student, Martyn Pedler; and artist-educator and doctoral candidate at Teachers College, […]

Leaving DC and Marvel

At Comics Alliance, David Brothers details why he decided to stop reading DC and Marvel comics. Meanwhile, The Comics Journal interviews Chris Roberson on why he decided to stop writing for DC. Like this:Like Loading…

6000 Words on Summer Comic Book Movies

Over at The Hathor Legacy, we find out Why Captain America is Better than X-Men: First Class and Thor: “Captain America is very much a movie about the choices people make, and trying to be a good person, which is pretty rare in mainstream cinema.” Like this:Like Loading…

Are Video Games Moral?

Are video games moral? Yes, but what does “moral” mean, writes Oliver Saenz in “Killing Grannies, Slaughtering Monsters and Leveling the Fuck Up.” Like this:Like Loading…

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  • Of Note Elsewhere

    NPR interviews Hank Willis Thomas on his exhibition showcasing images of white women in advertizing. It’s a follow up to his 2008 exhibition, “Unbranded: Reflections in Black by Corporate America.” “I think what happens with ads — when we put text and logos on them, we do all the heavy lifting of making them make sense to us. But when you see the image naked, or unbranded, you start to really ask questions.”

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    Our friends at Pornokitsch share a 1898 Philadelphia Press article on ghosts of the Capitol in Washington, D.C.

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    The Journal of Popular Romance Studies interviewed author Joanna Russ in 2007 about slash fiction: “Her 1985 essay, ‘Pornography By Women For Women, With Love’ helped to set the terms of the discussion for feminist scholars who followed, and it is widely cited in fan studies. Russ argues that fantasy has to be read in more complex ways than simply seeing it as an effort at one-dimensional wish fulfillment. She posits fantasy as something rich and metaphorical. She reads slash as a genre that tells us new things about women’s sexuality and sexual desire, things that—in 1985—weren’t being talked about except in the very divided feminist ‘sex wars,’ where ‘pro-sex’ and ‘anti-porn’ feminists created ever more polarized stances.”

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    At Hyperallergic, Jeremy Polacek writes about the history of Afrofuturism and the Brooklyn Academy of Music’s exhibit, “Space Is The Place: AfroFuturism On Film”:  “Afrofuturism is an empowering rubric, an approach and aesthetic that clarifies and connects history and the hope, creativity, and pain there within. Afrofuturism is wry, wise, and leveling — it believes that a brighter, more equal, funkier future is within the realm of possibility. You can be different; this world can be different — self-invention commingles with worldly reinvention; Africa is both glorious past and technocratic future.

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    Sweet Jane shares a 1967 fashion editorial shoot mixing mod fashion and the work of illustrator Aubrey Beardsley. (via arabellesicardi.com)

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    BBC Radio 4 is presenting an adaptation of Ursula Le Guin’s The Left Hand Of Darkness. You can listen to the first episode here. There are also other features, including an interview with Le Guin. (via Pornokitsch)

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