The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

a little bit of evil keeps you alive

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It’s inside you. If you’re talking about blood or cookies, that’s a good thing. You definitely want those inside you. If you’re talking about aliens or zombie viruses, not so much, right? Well, 99% of the time the answer is probably ‘Hell, no!’ but the other 1% makes it a much more interesting question than […]

“The Circus of Fashion”

As Popshifter has pointed out, Suzy Menkes’ article about fashion, could apply to so many other cultural pursuits now: “It is great to see the commentaries from smart bloggers — especially those in countries like China or Russia, where there was, in the past, little possibility of sharing fashion thoughts and dreams[.] But two things […]

Is that a gun in your sweatpants?
Art, morality and The Superbowl

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I told my 3 year old that I’d find a bed for his google-eyed dinosaur. “I promise, sweetheart.” Then, after 45 minutes of ducking in and out of his room with him crying and the senile cat howling in the background while I tried to write an article, I threw the dinosaur across the living […]

“No Matter How Hard They’re Punched: Superheroes and Real World Issues”

Books and Adventures finishes off a series on comics and educations with a discussion of superheroes and real world issues between Books and Adventures’ Matt Finch, Professor Mark D. White of CUNY; Tom Miller of McMaster University; critic, screenwriter and University of Melbourne graduate student, Martyn Pedler; and artist-educator and doctoral candidate at Teachers College, […]

Leaving DC and Marvel

At Comics Alliance, David Brothers details why he decided to stop reading DC and Marvel comics. Meanwhile, The Comics Journal interviews Chris Roberson on why he decided to stop writing for DC. Like this:Like Loading…

6000 Words on Summer Comic Book Movies

Over at The Hathor Legacy, we find out Why Captain America is Better than X-Men: First Class and Thor: “Captain America is very much a movie about the choices people make, and trying to be a good person, which is pretty rare in mainstream cinema.” Like this:Like Loading…

Are Video Games Moral?

Are video games moral? Yes, but what does “moral” mean, writes Oliver Saenz in “Killing Grannies, Slaughtering Monsters and Leveling the Fuck Up.” Like this:Like Loading…

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  • Of Note Elsewhere

    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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    Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies.

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    The sounds of failing hard drives. (via @wfmu)

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    Drive-In Mob has a variety of tremendous ringtones from In Like Flint‘s Derek Flint speaking porpoise to the Wilhelm Scream as well as other shenanigans like a club mix  and “Sissy Goforth and The Seven Dwarf’s Yodel Song”  created from Boom (1968). Drive-In Mob, it’s the shock of being alive. (The Cultural Gutter is a proud host of the weekly Drive-In Mob movie tweetalong).

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    Dangerous Minds has a brief overview of Nudie Cohn’s life and work–including a gallery of some of his amazing designs for Hank Williams, Gram Parsons, Elvis and Keith Richards. “Nudie Cohn’s influence went way beyond country though. As he adapted with the 1960s counterculture, his work became even more subversive—the ‘pot, pills and poppies suit’ he made for Gram Parsons…is one example, but was not the only time Cohn used druggy imagery. What made his work impressive though—be it the (supposedly $10,000 suit that cost $50 to make) gold lamé suit he made for Elvis or his own insane custom 1964 Pontiac Bonneville—was not only the over-the-top styling, but the sheer attention to detail and quality craftsmanship of a custom Nudie suit festooned with rhinestones or embroidery.”

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